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It is a common statement that Hellenistic historiography is ‘moralising’. This is often combined with statements to the effect that Hellenistic historiography is ‘rhetorical’ and less ‘serious’ or in some other way less worthy and less plain good than Classical historiography. That what makes historiography ‘good’ is a matter of taste and changing values has been discussed in the Introduction to this book and will also be a topic for its Conclusion. In the present part we shall face the claim that ‘moralising’ is a phenomenon exclusively of Hellenistic historiography. Through an examination of the works of the three extant Classical historiographers – that is, Herodotus, Thucydides and Xenophon – I shall demonstrate that moral didacticism was a central concern of each author, and that their histories do, in fact, moralise. We shall see how the Classical works show forerunners of the types of moralising we have become familiar with from the Hellenistic histories, but also how they employ different moralising techniques of their own. We shall also consider what messages their moralising conveys. In the final chapter we shall then look at the fragments of three late Classical works of history, namely those of the Oxyrhynchus Historian, Ephorus and Theopompus, in order to get a sense of how the development from Classical to Hellenistic moral didacticism took place.
The three extant Classical historiographers will be discussed chronologically. In each chapter we begin with a look at the preface and programmatic passages in order to see what they say about the purpose of the work; then we proceed to examine the moralising techniques used and then the moral lessons offered by the work. Chapter 7 discusses what can be surmised about the moral didacticism of three late Classical historiographers from their preserved ‘fragments’ and what this might tell us about the development from Classical to Hellenistic moral didacticism.
No one could hope to take account of everything written about Herodotus, Thucydides and Xenophon in a single book, much less in a part of a book. I do not aim to give an overview of scholarship on any of these historiographers, or to reference every important or interesting monograph or article that discusses their works.
In this chapter, we shall examine the remnants of some of the most famous and influential works of history written in the Hellenistic period. These works have fared less well across the millennia than those of Polybius and Diodorus and only survive in fragmentary form, but it is important to remember that in their day they were as real, tangible and genre-defining as the works that have accidentally been transmitted in fuller form. If we want to understand moral didacticism in Hellenistic historiography, we have to examine these ‘fragments’ and try to catch as many glimpses a possible of the magnificent works they once were. In the previous chapter we saw how Diodorus’ moralising changes with his change of sources, but also how many of his moralising themes are present regardless of the identity of his source, although with different degrees of emphasis. I argued that this shows that not just moral didacticism but moralising on a specific set of themes was a ubiquitous feature of late Classical and Hellenistic historiography, present in all the authors Diodorus used as sources. In this chapter we shall test that hypothesis against the evidence of the ‘fragments’ of some of his likely sources.
We know hundreds of names of authors who wrote history in this time period, and a selection has to be made somehow. The works examined in this chapter have been chosen on the basis of two criteria. The first criterion is their importance for the development of the genre of historiography, to judge from the number and type of references to them in later authors including Polybius and Diodorus – except for Hieronymus of Cardia, who is included because of a twentieth-century scholarly obsession with seeing his work as more ‘serious’, which at least partly equals ‘non-moralising’, than those of his peers and close successors. The other criterion is genre: I have included only historians who wrote the same subgenre(s) of historiography as Polybius and Diodorus, namely ‘universal history’ or ‘continuous history’, rather than local history or monographs about single wars or events. In practice, this means leaving out the Alexander historians (despite the fact that Diodorus certainly used one of them as his main source for book 17) as well as local historians including the Atthidographers.
Polybius is our starting point because he is obviously, explicitly and unashamedly a moral-didactic historian. He repeatedly stresses that the purpose of studying the past is to learn lessons that will be of use in the present. This is recognised by most Polybius scholars, but there is a widespread tendency to think of these lessons as purely practical rather than moral: Pédech, in his monumental La Méthode Historique de Polybe, devotes chapters to Polybius’ notions of psychology and his rhetorical method of comparison, but only touches on his moral didacticism in passing; Walbank says that Polybius saw history as ‘a way to attain practical ends by learning lessons’; Sacks in his monograph on Polybius’ views on historiography argues that his practical didacticism so far outweighs his moral didacticism that the latter ‘ought to be considered random digressions without historiographical import’; and even two otherwise excellent – and very different – more recent monographs on Polybius, by McGing and Maier, largely ignore the moralising aspect. In this way the moralist Polybius has been played down in favour of the image of the practical, pragmatic and often rather cynical Polybius, who wrote a ‘handbook for statesmen’ with digressions on such amoral topics as fire-signalling and how to calculate the needed length of scaling ladders.
This image, with which the present study wants to take serious issue, is often coupled with the equally dubious idea that Polybius wrote his work partly to justify his ‘collaboration’ with Rome and only used moral outrage to cloak his partisanship. There is no denying that Polybius shows political bias: he is obviously sympathetic to Achaea and scornful of the Aetolians, and also often sides with Rome against its opponents. However, his bias is commonly exaggerated: Polybius is not simply a blind approver of everything Roman. Furthermore, as already argued in the Introduction, moral views and political views do not exist in separate spheres, but feed off each other. Polybius supported the Achaean League because he had been born into its leading circles, but also because he believed that the League's laws were the most morally just of any political organisation he knew (2.38).
Thucydides is generally considered the paragon of an amoral historiographer. Even if most scholars (classicists, at least, if not historians) nowadays agree that his History is not an ideal, objective account of events ‘just as they happened’, few are happy to talk about ‘moralising’ or even moral didacticism in the work. Rather than moralising, it is common to look for Thucydides’ political views, psychological insights, political theory or personal opinions, which are assumed to be more or less hidden in the text. I would argue that, like other Greek historiographers before and after him, Thucydides did not distinguish between moral and political opinions, or between moral and practical didacticism. In this chapter, we shall search Thucydides’ History, first for the types of moralising we have seen in Polybius and Diodorus, then for other ways of teaching moral lessons, and finally we shall ask what those moral lessons might be. At the end, I hope it will be clear that Thucydides is not a lone non-moralising historiographer, but that there are features of his moral didacticism that set him apart from his predecessor and successors.
PREFACE
The introduction to Thucydides’ History is deliberately structured on the same framework as the introduction to Herodotus’ Histories: a brief proem presenting the author and his work (1.1) followed by a quick overview of ancient/mythological history (the Archaeologia, 1.2–19), followed by a second first-person statement setting out part of his methodology (1.21–2).
An important purpose of the proem is to distinguish his work from that of Herodotus, without ever mentioning the latter's name: the war (not even the account of it, but the actual war) is ‘written’ rather than ‘a presentation’, and the fact that the author himself lived through the war and experienced it is emphasised, whereas Thucydides insists that it is ‘impossible’ to find reliable information to do what Herodotus did, namely write about earlier time periods. Moreover, Thucydides’ topic is the ‘greatest disturbance there has ever been for the Greeks and a part of the barbarians’, these latter surely being mentioned exclusively for the benefit of readers who might think that Herodotus’ topic was greater in geographical scope, at least, if not in importance. We shall soon see that Thucydides and Herodotus have more in common than Thucydides is letting on.
Ancient biography is now a well-established and popular field of study among classicists as well as many scholars of literature and history more generally. In particular biographies offer important insights into the dynamics underlying ancient performance of the self and social behaviour, issues currently of crucial importance in classical studies. They also raise complex issues of narrativity and fictionalization. This volume examines a range of ancient texts which are or purport to be biographical and explores how formal narrative categories such as time, space and character are constructed and how they address (highlight, question, thematize, underscore or problematize) the borderline between historicity and fictionality. In doing so, it makes a major contribution not only to the study of ancient biographical writing but also to broader narratological approaches to ancient texts.
The Assyriologist George Smith (1840–76) was trained originally as an engraver, but was enthralled by the discoveries of Layard and Rawlinson. He taught himself cuneiform script, and joined the British Museum as a 'repairer' of broken cuneiform tablets. Promotion followed, and after one of Smith's most significant discoveries among the material sent to the Museum - a Babylonian story of a great flood - he was sent to the Middle East, where he found more inscriptions which contained other parts of the epic tale of Gilgamesh. In 1875, he published a history of Assyria for the 'Ancient History from the Monuments' series. Using biblical accounts as well as the Akkadian documents in clay and stone then being excavated in the area, Smith traces the history of the Assyrian empire from its origins until the fall of Nineveh in 612 BCE. Several other books by Smith are also reissued in this series.
In this book, Bill Gladhill studies one of the most versatile concepts in Roman society, the ritual event that concluded an alliance, a foedus (ritual alliance). Foedus signifies the bonds between nations, men, men and women, friends, humans and gods, gods and goddesses, and the mass of matter that gives shape to the universe. From private and civic life to cosmology, Roman authors, time and time again, utilized the idea of ritual alliance to construct their narratives about Rome. To put it succinctly, Roman civilization in its broadest terms was conditioned on ritual alliance. Yet, lurking behind every Roman relationship, in the shadows of Roman social and international relations, in the dark recesses of cosmic law, were the breakdown and violation of ritual alliance and the release of social pollution. Rethinking Roman Alliance investigates Roman culture and society through the lens of foedus and its consequences.
This 1999 book is about the religious life of the Greeks from the eighth century BC to the fifth century AD, looked at in the context of a variety of different cities and periods. Simon Price does not describe some abstract and self-contained system of religion or myths but examines local practices and ideas in the light of general Greek ideas, relating them for example, to gender roles and to cultural and political life (including Attic tragedy and the trial of Socrates). He also lays emphasis on the reactions to Greek religions of ancient thinkers - Greek, Roman, Jewish and Christian. The evidence drawn on is of all kinds: literary texts, which are translated throughout; inscriptions, including an appendix of newly translated Greek inscriptions; and archaeology, which is highlighted in the numerous illustrations.
The classical scholar J. P. Mahaffy (1839–1919) is known equally for his work on Greek texts and Egyptian papyri (his edition of The Flinders Petrie Papyri is reissued in the Cambridge Library Collection). He graduated from Trinity College, Dublin, and spent the rest of his working life there, ultimately as provost from 1914 until his death. In this illustrated 1887 work, Mahaffy describes Alexander's extraordinary conquest of territories in Europe, Africa and Asia, the collapse of his empire after his death, and the later subjugation of the successor kingdoms to the power of Rome. With his American collaborator Arthur Gilman (1837–1909), Mahaffy discusses Alexander's place in history before giving a close account of his career and death. The successor dynasties, and dominant rulers such as Demetrius II and Pyrrhus, their feuds and their attempted resistance to the rise of Rome, are depicted in an engaging and dramatic narrative.
The American archaeologist James H. Breasted (1865–1935) published this history in 1906. His intention was to create a one-volume work which would be suitable for the increasing number of tourists visiting the Nile valley, for those interested in the rise of Greek and Roman civilisation, and for students of the Old Testament. Drawing on Breasted's own four-volume Records of Egypt, which contains fresh readings and translations of almost all of the ancient Egyptian historical inscriptions available at the time, the book follows the conventional chronology from 'earliest Egypt' to the Old Kingdom and the Middle Kingdom, characterised as a 'feudal age', the intermediate period of the Hyksos, and the New Kingdom, described here as 'the Empire'. The account ends with 'the Decadence', invasions by Libyans and Nubians, and the Persian conquest after the battle of Pelusium in 525 BCE. The book contains nearly 200 photographs and drawings.