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In this book, Ann Marie Yasin reveals the savvy and subtle ways in which Roman and late Roman patrons across the Mediterranean modulated connections to the past and expectations for the future through their material investments in old architecture. Then as now reactivation and modification of previously built structures required direct engagement with issues of tradition and novelty, longevity and ephemerality, security and precarity-in short, with how time is perceived in the built environment. The book argues that Roman patrons and audiences were keenly sensitive to this. It traces spatial and decorative configurations of rebuilt structures, including temples and churches, civic and entertainment buildings, roads and aqueducts, as well as the ways such projects were marked and celebrated through ritual and monumental text, to chart how local communities engaged with the time of their buildings at a material, experiential level over the course of the first six centuries CE.
The artistic category of relief has long dominated scholarly discussions of ancient Greco-Roman art for good reason: images in relief pervaded ancient visual culture from the rise of the Greek city-state through to the Christian era. They are witnessed in public and private contexts; terracotta, bronze, and stone media; techniques as varied as incision, modelling, or repoussé; and scales from the miniature to the monumental. Precisely because of the ubiquity and fluidity of ancient relief, the category as such has not been given full consideration in own right, and many questions have remained under-theorized. Boasting an international cast of contributors, this volume addresses key questions about relief across the geographic and temporal scope of the ancient world, including how relief was conceptualized within antiquity, what role materials and techniques played in its creation, and what the relations were between relief media and their effects on viewers.
In The Art of Queenship in the Hellenistic World, Patricia Eunji Kim examines the visual and material cultures of Hellenistic queens, the royal and dynastic women who served as subjects and patrons of art. Exploring evidence in the interconnected eastern Mediterranean and western Asia from the fourth to second centuries BCE, Kim argues that the arts of queenship were central to expressions of dynastic (and sometimes even imperial) consolidation, continuity, and legitimacy. From gems, coins, and vessels to monuments and sculpture, the visual and material cultures of queenship appeared in a range of sacred settings, public spaces, royal courts, and domestic domains. Encompassing several dynasties, including the Hecatomnids, Argeads, Ptolemies, Seleucids, and Attalids, Kim inaugurates new methods for comparing and interpreting visual articulations of queenship and ideal femininity from distinct yet culturally entangled contexts, thus illuminating the ways that women had an impact art and politics in the ancient world.
Late Antiquity marked one of the most significant transitions in European history-one that saw the rise of Christianity and the transformation of the classical Mediterranean world of ancient Rome. The richness of its art and the wealth of its archaeological remains have increasingly been recognised in recent decades and new discoveries and ongoing research are currently altering the ways in which we perceive the period. These two volumes provide a wide-ranging guide to the art and archaeology of the period 300-700 CE. Key monuments and artifact-types are discussed and placed in their historical contexts, but significant attention is also paid to the main cities, regions and peoples playing a prominent role in the history of the period as well as to some key issues and debates in its study. The chapters are written by leading experts and will be invaluable for any student or scholar interested in the period.
Late Antiquity marked one of the most significant transitions in European history-one that saw the rise of Christianity and the transformation of the classical Mediterranean world of ancient Rome. The richness of its art and the wealth of its archaeological remains have increasingly been recognised in recent decades and new discoveries and ongoing research are currently altering the ways in which we perceive the period. These two volumes provide a wide-ranging guide to the art and archaeology of the period 300-700 CE. Key monuments and artifact-types are discussed and placed in their historical contexts, but significant attention is also paid to the main cities, regions and peoples playing a prominent role in the history of the period as well as to some key issues and debates in its study. The chapters are written by leading experts and will be invaluable for any student or scholar interested in the period.
This is a study of religion and cult in Hellenistic temples and sanctuaries with special reference to the incorporation of the Roman Imperial cult in Anatolian temples.
This is a chapter on the architectural analysis and comparison of the Artemis Temple of Sardis and other Hellenistic temples with special reference to their architectonic qualities explicated through the philosophies of Jonathan Kepler and Louis I. Kahn.
This is a summary description of the Temple of Artemis at Sardis and its construction history as revealed through its two phases of excavation, 1910-1914 and 1958-current.
This is a detailed archaeological and architectural description of the Temple of Artemis at Sardis as an Ionic pseudodipteros in comparison to others of the same type in Asia Minor.
This is a historical, archaeological and architectural consideration of the Temple of Artemis at Sardis with special reference to Hellenistic Queen Stratonike, who inspired its creation.