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5894 results in Classical art and architecture

Page 82 of 295

Visualizing the Afterlife in the Tombs of Graeco-Roman Egypt
  • Marjorie Susan Venit
  • Published online:
    05 November 2015
    Print publication:
    24 November 2015
  • Lost in Egypt's honeycombed hills, distanced by its western desert, or rendered inaccessible by subsequent urban occupation, the monumental decorated tombs of the Graeco-Roman period have received little scholarly attention. This volume serves to redress this deficiency. It explores the narrative pictorial programs of a group of decorated tombs from Ptolemaic and Roman-period Egypt (c.300 BCE–250 CE). Its aim is to recognize the tombs' commonalities and differences across ethnic divides and to determine the rationale that lies behind these connections and dissonances. This book sets the tomb programs within their social, political, and religious context and analyzes the manner in which the multicultural population of Graeco-Roman Egypt chose to negotiate death and the afterlife.

The Topography of Rome and its Vicinity
  • Volume 2
  • William Gell
  • Published online:
    05 November 2015
    Print publication:
    02 February 2012
    First published in:
    1834
  • The antiquary Sir William Gell (1777–1836) was most famous for his two books on the archaeological discoveries at Pompeii (also reissued in this series) but his interest in the topography of classical sites resulted in several other publications, including this two-volume work, first published in 1834. The work was intended to accompany a map (available to download at http://www.cambridge.org/9781108042109) of the territory of ancient Rome, for which the field research and surveying activities were carried out in 1822. It provides alphabetical entries (from Abbatone to Zagarolo) on all the sites in Rome and its environs, with their modern names and populations, and their significance in ancient history and literature. Volume 2 also contains essays on the history and languages of ancient Italy, and supplements to various entries, where new discoveries had been made during the course of the work's preparation.

The Image of the Artist in Archaic and Classical Greece
  • Art, Poetry, and Subjectivity
  • Guy Hedreen
  • Published online:
    05 November 2015
    Print publication:
    26 November 2015
  • This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, and sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.

Page 82 of 295