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A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 17 contains the March and June issues for 1818.
A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 22 contains the September and December issues for 1820.
A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 23 contains the March and June issues for 1821.
A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 33 contains the March and June issues for 1826.
A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 10 contains the September and December issues for 1814.
A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 2 contains the September and December issues for 1810.
A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 7 contains the March and June issues for 1813.
The Greeks inscribed their works of art and craft with labels identifying mythological or historical figures, bits of poetry, and claims of ownership. But no type of inscription is more hotly debated or more intriguing than the artist's signature, which raises questions concerning the role and status of the artist and the work of art or craft itself. In this book, Jeffrey M. Hurwit surveys the phenomenon of artists' signatures across the many genres of Greek art from the eighth to the first century BCE. Although the great majority of extant works lack signatures, the Greek artist nonetheless signed his products far more than any other artist of antiquity. Examining signatures on gems, coins, mosaics, wall-paintings, metalwork, vases, and sculptures, Hurwit argues that signatures help us assess the position of the Greek artist within his society as well as his conception of his own skill and originality.
A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 14 contains the September and December issues for 1816.
A precursor of modern academic journals, this quarterly periodical, published between 1810 and 1829 and now reissued in forty volumes, was founded and edited by Abraham John Valpy (1787–1854). Educated at Pembroke College, Oxford, Valpy established himself in London as an editor and publisher, primarily of classical texts. Edmund Henry Barker (1788–1839), who had studied at Trinity College, Cambridge, became a contributor and then co-editor of this journal, which fuelled a scholarly feud with the editors of the Museum criticum (1813–26), a rival periodical (also reissued in the Cambridge Library Collection). Although its coverage overlapped with that of its competitor, the Classical Journal also included general literary and antiquarian articles as well as Oxford and Cambridge prize poems and examination papers. It remains a valuable resource, illuminating the development of nineteenth-century classical scholarship and academic journals. Volume 3 contains the March and June issues for 1811.