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The first large discoveries of Menander seem to have given courage to a school of critics who thought Terence a crude and bungling adapter; their attitude is typified by the learned article about him written for Pauly-Wissowaby Günther Jachmann. This exaggeration provoked a counter-exaggeration; a school arose which thought Terence a great original poet, treating his originals as Shakespeare did Plutarch; this was the view of Norwood in England, Croce and various followers in Italy, Erich Reitzenstein in Germany. Then truth began to emerge between the extremes, notably in the exact and intelligent study of Terence's individuality which Hans Haffter published in 1953; in 1968 Walter Ludwig modified the picture, claiming somewhat less
ALL classical palaeographers are familiar with Persius' roster of writing materials:
Now we take the book to hand, and the two-coloured parchment purged of hair, and papyrus, and a knotty reed.
Of the items mentioned, only ‘two-coloured parchment’ presents any difficulty.I hope in this article to present at least a possible solution to this problem.
An obvious supposition would be that Persius is merely referring to the natural differences in colour between the two sides of a piece of parchment.
Niebuhr saw that several paragraphs had been lost from the beginning of the Caesar; Ziegler suggested that the lacuna extended to the end of the Alexander. Both hypotheses are confirmed, if the identification of two new fragments is admitted.
At 10. 11 p. 368, Zonaras is epitomizing the text of Caes.; he recounts the Story of Caes. 60. 3, and continues: Editors leave the provenance of the passage unspecified: ‘addita sunt pauca de nomine Caesaris‘ (Wolf). The correction of the vulgar error might perhaps be an inference of Zonaras himself—though such an original contribution to historical polemic would be unique; but the erroneous version, at least, must come from somewhere. It is not found in any of Zonaras' sources for this period, nor in any surviving book which he certainly knew. Nor is it likely to be an addition from his own general knowledge.
Many reasons have been put forward to explain why Aeneas and the Sibyl should depart through the gate of ivory, which lets out ‘false dreams’. The two views which have perhaps been found the least unsatisfactory are those of W. Everett and the one most recently championed by Brooks Otis.
Everett suggested that it was a common belief in antiquity that false dreams occur before midnight, and true dreams after midnight; he went on to suggest that Aeneas left Hades before midnight, when only the ivory gate would be open. That there was such a common belief has been disputed by, among others, H. R. Steiner.