Epaminondas the soldier has been much admired. His two great battles rank as masterpieces of the military art. Epaminondas himself perhaps regarded them as his greatest achievements, to judge by his last words as reported by Diodorus (15. 87). He had been carried from the battlefield of Mantinea with a spear stuck in his chest. The doctors declared that when the spear was removed he would die. After hearing that his own shield was safe and that the Boeotians had won, he ordered that the spear be removed. One of his friends said to him ‘But you die without a son.’ He answered ‘I do, by God, but I leave two daughters, my victory of Leuctra and my victory of Mantinea’, and then he died. Nor were his ‘daughters’ unadmired. By remarkable chance the future Philip II of Macedon was hostage at Thebes at the very time of Epaminondas' pre-eminence and did not fail to learn, as Chaeronea was to show

The consuls of 284, according to the Fasti Capitolini, were L. Caecilius Metellus Denter and C. Servilius Tucca. Of Tucca we know nothing else at all, and if the literary sources also tell us that Metellus Denter was defeated and killed by Gauls at Arretium, the date of this setback and Metellus' status at the time have long been matter for dispute. The surviving accounts of Rome's campaigns against the Gauls in this period fall into three categories. First, there is Polybius, who apparently sets Metellus' death in 284 and terms him , prima facie consul. Then there are the sources which seem clearly to derive from a later, annalistic tradition; they describe Metellus as praetor and place his death in 283. And finally there is Appian, whose account represents an attempt to conflate these views and consequently falls between two stools; in his account Metellus is not even mentioned.

A. W. Verrall (The Altar of Mercy, Literary Essays Classical and Modern, Cambridge, 1913) considers rightly that the scene at Thebaid I 2. 481 ff. is ‘the cardinal point of the whole poem’. I hope to show that Statius has portrayed the goddess Clementia as a force which functions in a way very different from that which his readers would expect from their experience of the usage of the word clementia and that his new portrayal is closely related to a theme of the poem. I shall suggest that his redefinition of the concept was inspired by the political situation in which he found himself. The Altar of Mercy focuses Statius' thoughts on the position of man in the universe and of the individual in society, and coming as it does after eleven books of disaster offers some comfort to man in his suffering. Statius is concerned in the Thebaid with man as a tragic victim, and the Altar of Mercy affords him comfort precisely in that area in which he most seeks it.

This passage is interpreted by all commentators and translators as follows: ‘Or how shall we call it glorious that I went out to fight the hydra and the lion at the command of Eurystheus—and shall I not labour to shield off death from my own children ?’ The purpose of my note1 is to suggest (i) that we have here a very remarkable use of the verb , and (2) that Euripides used it here with a precise and subtle intention