This article examines the philosophical significance of nature (ϕύσις) in Plato’s Allegory of the Cave. The word is used in the protasis of the conditional clause at 515bc where Socrates proposes to inquire into ‘what the manner of the release and healing from these bonds and this folly would be if in the course of nature (ϕύσϵι) something of this sort should happen to them’. This instance of ‘nature’ has been a matter of philological and philosophical debate, with attention paid principally to the narrow passage of the allegory for reconstructing Plato’s meaning. This article argues from the standpoint of the argument of the dialogue as a whole, showing that a particular reading of ϕύσις coheres with the conception of human nature in the Republic’s moral psychology. The discussion begins with consideration of the difficulties presented by the manuscript tradition, which sees variation in the recording of the clause in question. Then the attempts by scholars to resolve the problem—or else to express their inability to resolve it—are addressed and shown to be unsatisfactory. Finally, an interpretation that connects the mention of ϕύσις with Plato’s conception of the philosophic nature, described in Book 6 of the dialogue, is offered.

This article argues that a new stylometry of Hermann’s Bridge identifies unexpected metrical trends in authors, eras and speakers. Using computational and statistical means, it provides the first comprehensive survey of breaks and quasi-breaks of Hermann’s Bridge and analyses them according to corpus, formulaic constructions and the narratology of character speech. This approach both complements previous studies of the Bridge and enables future research into its potential literary effects.

This article deals with Hecataeus of Miletus fr. 310 Jacoby, featuring a curious list of islands located along the Nile, and bearing Greek names such as Ephesus, Chios, Lesbos, Kypros and Samos. Scholars generally assume the list, composed in the late sixth or early fifth century, represents joint Greek emporia established on Egyptian soil, thereby serving as a reliable testimony to the emergence of collective Greek identities during the late Archaic period. The composition of the list, along with the contemporary historical, cultural and archaeological contexts of its place names, is examined with particular emphasis on the collective identities of the islanders. On this basis, it is contended that the list lacks any evidence pertaining to Greek commercial footholds or collective identities in Egypt. Rather, fr. 310 serves as a practical navigational mnemonic, delineating culturally familiar geographical landmarks to assist Greek sailors in traversing a complex foreign river passage. The fragment now emerges as a valuable historical document, illuminating Greek navigational knowledge and practices during the late Archaic period.

This article attempts the first systematic look at the use of similes in the poetry of the imperial Greek poet Triphiodorus. It proposes that Triphiodorus, having access to a vast repository of epic poetry (and similes), draws on existing formulas, mechanisms and vocabulary, which he slightly modifies to make his mark. It concludes that similes i) are used to humorous effect, ii) occasionally defy Homeric rules and categorization, iii) offer a stage for emulation, competition or rivalry with predecessors, and iv) reflect key tenets of the poem’s programme.