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Pierre-Louis Gatier, almost twenty years ago in 1996, presented to the academic community an attempt to sketch the state of play of studies concerning the relationships between the ‘caravan city’ par excellence, Palmyra, and its closest western neighbour, the city of Emesa. That contribution constituted the first attempt at reconsidering and putting into discussion hypotheses and opinions, which, despite being formulated in the fifties, mainly by Henri Seyrig, were still prevalent in modern research. Gatier’s contribution affirmed Emesa’s right to an autonomous identity and an independent historical evolution despite the enormous disparity in the information available between the two cities. This chapter tries to show, through putting into discussion the epigraphic sources used to prove a direct link between the two cities and presenting some brand new ones, that if, on the one hand, Gatier’s Emesa could exist ‘sans Palmyre’, there is no convincing reason, on the other, to think that the Palmyrene trade network needed Emesa and that the goods from the East had to pass through Palmyra’s western neighbour to reach the Mediterranean coast.
This paper examines Cyrenaica’s capacity for cereal production, focusing on Cyrene’s wheat output supporting the Greek cities. It also explores the region’s favourable agricultural conditions and presents local Hellenistic inscriptions that document cereal cultivation over three centuries. The paper argues that the wheat sent from Cyrene to the Greeks during the Hellenistic period was offered as a donation rather than exported for profit. This argument is supported by three main points: first, the quantities mentioned represent only a quarter, or possibly less, of Cyrene’s annual wheat production; second, a Greek poetic inscription from Cyrene (second or early third century AD) praises the city for donating one hundred ships of grain to aid the Greeks; and, third, literary references describe Cyrenaica and Cyrene as renowned for cereal production, particularly wheat. Literary references, together with epigraphic evidence, also reflect the ongoing demand for wheat among both Greeks and Romans. It concludes that Cyrene was one of the important sources of wheat for these nations, and that it was widely known as a provider of free wheat shipments during times of hardship. It also suggests that Cyrene commemorated the Hellenistic wheat consignment because it was given as a gift.
The artistic category of relief has long dominated scholarly discussions of ancient Greco-Roman art for good reason: images in relief pervaded ancient visual culture from the rise of the Greek city-state through to the Christian era. They are witnessed in public and private contexts; terracotta, bronze, and stone media; techniques as varied as incision, modelling, or repoussé; and scales from the miniature to the monumental. Precisely because of the ubiquity and fluidity of ancient relief, the category as such has not been given full consideration in own right, and many questions have remained under-theorized. Boasting an international cast of contributors, this volume addresses key questions about relief across the geographic and temporal scope of the ancient world, including how relief was conceptualized within antiquity, what role materials and techniques played in its creation, and what the relations were between relief media and their effects on viewers.
In 2022, a Tunisian citizen was arrested in Oslo when he tried to sell 30 Carthaginian bronze coins to a local antiques dealer. The dealer had previously alerted the police after receiving an email inquiry asking him whether he was interested in buying a ‘large number’ of Punic coins from an alleged underwater find, presumably a hoard, off the coast of Tunisia. The University of Oslo’s Museum of Cultural History, which cooperates with law-enforcement agencies and the authorities in cases involving illicit cultural artefacts, assisted with the identification of the coins. Eventually, the latter were returned to Tunisia, and Norwegian prosecutors dropped the charges against the Tunisian national. This article discusses the relevant legal framework of the case and the process that unfolded from the time when an attempt was made to sell the coins until they were returned to their country of origin. The broader numismatic implications of this find are also examined.
This article examines some recent trends within the scholarship on ancient Greek women. The field of gender and women’s studies is vast, and so this review is necessarily selective; it is also historical in focus, though I have deliberately tried to include works that cover a broad chronological and geographical range, and those that draw on different kinds of source material. It is divided into three parts: part 1 examines questions concerning ‘real’ women, part 2 is on agency and part 3 draws some observations on the difficulties of, and opportunities for, writing histories of women.
In this book, Jonathan Valk asks a deceptively simple question: What did it mean to be Assyrian in the second millennium bce? Extraordinary evidence from Assyrian society across this millennium enables an answer to this question. The evidence includes tens of thousands of letters and legal texts from an Assyrian merchant diaspora in what is now modern Turkey, as well as thousands of administrative documents and bombastic royal inscriptions associated with the Assyrian state. Valk develops a new theory of social categories that facilitates an understanding of how collective identities work. Applying this theoretical framework to the so-called Old and Middle Assyrian periods, he pieces together the contours of Assyrian society in each period, as revealed in the abundance of primary evidence, and explores the evolving construction of Assyrian identity as well. Valk's study demonstrates how changing historical circumstances condition identity and society, and that the meaning we assign to identities is ever in flux.
I begin by highlighting three characteristics that ancient elites imagined that enslaved persons ought to have: usefulness, loyalty, and property. I start by noting how discourses of enslavement and utility are intertwined. The Shepherd’s concern for utility is most clearly expressed in its two visions of a tower under construction, in which enslaved believers are represented as stones who will be useful (or not) for the construction of the tower before the eschaton. Second, I turn to the concept of loyalty (pistis), suggesting that the Shepherd uses such language in a way that encourages God’s enslaved persons to exhibit loyalty to God at all costs. Finally, I point to how enslaved persons in antiquity were often characterized as commodified by placing the Shepherd alongside inscriptions about enslaved people from Delphi and documentary correspondence. Not only does the Shepherd portray its protagonist Hermas as lacking bodily autonomy while being exchanged between divine actors, but the text also calls on God’s enslaved persons to purchase other enslaved people who are imagined to be their physical property (e.g., as houses, fields) when they arrive in God’s city.
The introduction sets the scene at the catacombs of San Gennaro in Naples, where our only early Christian fresco from the Shepherd of Hermas is painted on a tomb wall. I lay out the thesis and roadmap for the book, namely, that the Shepherd crafts obedient early Christian subjects within the ancient Mediterranean discourse of enslavement. A brief overview of the Shepherd’s content is provided, as well as regarding its popularity and transmission history across the ancient, late ancient, and medieval worlds. I especially note how the Shepherd became a pedagogical tool in late antiquity, and that the Shepherd’s teachings are even placed in Jesus’s own mouth by some late ancient writers, heightening the stakes for understanding how enslavement is utilized in a text used to shape Christian thought and practice for centuries after its composition. Also provided is a brief introduction to slavery in antiquity to situate the reader, as well as outline some of the major influences on my approach to reading the text, especially womanist translational theory and Chris de Wet’s concept of doulology.