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In this chapter, Amy Gaunt of the educational chairty Voice 21underscores the vital need for oracy education, particularly in empowering disadvantaged youth. Despite increasing recognition of oracy skills, ambiguity persists regarding the speech types valued in classrooms. Gaunt advocates for explicit oracy teaching using Voice 21’s Oracy Benchmarks and Framework, emphasizing physical, linguistic, cognitive, and social abilities. However, she notes a gap in prioritizing speech types, often favoring "standard English" and perpetuating linguistic biases. Gaunt challenges this deficit view, proposing an inclusive pedagogy that celebrates linguistic diversity. She urges an asset-based approach, fostering pride in students’ authentic voices while teaching standard English within its historical and social context. Gaunt ultimately makes the positive case for how inclusive oracy education can prepare students for academic and life success, and calls for educators to engage in dialogue to ensure oracy education benefits all students.
Our family album is often the first medium through which we encounter war: nestled in the heart of home life and revisited throughout childhood, its pages intertwine peacetime photos of vacations and gatherings with wartime images featuring smiling soldiers and pastoral landscapes from missions abroad, blending these contrasting realities into one familiar story. This article introduces, for the first time, this overlooked heritage, tracing its roots to WWI – the first conflict photographed by the public. With the outbreak of war, the amateur photography industry, focused on leisure and holidays, came to a halt. Kodak found an unexpected solution: rebranding the camera as a tool to transform harsh realities into peaceful moments by capturing images that portrayed war as joyfully as a summer vacation. It marketed the zoom as a way to avoid violence by keeping it out of the frame while promoting one-click shooting as a means to preserve fleeting moments of beauty amid chaos. The flash was positioned as a source of optimism in dark times, and the family album was framed as a nostalgic object creating a view of the ongoing war as if it had already ended. Capitalizing on witnesses’ longing for peace, this campaign achieved unprecedented success, establishing norms for amateur war photography. This article defines this model that shapes how we see, capture, and share the experience of war, acquiring renewed significance as amateur war photography expands from family albums to the global reach of social media.
Many young people feel distressed about climate change, and pessimistic about what the future holds. Gaps in education about climate change contribute to limited understanding of opportunities for climate mitigation and adaptation, and to a pervasive “discourse of doom.” Here we describe a “game for change” co-designed by climate and education researchers and young people, that aims to shift narratives about climate changed futures toward an active, adaptation-oriented focus.
The Heat Is On is designed to be played by high school classes. Set in 2050, the game takes place on a fictional island called “Adaptania.” Teams of students play the role of town councillors in communities facing the same challenges that Australian towns are experiencing as the climate heats up, including flooding, heatwaves, bushfires, inequality, health issues and economic challenges. By focussing on decision-making for adaptation and resilience, The Heat Is On enables participants to envision climate-changed futures in which communities can thrive. Students learn how to plan and collaborate to prepare for diverse and cascading impacts of climate hazards. We explore the potential for games in climate education, focussing on The Heat Is On as a case study, and share initial learnings from its development and implementation in schools.
The chapter explores the learning that occurs for students in interdisciplinary higher education. Students in interdisciplinary higher-education courses and curricula develop competences for continuing their study paths successfully and for their future careers. Besides integration, such competences are mainly critical thinking, collaboration and communication. The chapter outlines processes towards competence development as well as the concrete competencies gained, and how.
Carolyn Haynes and Jeannie Brown Leonard (Extract 1.1.1) explain how students develop insights into interdisciplinarity itself and how their integrated academic identities are formed over the course of a BA programme. Ria van der Lecq's study (Extract 1.1.2) builds on the research of Haynes and Leonard. Van der Lecq demonstrates how interdisciplinary liberal education empowers students to take ownership of their learning and become self-aware young adults, positioned within a broader context of others with diverse disciplined and integrated academic identities. Hannah B. Love, Jennifer E. Cross, Bailey K. Fosdick, Elizabeth Tofany and Ellyn M. Dickmann (Extract 1.1.3) highlight how team teaching and learning supports students in the latter process of gaining contextual insight and developing collaborative skills. Michael J. Stebleton, Lisa S. Kaler, Kate K. Diamond and Crystal Lee (Extract 1.2.1) and Carl Gombrich (Extract 1.2.2) zoom in on the link between interdisciplinary liberal education and employability. Again, both metacognitive understanding and inter-and intrapersonal skills are highlighted as key factors.
Once an interdisciplinary higher-education course or curriculum has been designed, many aspects of teaching and learning need to be implemented practically. The chapter brings together literature on these practical aspects, including teacher feedforward and teacher feedback, aspects of interdisciplinary, intercultural and technology-supported team dynamics, and student reflection during and upon the interdisciplinary learning process. Keeping up-to-date on these practical matters helps avoid common mistakes in implementing interdisciplinary higher education.
The first key text in this chapter is from Ilja Boor, Debby Gerritsen, Linda de Greef and Jessica Rodermans (Extract 4.1.1). This text explores the theory and practice of powerful feedback, while recognising that the most powerful methods are peer-and self-assessment. Another way to scaffold student learning is through the use of technology. Rianne van Lambalgen and Febe de Vos (Extract 4.2.1) discuss the use of digital and non-digital collaborative tools for integration-based interdisciplinary higher education. They demonstrate how such tools may help negotiate individual and team-based understanding of disciplinarity and knowledge integration. Annemarie Horn, Eduardo Urias and Marjolein Zweekhorst (Extract 4.3.1) guide us through the dynamics as they play out within multidisciplinarily composed student teams conducting interdisciplinary research. Referring to research of the differing roles of students in such teams, they present a nuanced, research-based framework in which integrative competencies are complemented by two additional reflective competencies they term ‘epistemic stability’ and ‘epistemic adaptability’.
The chapter explores the learning that occurs for teachers in interdisciplinary higher education. It highlights how teachers develop competencies for both their current and future careers, while also gaining personal and professional satisfaction. The chapter outlines these developmental processes, the specific competencies gained, and how they are acquired through dialogical practice, as well as through reflection and scholarly learning.
Svetlana Nikitina's work on interdisciplinary cognition (Extract 5.1.1) clearly and convincingly outlines a set of ‘moves’ that foster the development of an integrative mindset. Novice and experienced interdisciplinarians will recognise their own potential or actual growth within multidisciplinary research or teaching teams. The metacognition stimulated by Nikitina's work will further enhance educational pedagogies and didactics. Katrine Lindvig and Lars Ulriksen (Extract 5.1.2) extend the novice-to-expert continuum to the institutional level, explaining how interdisciplinary pedagogies and didactics are often marginalised within institutions, even as students explicitly recognise their benefits.
The next set of key texts reflects collectively on the changing role of teachers in interdisciplinary higher education: from ‘sage on the stage’ to ‘guide on the side’ (Alison King and Charles D. Morrison in Extracts 5.2.1 and 5.2.2), from ‘guide on the side’ to ‘impresario with a scenario’ (Anthony Weston in Extract 5.2.3) and from ‘sage on the stage’ and ‘guide on the side’ to ‘meddler in the middle’ (Erica McWilliam in Extract 5.2.4).
The volume builds on existing academic literature on interdisciplinary teaching and learning, making it a research-informed publication. To help readers’ efforts also become research-informing, the volume includes a chapter on research of interdisciplinary higher education. While educational research is growing in both scope and significance, it is not a new field. This concise chapter delves into Boyer's historical scholarships of integration and teaching, while also outlining the key differences and similarities between disciplinarily conceived empirical educational research and practice-based ‘Scholarship of Teaching and Learning’ (SoTL). The chapter concludes by presenting a model that illustrates a spectrum between structure and openness in the research of interdisciplinary higher education.
Chapter 2 of Ernest L. Boyer's Scholarship Reconsidered: Priorities of the Professoriate has been republished as Extract 7.1 in this volume. In this chapter, Boyer introduces the innovative scholarships of integration and teaching alongside the traditional scholarships of discovery and application. This volume stands on Boyer's shoulders, as the saying goes, since most of the key texts republished here represent a form of the scholarship of integration, teaching or both. Extract 7.2 by Maria Larsson, Katarina Mårtensson, Linda Price and Torgny Roxå illustrates how the scholarship of teaching occupies a diverse space that includes, bluntly put, top-down paradigmatic forms of educational research and bottom-up exploratory forms of intervention-based SoTL. This volume has benefited from research in both traditions and the work that it aims to be generative of will hopefully do the same.
All we have is education to make us adaptively prepared for the future.
— Michel Serres
The volume Key Texts on Interdisciplinary Higher Education responds to the growing demand to educate for interdisciplinary research (see, for example, Lattuca, 2001; Lyall et al, 2011, 110– 15; Szostak, 2024) and for the burgeoning profession of ‘integration experts’ (Hoffmann et al, 2022). Interdisciplinary research is conducted in multidisciplinarily composed teams and works towards integrated understandings of or solutions for complex fundamentally academic or societally driven questions or problems. Integration experts work as bridge-builders in a wide variety of fields, including multidisciplinary academia. They have experienced what it means to use a specifically disciplinary lens in research, but they have also been trained to take in a disciplinarily neutral position. The latter self-positioning of the integration expert is conducive to facilitating conversations between and collaborations of disciplinary experts with varying backgrounds.
The necessity to educate for growing knowledge about and expertise in integrationist interdisciplinarity makes it urgent to construct a research base that can be used by designers of and teachers in interdisciplinary higher education. These designers and teachers want to improve, update or benchmark their own knowledge and skills before teaching others. They have their own disciplinary backgrounds ranging from STEM through SSH to FPA. Given the prominence of interdisciplinarity at higher-education institutions worldwide, many of these educational designers and educators will have crossed thematic boundaries in research and/or teaching. Not many, however, will have oriented themselves towards the theory and practice of interdisciplinarity itself.
Disclaimer: This is not an exhaustive overview. The authors have attempted to have as broad of a view as they could. However, it is unavoidable that worthwhile initiatives were missed. The authors would also like to mention that there are geographical and linguistical limitations to their research. The authors are both Dutch and English speakers, working from the Netherlands. This means that sources in other languages might have been missed and that a significant bias in their online searches for geographically European sources might be noticeable. Nevertheless, it is hoped that this overview provides a starting point for anyone interested in finding like-minded people, initiatives and tools to work with in interdisciplinary higher education.
This text accompanies the performance A Foot, A Mouth, A Hundred Billion Stars, which premiered at the Lapworth Museum of Geology in the United Kingdom on 18 March 2023, as part of the Flatpack film festival. It includes both the text and a film version, developed during a residency at the museum. Over 18 months, I had full access to the collection and archives, selecting objects that served as prompts for stories about time and memory. A central theme of the work is slippage – misremembering and misunderstanding – as a generative methodology for exploring the connection between the collection, our past, and possible futures.
A Foot, A Mouth, A Hundred Billion Stars combines analogue media and digital technologies to examine our understanding of remembering and forgetting. I used a live digital feed and two analogue slide projectors to explore the relationships between image and memory. This article does not serve as a guide to the performance but instead reflects on the process and the ideas behind the work. My goal is to share my practice of rethinking memory through direct engagement with materials. In line with the performance’s tangential narrative, this text weaves together diverse references, locations, thoughts, and ideas, offering a deeper look into the conceptual framework of the work.
The chapter discusses the understudied topic of the challenges of institutionalising and governing interdisciplinary education within siloed colleges and universities. It offers both reflective insights and practical guidance with a focus on the preferred types of individual and collective leadership emerging from research of interdisciplinary higher education. The chapter situates developers of and teachers in interdisciplinary courses and curricula within the broader context of their colleges and universities, highlighting subtle yet significant dynamics that are all-the-more felt by the volume's readership.
Katrine Lindvig's key text (Extract 6.1) highlights her well-known distinction between the ‘loud’ and ‘soft’ voices of interdisciplinary higher education. While the loud voices often have the institutional power to recognise, support and reward integrative efforts, those with soft voices face a dual challenge: they don't always feel supported by their institutions, yet they work hard to advance the interdisciplinary educational cause. In this way, Lindvig, along with her colleagues Catherine Lyall and Laura R. Meagher (Extract 6.2), has defined the working life of interdisciplinarians as ‘the art of managing interstitiality’. This clear and convincing description has been adopted by Yuzhuo Cai and Antti Lönnqvist (Extract 6.3), who argue for the necessity of actively organising agency around interdisciplinary higher-education initiatives. Merel van Goch (Extract 6.4) offers a heuristic that enables agents of change to bring greater specificity to their work within the institution.
Successful interdisciplinary higher-education courses and curricula are characterised by the use of integrative research methodologies to inform and guide pedagogies and didactics. Although developed within a research context, the core message of this volume is to apply these methodologies to educational design. The chapter outlines ten well-tested integrative methodologies that can offer such guidance to designers, teachers and – eventually – students. The methodologies are rooted in various academic disciplines, allowing readers – each with their own disciplinary background – to find both familiar concepts and new insights. The chapter is actionable, offering examples of interdisciplinary teaching that incorporate integrative research methodologies.
The chapter starts with the interdisciplinary research process of Allen F. Repko and Rick Szostak (Extract 3.1.1). This disciplinarily neutral ten-step process has already been used, tested and adapted in various educational contexts. One such context is the BA programme in Liberal Arts and Sciences at Utrecht University. Christian Pohl, Julie Thompson Klein, Sabine Hoffmann, Cynthia Mitchell and Dena Fam (Extract 3.2.1) as well as David P.M. Lam, Maria E. Freund, Josefa Kny, Oskar Marg, Melanie Mbah, Lena Theiler, Matthias Bergmann, Bettina Brohmann, Daniel J. Lang and Martina Schäfer (Extract 3.2.2) theorise and practice integration for transdisciplinary research. Both sets of colleagues refer to peer-reviewed educational literature to make their claims. Leah Greden Mathews and Andrew Jones (Extract 3.3.1) have published a peer-reviewed paper on systems thinking in integrationist interdisciplinary higher education.