INTRODUCTION
A solid understanding of feedback is critical to good circuit design, yet many practicing engineers have at best a tenuous grasp of the subject. This chapter is an overview of the foundations of classical control theory – that is, the study of feedback in single-input, single-output, time-invariant, linear continuous-time systems. We'll see how to apply this knowledge to the design of oscillators, highly linear broadband amplifiers, and phase-locked loops, among other examples. We'll also see how to extend our design intuition to include many nonlinear systems of practical interest.
As usual, we'll start with a little history to put this subject in its proper context.
A BRIEF HISTORY OF MODERN FEEDBACK
Although application of feedback concepts is very ancient (Og annoy tiger, tiger eat Og), mathematical treatments of the subject are a recent development. Maxwell himself offered the first detailed stability analyses, in a paper on the stability of the rings of Saturn (for which he won his first mathematical prize), and a later one on the stability of speed-controlled steam engines.
The first conscious application of feedback principles in electronics was apparently by rocket pioneer Robert Goddard in 1912, in a vacuum tube oscillator that employed positive feedback. As far as is known, however, his patent application was his only writing on the subject (he was sort of preoccupied with that rocketry thing, after all), and his contemporaries were largely ignorant of his work in this field.