To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Though much critical attention has been paid to Kunzru’s novels, less emphasis has been devoted to his short stories, which reflect the stylistic strategies evident in his wider body of work. Peter Ely argues that Kunzru utilises the short story form as a ‘vital laboratory to test the limits of narrative voice and subjectivity’, expressing a deep concern over lingering structural inequalities and offering radical reconfigurations of contemporary society in the process. Drawing on Jean-Luc Nancy’s writings on the exigency of community and the figure of ‘fugitivity’ in relation to the capitalist state, Ely looks at short stories from across Kunzru’s career, including ‘Deus Ex Machina’ (1998), ‘Memories of the Decadence’ (2005) and ‘The Interns’ (2007), to demonstrate how his work aligns with broader tends evident in the contemporary British novel to represent new forms of cultural interdependence and belonging. Developing this line of thought, Ely interrogates Fred Moten and Stefano Harvey’s emergent paradigm of the ‘undercommons’ to suggest Kunzru’s short fiction resonates with the fugitive framework, imagining new oppositional solidarities and relational possibilities to abolish dominant structures and their inherent structural racisms. In this way, Kunzru emerges as a crucial literary voice in the struggle to attend to forms of capitalist exploitation and racial exclusion which continue to shadow our troubled present.