This essay presents the methods, as well as the pedagogical effects, findings and results of introducing Ancient Greek in the curriculum of children between three and 12 years old as evidenced over 27 years in the method of Elliniki Agogi. Elliniki Agogi is an award-winning private educational institute established in Greece in the mid-1990s at a time when the teaching of Ancient Greek was questioned and dramatically reduced from the public curriculum. Its aim is to safeguard learning that has its roots in Ancient Greek and to continue to introduce students to the Greek civilisation and its language, using effective, entertaining and artistic methods. This endeavour was based on specific pedagogical models; by learning through experience and through a communication-orientated educational process. With concomitant, cautious organisation and preparation of each lesson a diversified educational curriculum is created that connects the students to their distant past while experiencing positive emotions, filled with ethical paradigms that contribute later to master a fully-shaped personality. 27 years later, studies have come to prove the positive influence of learning Ancient Greek in children's linguistic and mental abilities. The following study conducted is distinctive in the detailed pedagogical method it provides and validates the importance of teaching the Ancient Greek language to children as early as possible.

‘Visual Translation: A Creative Tool for Practising Metacognition and Analysing Agency and Power’ describes the design for a ‘visual translation’ project that I developed to help high school students in an advanced Ancient Greek literature course differentiate between literal and literary translation. This project could potentially be adapted for students at any level of Ancient Greek or Latin language studies, but would likely be particularly apt for the longer passages that are taught in intermediate and advanced language courses.

In October of 2018, a pedagogical experiment was conducted at York University, Toronto, Canada, in which students were given an assignment. For this assignment they were to conduct research on a variety of Roman public buildings in groups, build digital reconstructions of them using the Unity 3D game engine, and present them to the class in the form of a virtual reality (VR) simulation. In doing so, students were able to create a virtual built environment based on their research, navigate it, and discuss the space with a sense of immersion and scale. Using this experiment as a case study, the goal of this article is twofold: firstly, to assess the pedagogical efficacy of constructionist approaches to teaching students about Roman architecture, specifically using VR and video game design technology. The second goal is to address the technical and pedagogical challenges of using game design software in the classroom and to propose ways in which this assignment can be improved in the future.

The article discusses the issue of access to Classical education in general and Greek and Latin language in particular currently experienced by working-class students in the UK, both at high school and at University level. It then focuses specifically on the provision of Classical languages in the Liverpool region, traditionally an area of deprivation and a focal point of Classics poverty. The article details the results from a survey conducted on 68 students of the Department of Archaeology, Classics and Egyptology of the University of Liverpool, which shows that even when the cohort is not predominantly middle class, feelings of marginalisation and estrangement continue to be felt by students. Finally, it suggests a number of recommendations to address these concerns, tackle elitism, and promote inclusion.

A personal reflection on the experience of introducing Latin to the curriculum. School S. (non-selective, secondary) introduced Latin as a timetabled subject at Key Stage 3 between 2016 and 2019. This is a case study and personal reflection from the teacher who instigated and taught the course, comprising the extracurricular efforts which paved the way for the class, methodological considerations, an evaluation of the project, and the reasons why Latin was ultimately discontinued from the curriculum.

Teachers of Classics in sixth form colleges and secondary schools regularly provide extra-curricular activities alongside their bread-and-butter classes in Latin, Classical Civilisation, Ancient History, and Greek. With the on-going squeeze on the provision of these four classical subjects, it is inevitable that teachers of Classics look to other areas within their schools and colleges both to maintain and to promote the face of Classics. The purpose of this paper is to explain the delivery and the thinking behind a weekly extra-curricular activity called ‘Classics on Film’ that was set up at Peter Symonds College in 2018 and which has now continued for four years. This activity encompasses cine-antiquity; in other words, a class that focuses on films depicting the ancient world. By breaking down this project and some of its results, this paper aims to give teachers of Classics and others awareness of the methods, resources, and challenges when delivering an extra-curricular activity on cine-antiquity. Furthermore, it aims to provide a model that other teachers might adapt or use as a springboard for their own bespoke cine-antiquity activity.1

Reading is an essential part of learning a language. During my postgraduate (PGCE) teacher-training placement in the UK, I observed extensive reading being used in Modern Foreign Languages (MFL) and English classrooms but saw no evidence for it in the Latin classroom. However, the practice is gaining popularity in the United States as part of Comprehensible Input-based teaching. I was interested to see if extensive reading could be introduced in my classroom without any accompanying spoken Latin and if students would be interested in it. So, I decided to try an extensive reading program for my PGCE research project. The program was positively received by the majority of students, who felt that their Latin ability had improved even after only a handful of sessions, and who appreciated the relatively stressless activity that warmed up their ‘Latin brains’. Many commented that they wanted to read for longer. This very short trial of an extensive reading program gives me much hope for a longer trial or even a permanent program in the future. I also hope that this will encourage others to try bringing extensive reading and its benefits into their classrooms.

This study explores the perspectives of teachers and pupils regarding the benefits and challenges of teaching Classics in primary classrooms in Northern Ireland (NI). Conducted in 2020, the methodological approach consisted of interviews with six teachers from three schools and a focus group held with eight children.1 The study identified positive impacts of teaching Classics on numerous subjects, including Modern Foreign Languages (MFL). The most pressing challenge appeared to be a crowded curriculum. Teachers and pupils suggested that training and support be offered to educators in order to optimise links between Latin, English literacy and MFL understanding. Finally, recommendations are made for the future study of Classics in Northern Ireland.

Languages are cultural epiphenomena: they, and their varieties, emerge at stages of development in the life of a culture. In some important respects they are peculiar to their culture, and the meanings of certain terms used in the language of their culture are not therefore readily transferable to the languages of other cultures. There are culturally-laden terms that do not have semantic equivalents in the languages of other cultures. Generally speaking, translations can more easily reproduce semantic equivalents that are culturally neutral. So, the term ‘dog’ is able to be translated in most other languages, since whatever term is used has the same recognised referent. The efficacy of translation generally depends upon the nature and number of semantic equivalents that are culturally neutral. The trouble is that there is a large number of terms that are not semantically equivalent because they are not culturally neutral; the greater the number, the less the efficacy of translation. It would seem, therefore, that translation cannot in many instances convey what is distinctive of the culture of the original language.

This article has a four-fold purpose: (I) to point out the interface and overlap of Classics and Philosophy; (ii) to encourage the take-up of A level Philosophy as a fitting companion for Classics courses, linguistic and non-linguistic; (iii) to reinforce the correction of certain crucial misunderstandings about Sophocles’ play, Oedipus Rex, especially concerning the agency of Oedipus both in the play and the back story of the play; (iv) to present a ‘thought experiment’ in order to show how modern philosophy might be applied to an ancient Greek play in order to resolve issues of truth and necessity.

Classroom dialogue provides significant opportunity for students to build on their understanding of a subject. It is also a vector through which the educator can assess progress in their lessons (Alexander, 2008). The purpose of this study was to explore what effect a specific form of classroom dialogue (the Socratic seminar) has on student engagement, and consequently, their learning.

The study presents the results of an Action-Research project carried out during the COVID-19 pandemic with Italian teachers of primary, lower and upper secondary schools, interested in monitoring the activity of students in that difficult situation. The purposes of this study were: (a) to demonstrate that the involvement of teachers in the creation of metacognitive tools promotes the use of formative assessment at school; (b) to verify to what extent the use of a metacognitive form makes students more aware of the mistakes made during the test. The results were: (a) teachers showed great enthusiasm in adapting the metacognitive form to their school subject; (b) students pointed out high percentages of appreciation of the form; what is more, a group of students improved in identifying the typology of errors and understood more clearly what they should study in a better way to correct their mistakes; another group noted that their awareness of their strengths in study method had grown; finally, one group highlighted that the skills used during the completion of the form were also useful in other areas of their daily life, not only at school. Both teachers and students appreciated the online version of the tool: the pie charts created automatically by the system, by displaying percentages over typologies of errors made, provided immediate feedback, motivating students more and more. The study shows how much reflection on mistakes can be a source of growth.

At the end of January 2022 the International Baccalaureate Organisation (IBO) published the new Diploma syllabus for Classical Languages (for first assessment in 2024). The new IB Diploma syllabus has at its heart a desire to move away from the teaching of language and literature as two distinct skills, while embracing a broader range of teaching and assessment methods which do greater justice to the richness, diversity and range of skills students can, and do, develop through the learning of classical languages. In what follows, I will discuss the new IB Classical Languages syllabus and whether it lives up to these worthy aims.

This is a review of the activities and successes of the 42nd residential JACT Latin Summer School, run in July 2022. Specifically, it covers our typical teaching arrangement, lectures, trips and events and acknowledges the generosity of our sponsors.

This is a review of the 2nd East London Classics Summer School, run in August 2022. We include details of our daily schedule including language sessions, lectures by guest speakers, a visit to King's College London, and we give thanks to those who are supporting our initiative.