Book contents
- African Literature in Transition
- African Literature in Transition
- African Literature in Transition
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Introduction
- Part I Producing Print
- Chapter 1 The Press at Work
- Chapter 2 Expansive Languages in Nineteenth-Century Central Africa
- Chapter 3 Print Cultures and Printing Diasporas
- Chapter 4 George McCall Theal’s Urge to Publish and His Collaborative Printing Process, 1862–1882
- Chapter 5 A Tale of Two Print Cultures
- Chapter 6 Still Images, Moving Images
- Part II Readers and Audiences
- Part III New Genres
- Part IV Worlds of Print
- Index
- References
Chapter 3 - Print Cultures and Printing Diasporas
Gandhi, Dube and White Printworkers in Durban
from Part I - Producing Print
Published online by Cambridge University Press: 23 October 2025
Book contents
- African Literature in Transition
- African Literature in Transition
- African Literature in Transition
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Introduction
- Part I Producing Print
- Chapter 1 The Press at Work
- Chapter 2 Expansive Languages in Nineteenth-Century Central Africa
- Chapter 3 Print Cultures and Printing Diasporas
- Chapter 4 George McCall Theal’s Urge to Publish and His Collaborative Printing Process, 1862–1882
- Chapter 5 A Tale of Two Print Cultures
- Chapter 6 Still Images, Moving Images
- Part II Readers and Audiences
- Part III New Genres
- Part IV Worlds of Print
- Index
- References
Summary
This chapter frames African print and printing in a diasporic context, since most major African cities are or were home to a rich array of printing traditions. In coastal cities in southern and East Africa, one was likely to encounter Muslim printers from Bombay; Africans tutored at Protestant evangelical presses; Indians (and Britons) trained in mission, state-run or commercial printing concerns in South Asia; British printers as well as print workers from diasporic locales. This chapter investigates these presses and the literary forms associated with them. The chapter discusses three literary texts connected with three printing presses (or printing traditions) in Durban. Thereafter the focus widens to consider the characteristics of a range of diasporic printing presses. The conclusion returns to the three literary texts and speculates on how placing them in proximity to the print shop shifts our understandings of African literary genealogies.
Information
- Type
- Chapter
- Information
- African Literature in TransitionPrint Cultures and African Literature, 1860–1960, pp. 77 - 93Publisher: Cambridge University PressPrint publication year: 2025
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