The Epilogue picks up the story that this book begins with, the story of the demolition of the last symbol of Ottoman Sofia’s water culture, the city’s main thermal bath, elaborating on the construction of the modern Bath Square as a showcase of the young Bulgarian nation’s resolve to join the modern world. I argue that the making and imposition of national space in the post-Ottoman period led to the creation of an entirely new place in Sofia’s historic center by the beginning of the 1910s. The modernization of the street network replaced the old naming system that reflected the streets’ natural and social environments with a new one that employed the already large arsenal of national heroes and events. The efforts of urban planners and architects to create Sofia’s image of a capital city of a modern nation-state converged in the project for the construction of Bath Square whose key features would be monumentality and representativeness. The new buildings represented not the environmental characteristics of place but the success of the nation-state and the steadfast pursuit of modernity.