How to develop good character is a question that resonates with many people. Parents wonder how to instill virtues in their children, educators seek effective ways to build character in their students, and researchers study how moral qualities can be cultivated in citizens. This broad interest reflects a fundamental human concern: can we intentionally develop better character? Although different stakeholders may emphasize different aspects-from parental focus on raising ethical children to organizational interest in developing principled leaders; to therapists and counselors focused on individual self-improvement; as well as software developers considering how games and online learning environments support curiosity, interest, and knowledge —they share a common goal of understanding how to foster positive character development. This Element speaks to these varied interests by examining how insights from personality psychology and intervention science can inform practical approaches to character development.

Donald Trump saw the federal bureaucracy as the breeding ground of the 'deep state,' a powerful, unresponsive collection of bureaucratic experts determined to undermine the policies for which he was convinced he had a mandate. He translated that into a furious assault on the basic principles of both the theory and practice of public administration. One of the points of his genius was his incomparable skill in identifying issues that resonated with voters, and his attacks on public administration identified unarguable problems. But those attacks also eroded government's capacity to get work done and the strategies for accountability that had carefully grown since the founders wrote the Constitution. Transforming administration into instruments of political symbols and political power undermined the basic values of public administration – and created fundamental challenges to which the field must rise in charting a public administration for 2035 and beyond.

In trying to spell out the distinction between activity and passivity and what is special about agency, philosophers have tended to focus on human intentional action as their paradigm case. Yet taking intentional agency as a starting point makes it difficult to offer positive accounts of more elementary forms of agency. I first present this classical approach and discuss some of its limitations. I then consider simpler forms of behavior and the minimal conditions they must meet to be considered genuine forms of agency. I then turn to conscious agency, examining the nature and sources of our conscious agentive states, their reliability and the causal role they may play in shaping our actions. Finally, I discuss joint agency, the different forms of coordination among agents on which the success of joint action depends, and the sense of agency in joint action.

This Element introduces the theory of segmented polity to address the misfit between dominant state-centric political theories and the hybrid realities of contemporary governance. Segmented polities are contested, partial, and constrained but nonetheless develop autonomous policymaking capacities and distinct social constituencies. The EU exemplifies this form, blending supranational and intergovernmental traits within a statist political order. Grounded in organization theory and institutionalism, the Element provides empirical analysis of the internal market and security segments showing how segmented polities operate across functional domains and generate bounded epistemic communities. While enabling policy efficiency, they also exhibit democratic deficits. The Element presents segmented polities as evolutionary responses to governance complexity and outlines implications for political science, international relations, European integration theory, and democracy studies, and proposes a research agenda focused on longitudinal, actor-based, and comparative studies of polity segmentation beyond the EU. This title is also available as Open Access on Cambridge Core.

Dirty little secrets. Secret weapons. Trade secrets. Phrases so ubiquitous in music and audio technology culture that, in the twenty-first century, they serve as powerful mechanisms in the production and consumption of music and audio technologies and skillsets. Secrets and revelatory discourse serves to historicize, imagine and commodify skillsets whilst amplifying technological fetishisation. Grounded in historical and psychology scholarship, this book examines secrets and revelation as part of a continuum of the protection of tacit knowledge. Packed with examples and qualitative data drawn from trade shows, online fora, industry associations, retail, textbooks, and education, this large-scale study elucidates the mechanism of secret holders, secrets, revelation and listeners as being intrinsic to music and audio technology cultures. The results of this research illustrate how, in the potent distillation of music and audio technology knowledge and skillsets into commodified secrets, little to nothing is revealed.

Much contemporary psychology is characterized by a natural science epistemology that overlooks the richness of human experience. This book offers a timely and necessary critique and emphasizes a conception of human beings as persons embedded in relationships, cultural groups, and historical contexts. Eva Magnusson and Jeanne Marecek provide strategies for critical reflective scrutiny of contemporary psychological theories and practices. Using 'styles of thinking' as one of their conceptual tools, they investigate whether, and how, theories, research methods, and debates across subfields such as cognition, language, and psychopathology take people's situatedness into account. The book gives readers practical guidance for conceptual analysis, and a set of questions for scrutinizing other subfields and practices. It also describes research methods and projects based on a view of humans as situated persons. The book offers both a philosophical foundation and a hands-on guide to a psychology with persons at its center.

Pindar was the single most important, canonical and influential lyric poet in the ancient Greek world, and he remains one of the most demanding and rewarding poets whose work has come down to us from antiquity. This volume represents the most comprehensive introduction to the poet and his reception yet published. Eighteen leading contemporary scholars contribute individual chapters that together help to provide a holistic understanding of Pindar's poetry, its major themes and its subsequent reception throughout more than two millennia. The book will be invaluable for students, teachers, and scholars, as well as those with a general interest in poetry.

The Romantic-era witch was a remarkably flexible symbol of political and social disorder. The then-recent seventeenth-century witch hunts had already revealed deep anxieties about the subversive potential of women, and the witches who stalk the pages of Gothic poetry and prose or glare menacingly from works of art by Henry Fuseli and William Blake embody revolutionary anger and the possibility of radical social transformation. Despite the fears surrounding such figures, however, the Romantic period also saw witchcraft open up in conceptually new ways, enabling writers and artists to envision alternative means of interacting in the world that were not predicated on the subordination of women and other marginalized groups. Here, Orianne Smith embarks on an interdisciplinary reimagining of witchcraft, women's writing, religion, and social reform, providing original insights on the history of witchcraft and its influence on public discourse, literature and art.

It is a promising time for genocide prevention. Increasing amounts of research, and resources, have led to significant advances over the past two decades. Yet we still lack vital knowledge as to the most effective ways to stabilise and reduce the risk of genocide in current at-risk societies. This volume offers a compelling new approach: to understand how to prevent genocide, we need to examine societies in which genocide has been prevented. It is in these societies – in which a demonstrably high risk of genocide was present, but in which genocide did not occur – that we can potentially find key factors that promote resilience to genocide. The volume explores six such case studies, spanning three continents and seven decades. Through careful analysis it identifies eleven factors that have contributed to preventing genocide in multiple cases, and which have the potential to inform current approaches to prevention. Collectively, these offer a new, evidence-based approach to preventing genocide.

This is the first anthology of eighty speeches by forty-two world famous and under-researched African American freedom fighters, liberators and human rights campaigners living and working in Scotland, Ireland, Wales and England in the nineteenth century. Their pioneering and revolutionary works are supported by an in-depth introductory essay, author biographies, scholarly annotations and detailed bibliographies.

All these human rights orators testify to their lifelong 'fight for freedom' across their radical and revolutionary works. All their lives, they warred against the 'sufferings and horrors' of enslavement as a centuries-old 'cursed institution.' 'Words are weapons' in their fight for Black liberation. Across their life's works, they all protested against the rise of the 'spirit of slavery' in white supremacist and white racist US and British transatlantic societies.

Hands, Wrists, Fingers invites musicians to explore a new way of thinking about good health. The physical dimensions of hands are certainly important and merit close study, encompassing coordination, relaxation, dexterity, speed, accuracy, and freedom from pain. While acknowledging these dimensions, Hands, Wrists, Fingers focuses on a broader perspective that includes cultural dimensions both conscious and unconscious, involving language, symbol, ritual, curiosity, playfulness, and mindfulness. Through a wealth of original insights, anecdotes, exercises, and games, musicians will be able to transform their hands into sensitive and intelligent agents of joyful creativity, in which the linguistic and symbolic dimensions of hands become inseparable from their physical and material existence. Hands, Wrists, Fingers is organized in four parts: Culture, The Language of Hands, Sensitivity and Creativity, and Knowledge and Mystery. Behind the physical gestures and movements of your daily life and your music-making, there are the stories that you tell about your own hands—thoughts and feelings, memories, experiences, judgments, hopes, and fears. Hands, Wrists, Fingers argues that the way you use your hands is inseparable from these stories, in which you tell yourself “what you can and cannot do, what you should and should not do, what you’re allowed to do and what you’re prevented from doing.” If your inner stories aren’t healthy in themselves, it’s very difficult for your hands to behave in a healthy manner. Hands, Wrists, Fingers is a practical book brimming with exercises and suggestions. Every chapter is supported by video clips illustrating and demonstrating its exercises. Among other things, you’ll explore the skills of rotation and of spiral movements, the mastery of textures and gradations, the playful manipulation of objects, and the use of your hands as agents of expressive language. Your hands will become creative, intelligent, and sensitive, and you’ll develop a new understanding of the true meaning of good health.

Contestatory and Creative Poetics for a Time of Climate Catastrophe: Volume 1: Per Se is an extended narrative meditation upon the meaning of per se, which generally denotes the thing-in-itself, for its own sake – but that, upon closer examination, transpires to be a high tensile composite of the ‘thing’ (se) and a relationship (per) that always links it to something else – and indeed, in relations of internal complexity, to itself. Per se, in the book’s multiple parsings of the term, is a moniker for the infinite relationality of the world and the relationality of each thing in itself. Per se also denotes the endless fractal embedding of bundles of relationality at the successive levels of thing-ness from the infinitesimally minute nano-scale to the unimaginably distant outer reaches of the sideral. Per se becomes an exploration of the way commodities, cut loose from their context of production and floating on sea of oscillating (exchange) values, never cease to morph back into artefacts defined by the socially intensive use-values their fellow actants discover in them. The book thus focalises a politicised effort to revision the rampant multiscalar individualism, solipsism and apartheid-like segregation of our age. Instead, it searches for possibilities or community in every aspect of the world we have learnt to see through a relentlessly atomising and hypostatising filter. The volume claims that every act of perception is political, reestablishing obfuscated connections, thereby seeking to repair the shredded fabric of the ecosphere below the threshold of myopic common-sense. Yet it also celebrates the myriad acts of citizen defiance, visible and invisible, that constitute activist agendas around the world, sending signals – both practical and exemplary, symbolic and literary – that shore up communities of resistance everywhere. The book does not hesitate to interrogate the fractal responsiveness to its own nature, meditating repeatedly on the political character of writing, and more significantly, of the teaching of writing. Central to its concerns are various avatars of trees, from the pirogue that hangs above a bar in Lille, and one that is crafted as part of an Italian artist’s global collaboration on the periphery of this volume’s emergence, via the jacarandas of post-apartheid South Africa, to a wood-chipped pine forest that has become a memorial library in Oslo – to name only a few of the topics taken up by the book’s many silvan micro-fictions. Looming over all these concerns are two contemporary silvan catastrophes: the megablazes that destroyed forests in Amazonia, Australia, California, Siberia and the Mediterranean during the period when the book was being written and the deforestation that has allowed zoogenic diseases to jump from once secluded animal species to the humans that would never have been their neighbours if naturally occurring forest-barriers had been left intact.

The Spirit of Aristophanes is a wide-ranging collection of new studies of ancient literature and culture from fifth-century drama to the Roman novel. The essays use an array of approaches that will appeal to scholars and students interested in classical studies, gender and sexuality, literary history, performance and textual criticism.

This volume has been prepared in tribute to Jeffrey Henderson, William Goodwin Aurelio Professor of Greek Language and Literature Emeritus of Boston University and General Editor of the Loeb Classical Library. His vibrant research on classical literature, political ideology, civic culture, identity, obscenity and translation has shaped scholarly discourse for decades and has inspired each of the essays in this volume.

This book offers an account of how the global popularity of the Nordic Noir wave of television crime drama such as 'The Killing'/'Forbrydelsen' and 'The Bridge'/'Broen'/'Bron' had a profound impact on the production of television crime drama in Australia. Through a series of case studies including 'Miss Fisher's Murder Mysteries', 'The Kettering Incident', 'Secret City' and 'Mystery Road', the authors explore how the Australian television industry responded to the new streaming environment by producing shows with international reach and appeal. Central to this analysis is the concept of 'total value' which expands the notions of cultural and economic value to account for how these crime dramas generate value for the Australian screen industry in general, their creators in particular, as well as the social and financial benefits that may ensue for the communities in which they took place and audiences across the world.

From the early fourth century, the veneration of saints and relics spread rapidly across Christendom from the British Isles to Iran. In late antique Caucasia, the cult of the saints was immediately integrated into Armenian and Georgian identity and political discourses. It was used to legitimise royal rule, sanctify domains and dynasties, define political realms and justify political decisions.

This book is the first systematic study of this history. Discussing a wide variety of sources from Armenia, Georgia, Byzantium and Russia which have not been examined together before, it investigates the interaction of sanctity, holy relics, gender and politics in the medieval Caucasus, with a particular focus on Georgia. Nikoloz Aleksidze analyses three chronological eras: the first section focuses on late antiquity and the early Middle Ages, when the cult of the relics was formed in Caucasian writing; the second explores the medieval era, when the Bagratids ruled in Georgia and the cults of figures such as St George, the Mother of God and Queen Tamar were shaped and politicised; and the third navigates a similar entanglement of sanctity, gender and political rhetoric in Russian Imperial and Georgian national discourse.

Since broadcast television first emerged as a serious alternative to the cinema, more people have seen films on TV than by any other means. Feature films originally made for the big screen were initially withheld from TV by the film industry in the competition for audiences. Struggles between film and television interests settled into a truce in the mid-1960s, since when thousands of films have been shown on British terrestrial television each year. They assumed particular importance in the 1970s and 1980s, when cinema blockbusters became major TV events and themed seasons gave viewers access to many older movies.

This book provides a comprehensive history and analysis of the ways in which cinema films have figured in TV programming in the UK and the role that British television has played in changing the consumption of film entertainment.

On the afternoon of September 11 2001 the Irish Prime Minister (Taoiseach), Bertie Ahern ordered the ‘heads of the security services of key government departments’ to undertake a complete re-evaluation of measures to protect the state from attack. Hence, underway within hours of the 9/11 outrage in the United States was potentially the most far-reaching review of Irish national security in decades. This book, an academic investigation of Irish national security policy as it has operated since 9/11, provides a theoretically informed analysis of that re-evaluation and the decisions that were taken as a consequence of it up until September 2008. In so doing, it draws on unprecedented access to Ireland's police, security and intelligence agencies; over twenty senior personnel agreed to be interviewed. Questions are raised over the effectiveness of the Irish agencies, the relative absence of naval and airborne defence and the impact on national security of the policy imperative to transform the Defence Forces, particularly the army, for more robust missions overseas. The book also considers the securitisation of Irish immigration policy and the apparent absence of a coherent integration policy despite international evidence suggesting the potential for radicalisation in socially marginalised western communities. Theoretically, the book demonstrates the utility to the analysis of national security policy of three conceptual models of historical institutionalism, governmental politics and threat evaluation.

Climate and migration provide the organizational pillars, and the plural “climates” in the title accentuates the figurative non-literal sense to signify the atmosphere that is attached to anxiety, disinformation, fear and violence. Competing narratives and storytelling mechanisms conjointly operate over a longer history of colonial conquest and remain present in the mind-sets informing the afterlives of empire, as evidenced in debates on identity politics, nationalism, environmental, racial and social justice. The broad transregional (Africa, the Caribbean, Europe) and transdisciplinary framework privileges comparative analysis between various disciplines and fields, notably migration studies, environmental humanities, eco-feminism, nationalism, and decolonial and postcolonial studies, while adopting multigenre approaches that include a diversity of perspectives from literature, media discourse, art, propaganda, visual culture and new technologies. Together, these challenge the criminalizing, debasing and often dehumanizing logic associated with official policymaking and propose instead alternative forms of humanization and identification aimed at fostering modes of empathy. Climates of Migration explores various forms of environmental exploitation and degradation, especially in African literatures where the thematic transformations that have resulted from engagement with environmental ecocide have contributed to a revitalization of writing. Planetary climate change and the accompanying disruption to the global ecosystem is traced to European territorial conquest and expansion and subsequently mapped onto the contemporary institutional (European Union) and political discourses that are structuring our present, while also enabling unforeseen forms of planetary consciousness.

Opportunities to write our memoirs are many and varied. To meet emerging demands, the memoir genre continually is evolving, and it is possible for the memoirist to shape the memoirs, with varying themes, time and settings, to be brought to bear on school education at a senior level and for a range of teacher-development programs. Thus, the developing importance of an accompanying exegesis. For better or for worse, childhoods shape adult relationships and attachment styles, profoundly shaping who we are as teachers, teaching styles and generally the things we consider important and not so important. The shape of our childhood and adolescence has a profound impact on how relationships are formed in adulthood. It can affect our ability to trust, be vulnerable and create productive bonds, both at school and college and professionally, and also our general levels of motivation. Through the aforementioned theme and subthemes, my memoirs here reveal how childhood struggle has shaped my approach to teaching and my academic career – from an unskilled labourer from the country working class in the timber industry, deprived of a high school education and recruited into the workforce at 15 years of age, to a senior academic in one of Australia’s G8 universities, holding five PhDs. With strong historical backgrounding, a special appeal of this book is its drive to place childhood and adolescent events contained in the memoirs in a wider historical context, looking to transnational movements such as discussions on anachronisms and eugenics. In so doing, the exegesis – a fresh and exciting innovation – is in harmony with the memoirs. The memoir is so refashioned as a pedagogical tool.

This is the first scholarly anthology of nineteen narratives written by African American authors and published in Britain and Ireland in the nineteenth century.

These literary works share the powerful life stories of inspirationally pioneering writers: Charles Freeman, Phebe Ann Jacobs, Benjamin Crompton Chisley/William Jones, John Hart, John Williams, Henry (surname unknown), James Watkins, William Gustavus Allen, John Comber, Sarah Parker Remond, James Cheeney Thompson, Dinah Hope Browne, John Sella Martin, Lewis Smith, James Alfred Johnson, D. E. Tobias and Benjamin William Brown.

Their narratives are reproduced alongside an in-depth introductory essay, author biographies, scholarly annotations and a detailed bibliography.

All these authors testify to their lifelong 'fight for freedom' across their radical and revolutionary works. Throughout their lives, they warred against the 'sufferings and horrors' of enslavement as a centuries-old 'cursed institution'. 'Words are weapons' in their fight for Black liberation. Across their life's works, they protested against the rise of the 'spirit of slavery' in white supremacist and white racist American and British transatlantic societies.