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A more useful way of approaching success or failure is to view peacemaking and diplomacy as a web of different relationships that contributed to ultimate success or failure. Successful peacemaking in the twelfth century was, in many ways, more about how to make peace than it was about the longevity of the terms of individual agreements. Peacemaking involving the Danish kings further shows that the principles and practice altered slightly over the course of the medieval period. War in the medieval period broke out because participants thought that they had more to gain from war than from keeping the peace. The notion that successful peacemaking in the Viking period rested on a shared concept of peace through Christianity, achieved mainly through sponsorship at baptism or at confirmation, is a well-attested phenomenon in early medieval Europe.
This chapter provides a theoretical framework for defining liberalism and its features, criticizing prevailing attitudes in Western historiography, and reframing Arab liberalism.
Sir Walter Ralegh mentions Mandeville twice: once in The Discoverie of Guiana and again in The History of the World. Like anthropologists later, he considers the 'fables' of The Travels as meaningful narratives that can be explained rationally, and it is no surprise that his reading of the Acephali was current until the nineteenth century. This chapter discusses an example of the Acephali that shows how by resorting to an early source Ralegh manages to distance himself from the iconographical and fabulous tradition. Ralegh's travel narrative is based on epistemological strategies that adumbrate in many ways the Baconian method, even if it is a far cry from the factual objectivity of the Royal Society experimentalists. Critics have often dismisses Ralegh as a mere dabbler in natural history and travel literature, but Ralegh is one of the finest readers and interpreters of his time, capable of mastering very distinct hermeneutic systems.
This part introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The part considers the ways in which the historical study of the medieval English peasantry has, after its first stirrings, tended to be confined within three broad themes. These main themes have become associated with a more all-encompassing discussion of change in the medieval economy. So, historians have tended to see the economy as driven by one of or a combination of the following 'supermodels': population movement and its determining factors, the demands and constraints of the seigneurial economy and of resistance to the same, and the development of commerce and the market. The part suggests that a population-driven model, associated especially with the writing of M.M. Postan, was highly influential in the third quarter of the twentieth century but lost significant ground to a more 'commercial model' during the 1980s.
Medieval Jewish society saw itself as being under siege in a struggle for survival within a Christian population that abounded with threats and temptations, both economic and intellectual. In sources written by the Jews in the first generation following the attack on the Jewish communities in the year 1096, emphasis was laid on the Jewish woman's readiness to lead religious resistance to the death, together with her unswerving devotion to Jewish values. The change in the status of the woman manifested itself in at least three significant ways; in her economic-legal status, in her status within the family and in her social standing. Starting in the twelfth century, a woman stepping down from her bridal canopy was a woman of a new and different status. The women also succeeded in bypassing an almost impossible obstacle in regard to study and education.
Through vibrant ethnographic storytelling, this study reveals how young women capitalise on uncertainty in Calabar, southeastern Nigeria, to realise respectable futures. Exploring young women's daily activities across different sites from the house to church, sewing shops and beauty salons, Fashioning Futures examines the complex ways in which various forms of uncertainty permeate life in a city shaped by Pentecostal fervour and patriarchal conservatism. Juliet Gilbert demonstrates how young women actively engage with forms of uncertainty such as illusion, dissimulation and fakery to present themselves as respectable urbanites and work towards marriage. Revealing young women's centrality in the construction of urban lifeworlds in contemporary Nigeria, Gilbert re-casts youthhood in Africa, both as an analytical category and as a time of experience.
This formative period of EU law witnessed an intense struggle over the emergence of a constitutional practice. While the supranational institutions, including the European Commission, the European Court of Justice and the European Parliament, as well as EU law academics helped to develop and promote the constitutional practice, member state governments and judiciaries were generally reluctant to embrace it. The struggle resulted in an uneasy stalemate in which the constitutional practice was allowed to influence the doctrines, shape and functioning of the European legal order that now underpins the EU, but a majority of member state governments rejected European constitutionalism as the legitimating principle of the new EU formed on basis of the Treaty of Maastricht (1992). The struggle and eventual stalemate over the constitutional practice traced in this book accounts for the fragile and partial system of rule of law that exists in the EU today.
With a focus on the Hindu/Presidency College, this book offers new ways of doing histories of education in colonial and postcolonial historical settings. Each essay utilizes new archival materials to present “liberal arts” education as an arena of competition, conversation, the rise of new disciplines, and politics. The everyday life of the College comes alive in a set of interdisciplinary essays that analyse different aspects of the institution's existence from student publications to the challenges of under-funding. Together, they shed new light on the daily labour and strife as well as the work of the imagination that shaped a centre of excellence. Excellence, however, was also premised upon social, cultural, and financial exclusions that cannot be ignored as we write new global histories of education and intellectual life in postcolonial India. The volume offers vital historical insight into the survival and challenges faced by an educational institution that is salutary as higher education, globally, faces unprecedented challenges.
Over the past few decades, graph theory has developed into one of the central areas of modern mathematics, with close (and growing) connections to areas of pure mathematics such as number theory, probability theory, algebra and geometry, as well as to applied areas such as the theory of networks, machine learning, statistical physics, and biology. It is a young and vibrant area, with several major breakthroughs having occurred in just the past few years. This book offers the reader a gentle introduction to the fundamental concepts and techniques of graph theory, covering classical topics such as matchings, colourings and connectivity, alongside the modern and vibrant areas of extremal graph theory, Ramsey theory, and random graphs. The focus throughout is on beautiful questions, ideas and proofs, and on illustrating simple but powerful techniques, such as the probabilistic method, that should be part of every young mathematician's toolkit.
This book rediscovers a lost history of the Roman Empire, written by Sextus Aurelius Victor in the middle of the fourth century A.D. Though little regarded today, Victor was the most famous historian of his day, read by Jerome and Ammianus, honoured with a statue by the pagan Emperor Julian, and a prestigious prefecture by the Christian Theodosius. Our rediscovery of the original scope and scale of his 'Historia' revolutionises our understanding of the writing of history in late antiquity, with profound implications for the study of Roman history and the transmission of the Classics.
The 1810s – a decade marked by the challenges of war, monarchy, poverty, religion, and nationalism – are immortalised in Percy Bysshe Shelley's impassioned but despairing sonnet, 'England in 1819', as a graveyard of undead ideologies from which he longs that a 'Phantom may / Burst, to illumine our tempestuous day'. Criticism too often looks past the 1810s and towards the illusory border between 'Romantic' and 'Victorian' to hunt down these bright phantoms and follow their progress into a century of cultural, affective, philosophical, and political transformation. Yet the 1810s were more than a threshold decade from which we were thrown into the beginnings of the modern world. As the essays in this volume reveal, the 1810s brought into focus new questions about subjects as broad as the imagination, literary form, morality, aesthetics, race, politics, the environment, the body, gender, and sexuality.
Since the 1970s, many academics and teachers have been taking the study of film out of Film Studies by producing curricula and critical literature hostile to notions of artistic endeavour and aesthetic value. Montage simply is the joining together of different elements of film in a variety of ways, between shots, within them, between sequences, within these. This book offers specific experiences of montage. Though there are clusters of experiences and practices that films share in common, each film is specific to itself. The book is led by that specificity towards these clusters and away from them then back to the films once more. Eadwaerd Muybridge's studies of human and animal locomotion consisted of photographed plates that reproduced bodies in movement in a sequence of still photographs he published in 1887. These reproductions, though sequential, were composed of intermittent, discontinuous immobile units, in effect, a linked series of snapshots. The game in Cahiers du cinéma is based on sixty-nine photographs that Kitano took of various subjects at different times and places, mostly in Japan, some in Africa. The notion and practices of the shot sequence were crucial for Pier Paolo Pasolini's formulations. The Kuleshov effect is the effect of desire. No shot in an Eisenstein film is ever complete because it reappears either analogically, or graphically, or in luminosity or by a contrast of beats and movements (the steps, the hammocks, descents, ascents). The book also discusses the works of David Wark Griffith, Eric Rohmer, and Alfred Hitchcock.
It could be argued that the English always have discussed their national identity at length, if not 'with arms', and rarely at the dinner table. This book introduces the diversity of reflection on Englishness in a number of stages. 'Versions' of England are particularly apparent when reading contemporary travel writing on and about England. The relationship between the claims of continuity and the claims of change can be captured by understanding Englishness as conversation. The book brings together insights from English history, politics, constitutional affairs, literature, psephology and social psychology to provide a digest of current reflection and is divided into three complementary parts. In the first part, the nuances and subtleties of Englishness are explored. It also explores the conceptual structure and sociological texture of what such a cosmopolitan England would look like. The part discusses conversational etiquette of English national self-identification, the fear of an 'English backlash', and the non-white ethnic minority communities. The second part considers Englishness in politics and institutions. After 1997, the Labour government believed that devolution to Scotland, Wales and Northern Ireland dealt with England in the appropriately English way: pragmatic adjustment without provocation. It includes discussions on Conservatism and Englishness, Gordon Brown and the negation of England, and the Britain central government. The third part reprises the themes discussed in the previous parts with a historical and literary emphasis. It includes discussions on the changing face of Englishness, and the English union in the writings of Arthur Mee and G.K. Chesterton.
This monograph offers the first ever comprehensive study of Channel 4's film production, distribution and broadcasting activities and represents a significant contribution to British cinema and television history. The importance of Channel 4 to the British film industry over the last forty years cannot be overstated. The birth of the Channel in 1982 heralded a convergence between the UK film and television sectors which was particularly notable given that the two industries had historically been at loggerheads. In addition to its role as a broadcaster and curator of feature film programming, since its inception Channel 4 has funded or co-funded hundreds of feature films through its film commissioning arm, Film4. The Channel's commitment to financing between fifteen to twenty films per year helped form the backbone of the ailing film sector throughout the 1980s and early 1990s, while Film4 funding has also been instrumental to the success of many companies which have become vital to the British film industry.
In a long and varied career, Lindsay Anderson made training films, documentaries, searing family dramas and blistering satires, including This Sporting Life, O Lucky Man! and Britannia Hospital. This book is about a director whose work came to public attention with Free Cinema but who, unlike many of his peers in that movement did not take the Hollywood route to success. What emerges is a strong feeling for the character of the man as well as for a remarkable career in British cinema. Making use of hitherto unseen original materials from Anderson's extensive personal and professional records, this book is valuable as a study of how the films came about: the production problems involved, the collaborative input of others, as well as the completed films' promotion and reception. It also offers a finely argued take on the whole issue of film authorship. It prompts renewed respect for the man and the artist and a desire to watch the films all over again.
This book is a collection of essays that offers a new lens through which to examine Spain's cinematic production following the decades of isolation imposed by the Franco regime. The films analysed span a period of some 40 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. The book offers a new lens to examine Spain's cinematic production following the decades of isolation imposed by the Franco regime. The figure of the auteur jostles for attention alongside other features of film, ranging from genre, intertexuality and ethics, to filmic language and aesthetics. At the heart of this project lies an examination of the ways in which established auteurs and younger generations of filmmakers have harnessed cinematic language towards a commentary on the nation-state and the politics of historical and cultural memory. The films discussed in the book encompass different genres, both popular and more select arthouse fare, and are made in different languages: English, Basque, Castilian, Catalan, and French. Regarded universally as a classic of Spanish arthouse cinema, El espíritu de la colmena/The Spirit of the Beehive has attracted a wealth of critical attention which has focused on political, historical, psychological and formal aspects of Víctor Erice's co-authored film-text. Luis Bunuel's Cet obscur objet du désir/That Obscure Object of Desire, Catalan filmmaker Ventura Pons' Ocana. Retrat Intermitent/Ocana. An Intermittent Portrait, Francisco Franco's El Dorado, Víctor Erice's El sol del membrillo/The Quince Tree Sun, and Julio Medem's Vacas/Cows are some films that are discussed.
Geoffrey T. Wodtke and Xiang Zhou's Causal Mediation Analysis offer a comprehensive yet accessible guide to causal mediation analysis for social scientists. They explore why an exposure affects an outcome by quantifying the processes and mechanisms through which a causal effect operates. Covering everything from traditional methods through machine learning techniques and experimental designs for analysing mediation, the authors make these methods broadly accessible through clear explanations, practical examples, and the inclusion of extensive Stata and R code, allowing readers to replicate all the empirical illustrations and apply the methods directly to their own data. Starting with methods for intuitive, simple settings, they build up to more complex analyses, ensuring a smooth learning experience. Rich in examples from across sociology, psychology, political science, and economics, the authors demonstrate the application of cutting-edge methods to real-world empirical research, providing practical tools and examples for rigorous empirical research across disciplines.
Coalition formation is an important problem in economics, politics, and a broad range of other social situations. Examples of coalitions range from those at the level of individuals (families, couples, teams, employers, workers) through to those at the level of organisations and countries (political parties, free trade agreements, environmental agreements, military alliances). Traditionally, game theory has been divided into non-cooperative and cooperative games. The former approach scrutinizes individuals' rational behaviour under a well-specified process of a game. The latter presents various cooperative solutions based on collective rationality. Games and Coalitions draws on both approaches, providing a bridge between cooperative and non-cooperative analyses of coalition formation. Offering a useful research monograph regarding the models, results and applications of non-cooperative coalitional bargaining theory, this book illustrates how game theory applies to various economic and political problems, including resource allocation, public goods, wage bargaining, legislative bargaining, and climate cooperation.