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This Element focuses on contemporary forms of nativism (belief in innateness), which mostly concern the existence of domain-specific learning mechanisms with innate structure and content. After sketching some innate capacities that are widely believed to be shared with other animals, the Element thereafter discusses a number of (alleged) distinctively-human ones. One concerns a faculty of language, another our capacity for representing the mental states of others (and derivatively, ourselves). It then turns to discuss some proposed innate adaptations that support culture. These include a number of learning biases, as well as affective learning mechanisms that enable swift acquisition of cultural values. The final two sections then discuss 'tribal psychology.' This may include an innate disposition to stereotype social groups as well as innate 'tribal' motivations (both positive and negative). The over-arching thesis of the Element is that human nature might best be thought of as culture-enabling nature.
This Element provides a broad overview of autism spectrum disorder from early childhood through adolescence. The Element reviews high-impact areas of research relevant to young children, including the shifting diagnostic conceptualizations of autism, current best practices related to screening and diagnosis, our understanding of factors that increase the likelihood of receiving an autism diagnosis, the overlap between autism and other co-occurring conditions, and related contemporary approaches to supports and interventions for young children. The discussion of these topics addresses measurement of outcomes, reproducibility, and methodological rigor. By focusing on these methodological gaps and progress, future directions for research in each of these areas is highlighted.
This Element discusses the relation between the ethical and religious as key concepts in Kierkegaard's works. Instead of viewing the ethical and religious mainly as different stages on life's way, it identifies different connections between ethical and religious considerations, reasons, and values. By discussing Abraham's sacrifice of Isaac in Fear and Trembling, it argues that – despite appearances – religion does not undermine but rather supports moral constraints. However, Kierkegaard is clear that our moral requirements exceed our natural capabilities, something that makes divine assistance morally necessary. Thus, religious belief seems supported by moral reasons. Still, we often recognize moral truth without seeing the metaphysical and theological implications of morality. Therefore, moral agents need not be religious believers, although morality nevertheless has metaphysical and theological implications if Kierkegaard is correct. Specifically, Kierkegaard seems to combine realism regarding value with the view that some moral requirements are divinely commanded.
This Element advocates the Majlis Curriculum as a culturally responsible framework for teacher education in Arabia. Rather than treating culture as a supplementary means of transmitting local values or reducing it to language instruction, the Element conceptualizes culture as an epistemic and pedagogical foundation for teacher training. It extends the Arab-Islamic tripartite model of Tarbiya, Ta'lim, and Ta'dib by introducing Al-Ra'y as a fourth component of deliberative reasoning. The Majlis is theorized as an educational space that cultivates deliberation and civic responsibility in conversation with the liberal arts. This Element, therefore, positions culturally responsible pedagogy as a precondition for culturally responsive teaching. Intercultural engagement requires identifying and activating local epistemologies that align with the aims of liberal arts. The Element offers a contextual approach that preserves cultural continuity and enables teachers in Arabia to engage with international educational discourses. This title is also available as Open Access on Cambridge Core.
In this Element I investigate how Renaissance humanist translators used the printed page to construct a trustworthy persona and persuade readers of their translations' value. These portraits did more than decorate books – they shaped the public identity of translators, lent credibility to their work, and positioned them within broader networks of cultural authority. As the early modern book trade expanded, portraits became key instruments in establishing recognisability – what we might now call a 'brand' – that reassured readers and patrons alike. By revealing how trustworthiness was deliberately performed and circulated in print, this Element reframes the role of translators in Renaissance culture and offers new insights into the social and symbolic economies of early modern trust.
The Mar Menor, Europe's largest saltwater coastal lagoon, was long sustained by high salinity and low-nutrient waters that supported remarkable biodiversity. Since the late twentieth century, however, intensive tourism, industrial agriculture linked to the Tagus–Segura water transfer, and legacy mining pollution have driven accelerating ecological degradation. The eutrophication crisis of 2016 and the mass anoxic events of 2019 and 2021, which caused extensive marine die-offs, marked a profound ecological and political rupture. In response, a civic movement led by Teresa Vicente achieved an unprecedented outcome in 2022: the lagoon was granted legal personality, becoming the first ecosystem in Europe to obtain such status. This Element examines the social, legal, and scientific transformations surrounding this case and argues that recognising the lagoon as a subject opens new possibilities for rethinking human–nature relations and imagining more-than-human political communities grounded in ecological justice.
Language documentation of the American Sign Language (ASL) communities is essential to preserve and share our language use and interaction, something we cherish. Yet there is no conventionalized written system that can be used, instead we've been using video. Currently these videos are mostly not accessible in a way we can search the contents for language expressions. The ASL Signbank, an empirical-based resource-driven database, labels ASL use in transcripts time-aligned to ASL videos along with a set of annotation conventions to make the data machine-readable. ASL Signbank is a cloud-based annotation tool built over twenty years from the models of extant signbanks and their organizing principles. To create a database requires many choices and ongoing labor which is detailed in this Element - from what ASL Signbank is to why it exists and how to use it. This Element is also a reflection on these choices.
This is the first biography of Hanif Kureishi: one of the most significant, provocative, versatile and popular British writers of his generation. He was born to an Indian migrant father and a white British mother in the London suburb of Bromley in 1954. As a mixed-raced child of empire growing up in the post-war suburbs and attending the local comprehensive school, Kureishi’s life-story is intimately bound up with a history of immigration and social change in Britain. Kureishi came to prominence with his first Oscar-nominated screenplay My Beautiful Laundrette (1985) and novel The Buddha of Suburbia (1990), both of which articulated new ways of being British. Since then, he has shaped and chronicled Britain’s shifting political and sexual mores in plays, screenplays, novels, stories and journalism. This biography of Kureishi illuminates a larger story of change: the recasting of Britain in the aftermath of decolonisation. It tells the story not only of Kureishi’s life and work, but of modern Britain. Drawing on diary material from Kureishi’s newly available archive and interviews with his family, friends, lovers and collaborators, as well with the writer himself, this book sheds new light on how his life informs his work. It explores how racism but also class and education affected the young Hanif Kureishi; his involvement with the Labour Party; his complex attitude to the debates about representation raised by multiculturalism; and the way his unwavering support for Salman Rushdie after the fatwa sometimes resulted in tendentious images of British Muslims. It provides fresh perspectives on the multiple controversies that resulted from Kureishi’s incorporation of family and lovers into his literary works. Above all, this book demonstrates Kureishi’s commitment to the value of culture: not only through his own prolific production, but in his engagement with philosophy, history, music, literature and psychoanalysis.
Explore the 'group mind' phenomenon and uncover its influences on religious and political experiences. This book investigates the idea that human groups, under certain conditions, can develop distinct personalities and possess 'minds' characterized by quasi-rational decision-making processes, emotions, intentional states, and actions in the world. Utilizing expert research, Patrick McNamara applies the explosion of findings in collective cognition to topics in evolutionary psychology, social science, and religion to demonstrate the associations between group minds and supernatural agents. The chapters examine the relationship between religious group minds and individual psychology from multiple perspectives, including identity dynamics, inter-group relations, group theory of mind, and the neuroscience of in-group monitoring. The book also addresses how religious groups evolve, maintain cohesion, and shape individual brains, offering a novel framework for understanding how collective minds emerge and operate. It is an essential resource for those interested in the psychology of religion, philosophy, and religious studies.
Danny Herman was born in 1935 in Königsberg in East Prussia. As the Nazis were rounding up Jews, Danny’s father managed to escape to England in July 1939. He travelled to the Kitchener Camp in Kent, which helped refugees secure visas for safer places. Danny and his mother arrived in England just three days before war was declared in 1939, and his father was later sent to an internment camp on the Isle of Man. Danny went on to become a successful runner, competing in many international athletics events and volunteering in many roles, including at the 2002 Commonwealth Games. Danny’s detailed memories of arriving in England, initially at the seaside in Kent and then moving to Manchester, create a vivid picture of life-changing events as experienced by a young child. Danny’s book is part of the My Voice book collection, a series of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. The oral history, which is recorded and transcribed, captures their entire lives from before, during and after the war years. The books are written in the words of the survivor so that future generations can always hear their voice. The My Voice book collection is a valuable resource for Holocaust awareness and education.
The book addresses – in 66 accessible entries – the global circulation of contemporary art in the moment of its fundamental crisis. By using the term ‘projectariat’, the book detours the classical Marxist concept to talk about the life and work of artistic freelancers – artists, curators, critics, academics, writers, technicians and assistants – who, in order to survive, have no choice but to make one project after another and many at the same time. The majority of projectarians do not own much beyond their own capacity to circulate. Thus, they are torn between promises of unrestrained mobility and looming poverty, their precarity only amplified by the global crisis caused by COVID-19.The book is intended as both a critical analysis and a practical handbook that speaks to and about the vast cohort of artistic freelancers worldwide, people who are currently looking for ways of moving beyond the structural conundrum of artistic networks, where everything that is solid melts into flows – and where nothing is certain except one’s own precarity. The book’s narrative is based on a carefully crafted balance between its three constitutive strands: an uncompromising critique of the cruel economy of global networks of contemporary art; an emphatic, non-moralistic understanding of the perils of artistic labour; and systemic advocacy for new modes of collective action aimed at overcoming the structural deficiencies haunting the global circulation of contemporary art.
Renée Mosbacher was born in 1929 in Vienna. Renée’s parents had both died before the Anschluss, the annexation of Austria into Germany in 1938, and she was living with her auntie and uncle. Renée witnessed the growth of antisemitism and anti-Jewish laws. After the horrors of Kristallnacht, Renée and her brothers made a dangerous journey to England with her auntie in December 1938, where they were reunited with Renée’s uncle. Renée recounts her arrival in London, the musical success of her brother Norbert, a talented violinist, and moving to Manchester. Over the next decades, Renée lived a busy life, became a parent to seven children, experienced happy marriages, and describes the joy and success of working, travelling and being part of a loving family. Renée’s book is part of the My Voice book collection, a series of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. The oral history, which is recorded and transcribed, captures their entire lives from before, during and after the war years. The books are written in the words of the survivor so that future generations can always hear their voice. The My Voice book collection is a valuable resource for Holocaust awareness and education.
This book examines how constitutional courts can sustainably contribute to advancing democratic norms in hybrid regimes, i.e. regimes that are neither fully democratic nor fully authoritarian. Using a comparative approach analysing cases from across the globe, particularly from Hong Kong, Pakistan, and Uganda, Julius Yam makes the case that courts can assume a democracy-enhancing role in hybrid regimes. The book reveals the challenges faced by courts in performing such a role. It also proposes an adjudicative framework that systematically integrates principled judging with judicial strategy, and suggests nonadjudicative techniques that judges can adopt to reinforce democracy. While theoretical in substance, this book is informed by empirical studies and draws on a wide range of disciplines, including law, political science, sociology, and psychology. The book will be a key resource to judges, academics, and practitioners who are interested in the study of democracy and courts. Its insights are particularly pertinent in an age of democratic backsliding and resurgence of authoritarianism. This title is also available as open access on Cambridge Core.
The central ideas of Isaiah Berlin (1909–1997) remain as alive for our century as they did for his, and his enduring importance as a thinker is matched by his reputation as an essayist of the first rank. This in-depth exploration of a selection of Berlin's most important essays, by a rich variety of distinguished scholars, offers a critical appraisal of Berlin's wide-ranging intellectual preoccupations and their relation to the deep, persistent questions of human life. Each of the contributors examines Berlin's understanding of humanity through one of his essays, including 'The Hedgehog and the Fox', 'Two Concepts of Liberty' and 'Winston Churchill in 1940', together with less famous ones such as 'The Divorce between the Sciences and the Humanities' and 'The Purpose of Philosophy'. The result is a fresh, insightful portrait of a fascinating mind.
Hans Rose was born in 1928 in Münster. His happy childhood with his parents and sister Eva was shattered by the rise of the Nazi regime. After the devastating impact of Kristallnacht and his father’s imprisonment in Buchenwald, the family emigrated to England in August 1939, a month before the outbreak of war. Settling in Glossop posed challenges, notably his father’s internment as an ‘enemy alien’ on the Isle of Man. The book depicts Hans’s education, successful career in Manchester’s textile sector, and a content family life with his wife Adele and three daughters. Hans’s passion for sailing and outdoor pursuits, love of travel and optimism shine throughout his post-war narrative. Hans also reflects on his complex relationship with Germany and the tragic fate of Münster’s Jewish community. Hans’s book is part of the My Voice book collection, a series of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. The oral history, which is recorded and transcribed, captures their entire lives from before, during and after the war years. The books are written in the words of the survivor so that future generations can always hear their voice. The My Voice book collection is a valuable resource for Holocaust awareness and education.
Anne Super was born in 1938 in Warsaw. Her earliest memories are overshadowed by the Nazi persecution, which led her parents to arrange her rescue by a milk woman. After a traumatic separation, Anne never saw her parents again. As a hidden child raised Catholic, during the war Anne endured deprivation and survived illness. After the war, Anne was adopted by her uncle in South Africa, reconnected with her Jewish roots, met her husband Maurice, qualified as an optician, and started a family. After exciting years in Namibia, the family settled in Manchester. Anne’s story includes reflections on her identity, traumatic childhood, and her lifelong commitment to honour her parents by living a fulfilling life, full of adventures and pursuing her many passions. Anne’s book is part of the My Voice book collection, a series of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. The oral history, which is recorded and transcribed, captures their entire lives from before, during and after the war years. The books are written in the words of the survivor so that future generations can always hear their voice. The My Voice book collection is a valuable resource for Holocaust awareness and education.
Through the critical case study of Ethiopia, Maria Repnikova examines the ambitious but disjointed display of Chinese diplomatic influence in Africa. In doing so, she develops a new theoretical approach to understanding China's practice of soft power, identifying the core mechanisms as tangible enticement with material and experiential offerings, ideational promotion of values, visions, and governance practices, and censorial power over the production and dissemination of China narratives. Through in-depth field work, including interviews and focus groups, Repnikova builds a clear picture of the uneven implementation and reception of this image-making, in which Chinese messengers can improvise official agendas, and Ethiopian recipients can strategically appropriate and negotiate Chinese power. Contrary to popular claims about China replacing the West in the Global South, this innovative research reveals the successes, but also the inconsistencies and limitations of Chinese influence, as well as the ever-present shadow of the West in mediating soft-power encounters.
Chaim Ferster was born in Sosnowiec, Poland. He lived with his parents and three sisters above the brush factory owned by his father. They were religious Jews and only spoke Yiddish. He was 17 when war broke out and German soldiers arrived in his town. After surviving a harrowing selection process, Chaim was sent to one camp after another and set to work. Then, in September 1944, he was sent to Auschwitz. In April 1945, he was forced onto a death march to Buchenwald. After liberation, Chaim was reunited with his sister and one of their cousins and they came to Manchester, where he found work as a sewing machine repairer and eventually became a toy manufacturer. He married Nan and they had three sons, and several grandchildren and great-grandchildren. Chaim’s book is part of the My Voice book collection, a series of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. The oral history, which is recorded and transcribed, captures their entire lives from before, during and after the war years. The books are written in the words of the survivor so that future generations can always hear their voice. The My Voice book collection is a valuable resource for Holocaust awareness and education.
Henry Monath was born in Kraków, Poland in 1925. He grew up in a family who ran the second-largest furrier business in the country. By 1938, his mother recognised the increasing dangers for Jewish people in Poland and travelled to London in January 1939. She managed to arrange for Henry and his sister Rezika to escape to England, where she was reunited with them. Henry reflects on the challenges of settling in a new country, and recounts his experience being evacuated from Manchester to Blackpool in 1939 once war had broken out and later living through air raids in Manchester. After the war, Henry married Gloria, and they had two children. He built a successful company manufacturing lampshades. He visited Kraków several times in later life. Henry’s book is part of the My Voice book collection, a series of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. The oral history, which is recorded and transcribed, captures their entire lives from before, during and after the war years. The books are written in the words of the survivor so that future generations can always hear their voice. The My Voice book collection is a valuable resource for Holocaust awareness and education.
This book examines how truth commissions construct authoritative accounts of conflict, and how they account for the plurality of accounts across affected communities. Vázquez Guevara examines three of the earliest and most influential truth commissions: Argentina (1983–1984), Chile (1990–1991), and El Salvador (1992–1993), and examines how relevant cultural objects support or counter the official account for each. In doing so, she argues that these truth commissions drew on international law to authorise their accounts of violent conflict, and that this had the consequence of privileging an internationally-authorised truth over other truths, whilst simultaneously strengthening the authority of international law over the post-conflict state. By demonstrating how truth commissions turn to international law for authority, the book shows how this produces an official account of past violence and promises of future community, which fundamentally affects how communities live together in the aftermath of violent conflict.