This chapter presents an overview of, and insight into, the sexual lives of the inhabitants of Athens in the fifth and fourth centuries BCE. It examines both public attitudes and private behaviours by focusing on three key areas: marriage, prostitution, and male same-sex relationships. The discussion of marriage looks at the traditional ages at which men and girls traditionally wed, how marital partners were chosen, and the emotional and sexual life of married couples, as well as divorce, widow(er)hood, and remarriage. The section on prostitution considers the wide variety of sex workers operating in classical Athens, the conditions in which they worked, and the status they enjoyed. The discussion takes in streetwalkers and brothel workers whose services could be bought cheaply (pornai), trained musicians and dancers who provided entertainment at all-male drinking parties, and high-fee hetairai renowned for their looks, wit, and intelligence. The last section examines the practice of pederasty, a traditionally elite pursuit which saw adult men form relationships with pubescent boys. This discussion covers courtship and its power dynamics, the age of participants, and the ways in which pederasty is depicted in art, as well as shifting public attitudes towards pederasty throughout the classical era.

Analyzing major and lesser-known utopian and dystopian literature from 1945-present, we define white supremacy as both a regime of exploitation and violence by people of European descent upon others deemed to be outside of whiteness and a process of centering whiteness. We look at the relationship between white supremacy and American culture from the period through two main trends. The first asserts white supremacy in either a default form assuming the centrality of whiteness or an explicit form that calls for white supremacist revolution. Texts here range from Bradbury’s Fahrenheit 451 to Heinlein’s Farnham’s Freehold to McCarthy’s The Road to the notorious Turner Diaries. The second trend directly challenges white supremacy, including some notable texts such as Butler’s Parable series to a flood of post-Black Lives Matter works such as Ruff’s Lovecraft Country to Coates’s Between the World and Me to short works by adrienne maree brown and others.

This chapter argues that young adult (YA) fiction is, fundamentally, utopian in the broadest sense, given that it is produced for the consumption of adolescent and young adult readers who are looking for guidance or entertainment in the pursuit of their own better futures. At times, though, such work also engages larger questions that exceed the limited purview of individual self-betterment and that approach concerns about the proper – and better – organization and maintenance of society. Specifically, such work seems at times actively to theorize the cultivation of hope as a practice, even a method. This chapter examines how YA fiction engages hope as a method in three distinct modes: through critical dystopias, in failed or problematic utopias, and in utopias in process.

Material culture profoundly influences the ways we understand, experience and represent sexuality. This chapter examines cross-cultural material cultures of heterosexuality, homosexuality, domestic life, communal rituals, sex work and intimate relationships, among other examples. The history of sexuality and material culture is a long one, and to consider Roman brothels, Palauan men’s houses and Peruvian pottery is to recognise their significance in changing sexual mores. Objects, including buildings and artworks, can tell us about fundamentally diverse ways of understanding sexuality as an everyday practice and the subject of academic inquiry. The chapter also offers a discussion of the ephemera of movements for sexual rights in more recent times. These objects may be everyday items repurposed for queer life and politics, for example, or custom-made props for protest and organising. Museums have often paid little attention to the material culture of sexuality, hiding away incriminating exhibits, but new museological approaches to objects reveal the intricacies of intimate life, tell the story of previously marginalized forms of sexuality, and even resist established modes of power. Material culture, and the ways we address it, speak forcefully to the politics of sexuality.

This chapter provides a thematic overview of commercial sex across time and space. Each section seeks to identify continuities and shifts in the way people debated, policed, and practiced commercial sex. While the analysis focuses primarily on the modern period, the chapter starts in antiquity to discuss the gendered and hierarchical notions that different societies and groups have used to refer to the ‘flesh trade’. A second section deals with the regimes and actors that have sought to control, repress, regulate, or decriminalise/normalise the sale of sex at the local, national, and international levels. Where possible, the voices of women and men who traded physical sex for money or other benefits are included in the analysis. The bottom-up approach is further developed in sections three and four, which focus on the structure and working conditions of the sex trade and profile the sellers of sex, intermediaries, and clients. A concluding section reflects on stigma, an issue that seems to have remained constant in the long history of (female) prostitution, and on coercion and consent, concepts that can be regarded as typically modern.

“The Black Body in Nature” considers writers who, in their critical and imaginative work, map the contours of an African American nature writing tradition. In this environmental canon, authors persistently attend to the violence associated with the outdoors, lurking in forests, woods, and other secluded areas.These geographies, while environmentally rich, can be threatening spaces, isolated and hostile.Yet, as the story of birder Christian Cooper attests, menacing areas needn’t always be sheltered, but are manifest in city streets, urban parks, and brightly lit neighborhoods. The African American environmental tradition is nuanced and, as such, the experience of danger and disenfranchisement is counterpointed by an equally strong and persistent affiliation with the natural world that offers, for some, a measure of relief from structural forms of oppression.Situated at the nexus of race and ecocritical thought, this chapter considers the complicated positionality of the Black body in nature through the lens of exile and belonging.

This chapter discusses the teachings of the rabbinic sages in Late Antiquity who worked in fundamental ways with the biblical traditions transmitted to and by them. The Hebrew Bible, whose precise shape was still under discussion in the first century CE, provided the rabbinic sages with ancient normative and legal traditions that they reinterpreted and expanded. The large archive of rabbinic traditions provides us with a tremendous wealth of representations of sexual practices, desires, and discourses, often in tension with each other, that reverberate throughout Jewish history. It further provides a framework and language for contemporary Jewish discourses of sexuality, including newly emerging identities, individual and communal, specifically for Jewish LGBTQ+ people. Three topics out of many possible have been selected for this chapter: obligations of marriage, reproduction, and same-sex and queer sexualities. They represent three topics of perennial debate in Jewish traditions around the world. For each, rabbinic texts and especially the Talmud have played a pre-eminent role in shaping the debates over the centuries.

This chapter examines the relationship between Black literature and anti-Black medical violence. It argues that, since at least the eighteenth century, Black writers have tapped into the narrative and documentary power of Black writing to chronicle and archive the racialized operations of medical violence and its historical attempts to exploit Black bodies. Using literature to spotlight medicine’s role in the global economies of Black embodied terror, these writers have helped to construct an important site of memory that I call the Black medical archive. In doing so, they demonstrate the importance of medicine to the politics and aesthetics of the Black literary tradition, from its origins to the present. Further, they unfurl how Black literature has long been a crucial site for the transformational practices of storytelling that the field of narrative medicine has proffered as a radical intervention into the histories of violence, exploitation, and discrepant care that have informed the practices and epistemologies of modern medicine.

The relationship of oppositional gender consciousness to narrative is the particular focus of this chapter’s attention to “gendered worlds” in postwar utopian and speculative writing. Tracing the resistance to the “defeating circularity” of gender binarism since the 1950s, this chapter surveys authors’ (re)figurations of sex and gender, as well as race, from the sex/gender fluidity in Ursula K. LeGuin and Samuel Delany, to the queer kinships of contemporary queer and Afrofuturist writers. The chapter considers a cluster of feminist dystopian novels modeled after Atwood’s The Handmaid’s Tale; forgetting Atwood’s narratological escape hatch in the “Historical Notes,” these novels are unable to imagine past the violent motive of binaristic gender ideology. Novels by Louise Erdrich and Lidia Yuknavich succeed in breaking that mold, offering queer futures that reimagine reproductive futurism in a new utopian register. The chapter concludes with the queer futures of brilliant African-American writers, including Rivers Solomon and Nnedi Okorafor.

Florence in the fifteenth century was in transition from the medieval to the modern world, and sexual attitudes and practices were very much in flux. The most distinctive feature of Florentine sexuality was the city’s international reputation as a hotbed of ‘sodomy’. Traditional structures of marriage and the family coexisted with a widespread culture of male homoeroticism. Female prostitution was sanctioned by the state, in the hope that it would reduce both male homoeroticism and adulterous relations. At the same time the new ideal of romantic love was spreading to all social classes, bringing changes to the ways people thought about marital and intimate relations. This chapter focuses both on the idealization of male homoeroticism in humanist culture and on the repression of male homosexual activity by the Office of the Night, the judicial branch that policed sodomy. It contrasts the celebration of physical beauty in Florentine visual arts with the preaching of the Dominican reformer Savonarola, who harshly condemned worldly luxuries. Savonarola’s public execution by burning in 1498 provides an ironic contrast to his own bonfires of the vanities, in which luxury goods were burned, but it also mirrors the public burning that was the traditional punishment for sodomy.

This chapter discusses why sexuality has become the site of a new “Cold War” and what are its new elements. Now, a fully-fledged illiberal program is offering an alternative to liberal cultural, social, and political politics. The new political actors fighting for redefining sexuality are capturing states using democratic or quasi-democratic methods to introduce new forms of governance as alternatives to liberal values. The chapter analyses the roots of and actors in these attacks. The example of Russia shows how the recent and ongoing war against Ukraine has changed previous assumptions and made alliances and allegiances very clear. The soft power of Putin”s Russia has been instrumental in the fight for “traditional values” as an inexpensive and effective political tool to undermine liberal values and the European Union. This matters not only because Russia has created an alternative, illiberal political order to liberal human rights over the past decade, but also because it has become an international actor, financing local and international NGOs to disrupt and undermine liberal states” values and activities around the world. The chapter closes with discussing how the appropriation of liberal values combined with emptying their meanings to legitimize a new war of Russia shows that we are really facing a turning point in our history.

This chapter begins with a discussion of the terminology and conceptual frameworks that are useful for contextualizing pre-modern Chinese sources about sex and sexuality. It then surveys several well-studied institutions and practices, including sex manuals, concubinage, female chastity, illicit sex, and literary representations of homoeroticism. The second half of the chapter reflects on three phenomena in works on the history of sexuality in pre-modern China, namely retrospective sexology, the censorship hypothesis, and the assumption of sex as a given. The author argues that while historians now no longer characterize sex culture in ancient China as either ‘liberated’ or ‘repressed’, as old sexologists did, we still tend to assume that the history of sexuality should primarily be about sexual practice and behaviour, despite the acknowledged lack of sources. The lack of sources, in turn, is often assumed to be the result of political and ideological censorship. More attention is needed to questioning scholars’ definition of the very subject matter, sex. The chapter concludes with a short review of scholarly approaches to comparing China with other cultures and a proposal of the ways in which a comparative history of sexuality can be productive.

The eponymous protagonist of Gwendolyn Brooks’s under-examined 1953 novel Maud Martha becomes acutely attuned to the multisensory dimensions of quotidian experience. As she navigates the intersecting forces of race, gender, class, and color in the public sphere, she begins to conceive of herself as a perceiving subject rather than solely as a perceived object in the private sphere. Drawing on Black feminist scholarship, I theorize synesthetic stillness as an aesthetic strategy that reveals aspects of Black interiority through its exploration of overlapping and intermingling perceptual faculties. In deploying synesthetic stillness, Brooks not only counters dehumanizing sensory stereotypes, but traces a mode of Black resistance that privileges internal sensation rather than external expression.

The archives of modern European colonialism are preoccupied with sex. Desire, with its contexts and consequences, presented colonial authorities with opportunities and motive for the exercise of power. Yet the gamut of sexual practices they sought to regulate bore a tenuous relationship to the messy intimacies of lived experience. Those worlds of desire, repugnance, accommodation, and resistance remain beyond our reach. Historians have employed various methodologies to tackle the complexities and silences of the colonial archive. Some have striven to find dissenting, variant or “hidden” voices within bureaucratic records. Some have sought traces of fantasy, desire, and subjective experience in personal writings or works of creative imagination. Some have shown how the fashioning of the archive itself is implicated in the production of both desire and desiring subjects. Arguing that we learn most about colonial sexuality when we allow for multiple possibilities, this chapter presents and describes some of the more influential lenses historians have brought to bear upon their elusive subject: those of erotics, regulation, intimacy, mobility, and violence. While these do not exhaust the possibilities of understanding colonial sexuality, when taken together they reveal how entwined was the emergence of modern sexual mores with colonialism”s history.