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Timothy Deane-Freeman traces Deleuze's remarks about the digital to reveal both their origins and implications. In so doing, we encounter a position which is fundamentally ambiguous. On the one hand, digital techniques are intimately related to what Deleuze calls 'societies of control', which deploy them in order to close down potential spaces of creativity and resistance. On the other, digital images take up the mantle of cinema, displacing habitual forms of cognition and forcing us to think in new ways. Deane-Freeman traces these dual impulses through the images of cinema, television and social media, as well as explicating key Deleuzian concepts, including virtuality, immanence and the outside.
Virginia Woolf and Capitalism explores Woolf's engagement with and critiques of capitalism throughout her life, arguing for its central importance in our understanding of her as an author, activist and publisher. Galvanised by existing scholarship on the place of economics, class, gender and empire in Woolf's writing, this collection draws attention to her thinking about history, labour and economics and gives space for understandings of Woolf in the context of our own late-capitalist moment. Chapters by leading and emerging scholars range across Woolf's oeuvre in all its generic diversity, from her earliest short fiction and 'Night and Day' to 'Three Guineas' and 'Between the Acts', showcasing a range of critical approaches from the archival to the creative to the pedagogical. This collection demonstrates how productive and provocative thinking about Woolf's fiction and non-fiction through the lens of capitalism can be for Woolf scholars.
A wide-ranging intellectual history of the Critical Legal Studies Movement, drawing from personal accounts, academic works, and the media. The Rise and Fall of Critical Legal Studies unpacks Critical Legal Studies (CLS) to address what CLS was, how it came about, and what its legacy means for contemporary legal theories.
Taking a CLS approach to CLS, a range of legal, literary, filmic, and philosophical lenses are applied to key theorists and their works, with a specific focus on Duncan Kennedy. Through this analysis, a dominant type of CLS is untangled, and in true Crit form, repeatedly questioned from different perspectives to see what it achieved.
The Rise and Fall of Critical Legal Studies argues that CLS haunts the legal landscape, constricting emerging critiques of law. While the personal hierarchies of the Movement's founders ensured CLS was also limited.
Lyn Hejinian is considered one of the most important avant-garde poets of the twentieth and twenty-first centuries. Beginning with five poems written from 1963 to 1965, The Proposition collects Hejinian's previously uncollected works from 1963-1983 in one unique volume. The individual early works curated in this volume broaden the existing published collections of Hejinian's works, showing Hejinian's play with form, visual language, and linguistic experiment before the poet's move to project orientated writing practices. With a new Preface by Lyn Hejinian, and five essays by prominent critics in the field, the volume offers both a new collection of Hejinian's poetry and an important scholarly resource for students, scholars, and readers of contemporary avant-garde writing more widely.
The Cultural Politics of Veterans' Narratives investigates the role of veterans' stories in our collective cultural and political life. Drawing on contemporary narrative theory, it offers a conceptual framework for studying veterans' narratives, followed by a series of unique empirical chapters dealing with different genres of veteran storytelling, including trauma, transition, culture and identity, and the Afghanistan war memoir. The book questions the British veteran as a political figure, exploring what their stories tell us about the morality and politics of war as well as military life. It also traces how social norms about militarism, nationalism, and patriotism pivot as a result. Caddick considers what the stakes are for veterans as their stories interact with wider cultural narratives, and for society in grappling with the 'militarist terms of reference' these stories impart to us.
Reading Modernism's Readers: Virginia Woolf, Psychoanalysis and the Bestseller examines the scene of reading in modernist, psychoanalytic and popular writing from the early twentieth century. Focusing on the writing of Virginia Woolf, and reading her novels alongside writing by Marcel Proust, Sigmund Freud, James Strachey, Ethel M. Dell, Melanie Klein, Marion Milner, and others, this book challenges our prevailing critical assumptions about modernist reading. Reading Modernism's Readers argues that the modernist scene of reading reveals some of our culture's most powerful and enduring fantasies about the role of literature in psychic, social and political life. Reading modernism alongside psychoanalysis and the bestseller, this book aims not only to intervene in debates about modernism, but also to address its legacies in contemporary literature, and in the context of increasingly urgent questions about how - and why - we read today.
The Greek landing in Smyrna in May 1919 is widely seen as the catalyst of the Turkish national struggle but even during the chaos of between 1919-1923, the diverse peoples of Asia Minor coexisted and created astonishing but fragile infra-national solutions. In sharp contrast to popular history, this book tells the often-overlooked story of cooperation and resistance in a province renowned for its rich and prosperous ethnic and religious diversity in the face of a larger geopolitical struggle. As such, this research demonstrates that even the most contested national conflicts can display a remarkable degree of capacity for coexistence at the local level, a capacity that is all too easily forgotten amid global conflicts today.
The Films of Agnieszka Holland is the first monograph devoted to the internationally most famous Polish filmmaker, a three times Oscar nominee and the recipient of numerous film festival prizes. It examines her rich, original oeuvre, which ranges from Holocaust dramas such as 'Europa', 'Europa (1990)' to episodes of the HBO series 'The Wire'. In examining the multifaceted nature of Holland's authorship, the study situates her work in the context of art, popular, national, European, Hollywood, transnational, women's, and queer cinema, as well as global television projects. Her colourful public persona oscillates among auteur, celebrity director, and political activist in an extraordinary professional trajectory, which started in the Eastern Bloc, continued in Western Europe and North America, then backtracked to a unified Europe. That zigzagged route conveys the unique nature of Holland's career while epitomising the transformations of post-Cold War cultural production.
This Element traces the history of Shakespearean bibliography from its earliest days to the present. With an emphasis on how we enumerate and find scholarship about Shakespeare, this Element argues that understanding bibliographies is foundational to how we research Shakespeare. From early modern catalogs of Shakespeare plays, to early bibliographers such as Albert Cohn (1827–1905) and William Jaggard (1868–1947), to present-day digital projects such as the online World Shakespeare Bibliography, this Element underscores how the taxonomic organization, ambit, and media of enumerative Shakespearean bibliography projects directly impact how scholars value and can use these resources. Ultimately, this Element asks us to rethink our assumptions about Shakespearean bibliography by foregrounding the labor, collaboration, technological innovations, and critical decisions that go into creating and sustaining bibliographies at all stages. This title is also available as Open Access on Cambridge Core.
Through vibrant ethnographic storytelling, this study reveals how young women capitalise on uncertainty in Calabar, southeastern Nigeria, to realise respectable futures. Exploring young women's daily activities across different sites from the house to church, sewing shops and beauty salons, Fashioning Futures examines the complex ways in which various forms of uncertainty permeate life in a city shaped by Pentecostal fervour and patriarchal conservatism. Juliet Gilbert demonstrates how young women actively engage with forms of uncertainty such as illusion, dissimulation and fakery to present themselves as respectable urbanites and work towards marriage. Revealing young women's centrality in the construction of urban lifeworlds in contemporary Nigeria, Gilbert re-casts youthhood in Africa, both as an analytical category and as a time of experience.
This book rediscovers a lost history of the Roman Empire, written by Sextus Aurelius Victor in the middle of the fourth century A.D. Though little regarded today, Victor was the most famous historian of his day, read by Jerome and Ammianus, honoured with a statue by the pagan Emperor Julian, and a prestigious prefecture by the Christian Theodosius. Our rediscovery of the original scope and scale of his 'Historia' revolutionises our understanding of the writing of history in late antiquity, with profound implications for the study of Roman history and the transmission of the Classics.
The 1810s – a decade marked by the challenges of war, monarchy, poverty, religion, and nationalism – are immortalised in Percy Bysshe Shelley's impassioned but despairing sonnet, 'England in 1819', as a graveyard of undead ideologies from which he longs that a 'Phantom may / Burst, to illumine our tempestuous day'. Criticism too often looks past the 1810s and towards the illusory border between 'Romantic' and 'Victorian' to hunt down these bright phantoms and follow their progress into a century of cultural, affective, philosophical, and political transformation. Yet the 1810s were more than a threshold decade from which we were thrown into the beginnings of the modern world. As the essays in this volume reveal, the 1810s brought into focus new questions about subjects as broad as the imagination, literary form, morality, aesthetics, race, politics, the environment, the body, gender, and sexuality.
Geoffrey T. Wodtke and Xiang Zhou's Causal Mediation Analysis offer a comprehensive yet accessible guide to causal mediation analysis for social scientists. They explore why an exposure affects an outcome by quantifying the processes and mechanisms through which a causal effect operates. Covering everything from traditional methods through machine learning techniques and experimental designs for analysing mediation, the authors make these methods broadly accessible through clear explanations, practical examples, and the inclusion of extensive Stata and R code, allowing readers to replicate all the empirical illustrations and apply the methods directly to their own data. Starting with methods for intuitive, simple settings, they build up to more complex analyses, ensuring a smooth learning experience. Rich in examples from across sociology, psychology, political science, and economics, the authors demonstrate the application of cutting-edge methods to real-world empirical research, providing practical tools and examples for rigorous empirical research across disciplines.
Television/Death intertwines the study of death, dying and bereavement on television with discussion of the ways that television (and the TV archive) provides access to the dead.
Part One looks at the representation of death, dying and the afterlife on television, in historical and contemporary factual television (from around the world) and in US television drama.
Part Two focuses on dramas of grief and bereavement and discusses how the long form seriality and narrative complexity of television, from family melodramas to the ghost serial, allows for an emotionally realist representation of experiences of grief, bereavement and death-related trauma.
Finally, Part Three proposes that television has been overlooked in critical analyses of recorded sounds' and images' propensity to 'bring back the dead'. It argues that television is the posthumous medium par excellence and looks at how the dead return via incorporation into new television programmes or through projects to bring television out of the archive.
Although the origins of Christianity lie in the Near East, Europe and Christianity have an exceptional relationship, since most Europeans perceive Christianity as a Western - more precisely, as a European - religion. The region has seen rapid social change in the twenty-first century, set off by factors including energy crisis and environmental awareness, poverty and exclusion, falling birthrates and increased migration, changing attitudes to sexuality, gender and family life, and challenges to Europe's idea of itself and place in the global order. Amidst all this flux, this volume focuses on one particular issue: the rapidly changing profile of the Christian faith that has shaped the life of the European continent for a millennium and more.
At a time when patterns of Christian life and worship appear to be dying out, yet traces of new life are also appearing, this volume maps out the current reality of Christianity in Western and Northern Europe with all its questions and uncertainties.
Many lawsuits arise over disagreements about language and about the meanings of everyday words, phrases, and sentences. This book draws on over fifty cases involving disputed meanings in the American legal system where the author served as an expert witness or consultant, to explore the interaction between language and law. Stepping back from the legal specifics and their outcomes, it analyzes the disputes from the perspective of the language sciences, especially semantics and pragmatics, and language comprehension. It seeks to understand why, and in what areas of English grammar, lexis, and usage, they have arisen among speakers who do not normally miscommunicate and disagree like this. The cases involve contracts, patents, advertising, trademarks, libel, and defamation, and descriptive insights and methods from the language sciences are applied to each case to make explicit the meanings that speakers would normally assign to English.
Alongside the other volumes in this new Collected Works, The Ever Green will transform academic and popular understanding of this pivotal but, until now, largely under-researched literary figure. It offers the first full and consistent edition of this text, based on the Bannatyne and other MSS (including an allegedly lost printed text of Alexander Montgomerie's 'Cherrie and the Slae'). This volume contains the entire text of the 1724 two volume collection (including the prefatory material, also reproduced-but without MS variants- in Prose), an introduction explaining Ramsay's relationship with the material, how he came to be acquainted with it, and an explanation of his strategy to both present and co-create a Scottish literary tradition from before the Union of the Crowns in 1603. It also includes comprehensive notes on the text as Ramsay presents it.
This Element introduces PrInDT (Prediction and Interpretation in Decision Trees), a statistical approach for modeling relationships between extra- and intralinguistic variables in World Englishes. It is based on decision trees and controls their size in a way that they are easy and straightforward to interpret. Furthermore, PrInDT optimizes their accuracy so that they best fit the data and can be reliably used for prediction. Moreover, it can handle unbalanced classes that occur, for example, when comparing non-standard with standard linguistic realizations. The various PrInDT functions can deal with classification and regression tasks and can analyze multiple endogenous variables jointly, even for models combining classification and regression. The authors introduce these features in some detail and apply them to World Englishes and sociolinguistic datasets. As examples, they draw on L1 child data from England and Singapore as well as linguistic landscapes data from the Eastern Caribbean island of St. Martin.
Drawing on critical insights from the history of emotion and Shakespearean emotion studies, this Element offers a pedagogy rooted in a historicist approach as a stimulating alternative to the teaching of Shakespeare's emotions as universally and transhistorically relatable. It seeks to provide a roadmap – by way of contextual and analytical frameworks and suggested learning activities – for teaching students how to mind the gap between Shakespeare's emotional moment and their own. The benefits to this approach include not only students' enhanced understanding of Shakespeare's plays in the context of early modern emotion culture but also their enhanced ability to think historically and critically about emotions, both in Shakespeare's day and now.
How does archaeoastronomy assist archaeologists in comprehending the past of human societies? Archaeoastronomy is an interdisciplinary field that combines scientific principles and astronomical measurements to enhance our understanding of ancient cultures. Its interdisciplinary character appears by blending areas of the natural sciences, such as astronomy, physics, mathematics, and even geology or biology, with others of the social sciences and humanities, such as archaeology, history, prehistory, geography, or anthropology. Throughout this Element we are going to see what archaeoastronomy is about, how it works, and what topics it is applied to, for which we are going to introduce a series of concepts from astronomy, mathematics, and other disciplines.