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Over the course of his life, Benjamin Disraeli underwent several transformations. As a young man, he modeled his persona on Byron and wrote fashionable silver-fork novels. In middle age, he led an upstart parliamentary faction, “Young England,” despite being already nearly forty and several years older than his col¬leagues. As prime minister—in his sixties and seventies, exemplary of what Karen Chase calls “gray power” or gerontocracy— Disraeli was “a major architect of the late-Victorian imperial program.”2 Disraeli is easily read as a shapeshifting reflection of the zeitgeist. Take for example Daniel Schwartz's 1979 mono graph, which begins by contrasting two portraits that bookend Disraeli's trajectory of dramatic change:
The first, … after an 1840 painting by A. E. Chalon, shows Disraeli with long, somewhat unkempt hair, an arrogant look approaching a sneer on his lips, inflamed eyes as if he had been up all night, a sloppy, creased coat, and an open shirt, his neck hardly concealed by a cravat …. In the second portrait, flatteringly painted by Sir John Everett Millais in 1881, the last year of Disraeli's life, the former Prime Minister, in formal dress and bow tie …, is the picture of propriety. Looking very much younger than his years, confident and poised, with arms folded, neat, stern without being unduly severe, and clearly in complete control of his emotions, he is the embodiment of the successful statesman. His taut self-control and his polished manner (every hair of beard and head is in place) contrast so strikingly with the earlier portrait that it reminds us that Disraeli, more than most men, consciously created the public self that stares so imposingly at us.
In the Hawaii Five-0 II episode ‘Ikiiki i ka la o Keawalua’ (09/14), the murder of a gay rights activist leads the team to investigate a planned white supremacist terrorist attack. The episode also features Lou Grover (Chi McBride), the only Black member of the central team, explaining his experiences with racism, especially the use of slurs. It's one of the very few Hawaii Five-0 II episodes with gay characters, and both anti-Black racism and homophobia are somewhat inelegantly combined in being targets of white supremacist terrorist groups. Reviews on IMDb.com are hardly the best way to source audience responses, but the function to review individual episodes allows a survey of some of the most extreme opinions, and thereby, an opportunity to see what poles a ‘middle’ would need to mediate as ‘middlebrow’ culture. Many reviews on IMDb.com accuse the episode of being too left-wing. For example, one user comments:
Add this to another on the increasing long list of shows preaching their left wing agenda. How about a story of a Muslim girl escaping a life of subjugation, which actually just happened in real life in Canada ?(although Turdo and his goons defend the wearing of full face coverings for women – try to find the logic in that) [sic].
The comment is indicative of the majority of the comments for the episode in accusing the series of left-wing bias and demanding for other terrorist groups to be shown instead (many of them feature in other episodes).
A new scholarly edition of a major late-Victorian scientific romance novel.
Marie Corelli’s A Romance of Two Worlds is regarded as one of the most culturally important Victorian bestsellers. This critical edition offers instructive access to this multifaceted but still largely underappreciated novel that is a key text for scholars and students of late-Victorian women’s writing. It also raises urgent questions about a wide array of textual and cultural concerns, especially the form and function of the Victorian ‘bestseller’.
Key Features
Contains a thorough critical and analytical introduction, annotations and appendicesProvides context and underlines the aesthetic significance of Corelli’s supernatural romanceEngages with the full range of secondary scholarship on this neglected late-Victorian author
The re-examination of Saint Paul’s letters in contemporary European philosophy is one of the most important developments at the crossroads of philosophy and theology today.
In discussion with a range of authors contributing to this movement, including Heidegger, Badiou, Agamben, and Taubes, Gert-Jan van der Heiden offers a new and systematic account of the philosophical potential of these letters. He does so by uncovering a dialectic of exception, which revolves around the Pauline notions of the outcast and the spirit.
Against a general tendency to understand the significance of Paul in politico-theological terms alone, van der Heiden focuses on the ontological potential of Saint Paul’s letters by elucidating what they imply for our thinking about (non-)beings, world, event, time, exception and spirit. Ultimately, he shows how this dialectic implies a new understanding of being and thinking and gives rise to a new art of living, both ethically and politically.
Published in France in 2018, Henri Atlan’s book Cours de philosophie biologique et cognitiviste: Spinoza et la biologie actuelle (Odile Jacob, 2018) represents a turning point in Spinoza’s interpretations of contemporary life sciences. Henri Atlan is the first in this field of research, of applied epistemology and ontology, to effectively address contemporary questions in biology and cognitive sciences. Atlan presents us with a genuine understanding of Spinoza’s monism, which is neither materialistic nor idealistic, and with an expertise in contemporary life sciences that will open an entire new field of research in Spinoza scholarship as well as in philosophy of sciences. Readers will better understand the connection between Spinoza’s Ethics, his ontology and epistemology, and modern life sciences, allowing us to rethink the relationship between ethics and modern sciences.
In the context of a frantic world that celebrates instantaneity and speed, a number of cinemas steeped in contemplation, silence and duration have garnered significant critical attention in recent years, thus resonating with a larger sociocultural movement whose aim is to rescue extended temporal structures from the accelerated tempo of late-capitalism. Although not part of a structured film movement, directors such as Carlos Reygadas, Tsai Ming-liang, Béla Tarr, Pedro Costa and Kelly Reichardt have been largely subsumed under the term ‘slow cinema’. But what exactly is slow cinema? Is it a strictly recent phenomenon or an overarching cinematic tradition? And how exactly do slow cinemas interrelate on an aesthetic, technical and political level?
Deploying the concept of slowness as an umbrella category under which filmmakers and traditions from different historical and geographical backgrounds can fruitfully converge, this innovative collection of essays interrogates and expands the frameworks that have generally informed slow cinema debates. Repositioning the term in a broader theoretical space, the book combines an array of fine-grained studies that will provide valuable insight into the notion of slowness in the cinema, while mapping out past and contemporary slow films across the globe.
Introduces Tennyson's famous elegy to first-time readers, students and teachers of the poem.In Memoriam is one of the most famous and influential poems of the 19th century. Composed over nearly three decades and spanning over 100 sections, it is one of the longest elegies in the English language. It is at once a deeply personal description of grief and a wide-ranging discussion of its age.This guide provides:The full text of the poem;Information about its cultural, historical and literary contexts;Four different reading strategies for approaching the text;Suggested seminar activities, assessments and module outlines for teachers and lecturers.
Introduced in 1964, Cicely Saunders’ term ‘total pain’ has come to epitomise the holistic ethos of hospice and palliative care. It communicates how a dying person’s pain can be a whole overwhelming experience, not only physical but also psychological, social and spiritual. ‘Total pain’ clearly summarises Saunders’ whole-person, multidisciplinary outlook but is it a phenomenon, an intervention framework, a care approach – or something else? This book disregards the idea that Saunders’ phrase has one coherent meaning and instead explores the multiple interpretations now current in contemporary professional discourse. Using close reading of Saunders’ extensive publications, as well as archival evidence and Saunders’ own personal library, it situates the current usage of ‘total pain’ in wider histories of clinical holism, questions its similarity to later ideas of narrative medicine, and explores how it might express the ambiguities of bearing witness to pain and vulnerability when someone is dying.
What are antagonistic political emotions, and what do they do? This book explores how such emotions unfold within and shape the political sphere. By driving and reinforcing identities, political emotions deepen divisions and empower feelings of hatred but also establish allegiance and belonging. Contributions from leading philosophers, political theorists, and social psychologists uncover the broad range of emotions animating contemporary political life and reveal how they impact political identities while also generating both solidarity and division. The chapters trace how antagonistic emotions manifest across diverse contexts, from climate activism and online extremism to electoral politics and everyday civic engagement. The cutting-edge perspectives on the emotional foundations of political life make this volume essential reading for those seeking to understand what propels political behaviour in our polarised age. Challenging traditional binaries of positive versus negative emotions, the book shows how antagonistic feelings place us simultaneously for, against, and together.
This book examines the rise of the direct-to-consumer genetic testing industry (DTC) and its use of 'wrap' contracts. It uses the example of DTC to show the challenges that disruptive technologies pose for societies and for regulation. It also uses the wrap contracts of DTC companies to explore broader issues with online contracting.
This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa’s filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics.
Considering the exhibition, circulation and reception of Costa’s creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker – as well as of the multifaceted production and consumption practices that surround contemporary art cinema.
The rapid integration of artificial intelligence into everyday life has extended beyond functional assistance into the intimate domains of emotion, companionship, and love. AI chatbots and virtual companions are increasingly engaged as emotional confidants, romantic partners, and sources of care, prompting a re-evaluation of how intimacy is constituted and experienced in a technologically mediated society. This Element examines the emergence of what is termed post-humanistic love, defined as a profound emotional and romantic attachment formed between humans and artificial agents. Drawing on sociological and philosophical theories of intimacy, love, and post-humanism, the Element explores how AI interfaces reconfigure classical conceptions of love, as well as contemporary understandings of emotional reflexivity, distant intimacy and emotional labour. Empirically, the study analyses first-person accounts describing romantic and emotionally significant relationships with AI companions. The findings highlight both the affective potency and the ethical fragility of AI-mediated intimacy in the post-human condition.
Many developing countries are recognising that the traditional 'take–make–dispose' model of growth is no longer sustainable. This element explores that turning point and examines how the circular economy can offer a better path. A circular economy focuses on using resources for longer, reducing waste, and reusing or recycling materials. It offers a way to grow that can generate income, protect nature, and include more people in development. The element traces how circular economy ideas have evolved over the past decade, moving from a mainly global conversation to one increasingly shaped by local needs and realities. It argues that meaningful progress happens when three forces align: effective public policy, active communities, and strong cross-sector partnerships. Through case studies of businesses in developing countries, the element shows how firms with limited resources use creativity to redesign products and processes, turn waste into value, and collaborate to overcome constraints.
The second line of thought to be explored in order to derive an ontol¬ogy and an ethics from Paul's letters brings us to the themes of time and event. Moreover, this line allows us to address in more detail the sense of exception at stake in Paul's dialectic. The importance of time, tempo¬rality and event in the contemporary European philosophical reflections on being hardly needs to be stated. Emblematic in this respect are the titles of Heidegger's Being and Time and Badiou's Being and Event, but many more books with less iconic titles and many more authors may be added to these. Elsewhere, I have extensively examined and assessed how the critique of the ontotheological constitution of metaphysics has guided contemporary continental ontology in the direction of reflec¬tions on the event, so I will not repeat this analysis here. However, in this chapter, I do want to show why, amid the many sources available from ancient culture, it is Paul, rather than, say, Plato or Aristotle, who offers the philosophical means to think event and time in such a way that these provide a genuine alternative to the ontotheological paradigm. Moreover, I argue that the alternative arising in this way significantly contributes to the other dialectic legacy of Paul pursued in this study.
For clarity's sake, let me add that this also means that I am less interested in the role that the philosophical reflection on time and event play in the conceptualisation of the end of history, which framed several approaches to Paul in the 1990s and early 2000s.