To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Introduces isotope archaeology – the use of mass spectrometry to determine the stable isotope ratios of the lighter elements (carbon, oxygen, nitrogen) in organic materials including bone and dental enamel, and also the heavier isotope ratios (strontium, lead) on biological tissue and inorganic materials.
Chapter 3 describes the deep prehistory of the human presence on the plateau and focuses on the necessity of genetic and physiological adaptations for successful, permanent life on the plateau. Sites with early dates are described and models for the peopling of the plateau are evaluated.
Discusses the ionic and covalent bonds between atoms and the various forms of intermolecular bonding, showing how these manifest themselves in the shape of the molecules. It also introduces the nomenclature of organic compounds, and isomerism.
The Introduction outlines the intermedial method of this book, which brings together Milton with nineteenth-century writers and artists who engage with each other’s work at the same time as reading Milton directly. It provides an overview of Milton’s place in the visual and material culture of the long nineteenth century. This includes the literary galleries of the late eighteenth century, the development of proto-cinematic technologies and stage spectacles, illustration on canvas and the page, and interventions in books such as extra-illustration and marginalia. The Introduction also addresses the various metaphors drawn from Milton’s writing that scholars have used to explain his influence, comparing him to a ghost, a troll, a father, even God. It then proposes the epic simile as a useful model for the way Milton is understood in this book: just as Milton’s similes describing Satan suggest, a powerful figure can be like many disparate things at the same time.
Chapter 5 relates a fundamental shift in the economy of the plateau, one that sees a change from millet cultivation to barley. Yak and cattle become new mainstays of the diet.
John Keats's personal letters are widely considered to be some of the finest in the English language – and in any language: the most inventive, most brilliant, most moving. While they have been frequently mined for the rich insight they provide into Keats's tragically short life and his famous poems, this original reading takes a new approach to explore the challenges and opportunities involved in close-reading the letters as literary works in their own right. This is the first full-length critical study of Keats's letters, accounting for their unique power and rhetorical brilliance while also developing a framework for the formal literary study of the personal letter. With chapters covering the art of letter-writing, becoming a poet, epistolarity and literary criticism, friendship and correspondence, touch, intimacy, distance, and love, Bennett's book offers a comprehensive reading of the letters as a body of work and contributes impactfully to the poetics of letter-writing.