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Cat Island, South Carolina, was once the location of slave trade activities, including capture of Native Americans for export and the rise of plantations in the Lowcountry for indigo and rice production, from the sixteenth to mid-nineteenth centuries. This Element examines the Hume Plantation Slave Street Project led by the author, and archaeological evidence for hoodoo magic and ritual practices involving “white magic” spells used for protection and treatments for illness and injury, and, alternately, for 'black magic,' in spells used to exact harm or to kill. This Element is intended as a contribution to the collective knowledge about hoodoo magic practices in the Lowcountry, centered on the Hume Plantation grounds during this period of American history. It is an attempt to examine how attitudes and practices may have changed over time and concludes with a look at select contemporary hoodoo activities conducted in local cemeteries.
The viability of small island developing states (SIDS) is threatened by three distinct processes – a backlash against globalisation; rising geopolitical competition between powers; and accelerating climate change – which are pulling at the threads binding the liberal international order together. We suggest that this order has been kinder to SIDS than is often acknowledged because its underpinning norms – sovereign equality, non-interference, and right to development – are inherently permissive and thus provide SIDS with choices rather than imperatives. Their leaders should fight for the continuation and enhancement of that order rather than be seduced by alternatives. We provide a rationale for and examples of policies to achieve this, including reforms to the way ODA is measured, debt restructured, climate finance allocated, and global governance organised. These enhancements represent the most plausible pathway for SIDS in a period of significant global upheaval. This title is also available as Open Access on Cambridge Core.
This Element in Global Urban History seeks to promote understanding of the urban history of Africa. It does so by undertaking four main tasks. Firstly, it employs race, ethnicity, class, and conflict theory as conceptual frameworks to analyze the spatial structures, social, and political-economic dynamics of African cities from global, comparative, and transnational perspectives. Secondly, it proposes a new typology of the continent's cities. Thirdly, it identifies and draws into focus an important but oft-ignored part of Africa's urban history, namely Indigenous cities. It focuses more intensely on the few that still exist to date. Fourthly, it employs conflict, functional, and symbolic interactionist theories as well as elements of the race ideology to explain the articulation of racism, ethnicity, and classism in the continent's urban space. This is done mainly but not exclusively from historical perspectives.
TransGenre is a reconsideration of genre theory in long-form fiction through transgender minor literature in the US and Canada. Using four genre sites (the road novel, the mourning novel, the chosen family novel, and the archival novel), this Element considers how the minoritized becomes the minoritarian through deterritorializing generic conventions in fiction to its own ends. In so doing, TransGenre proposes narrative reading practices as strategies of the minor to subvert, transgress, and reappropriate the novel's genealogy and radical future prospects. A range of fiction published in the last decade is deployed as largely self-theorizing, generating its own epistemological, thematic, and formal innovations and possibilities, revealing cisheteronormative underpinnings of generic categories and turning them in on themselves.
Multispecies Justice (MSJ) is a theory and practice seeking to correct the defects making dominant theories of justice incapable of responding to current and emerging planetary disruptions and extinctions. Multispecies Justice starts with the assumption that justice is not limited to humans but includes all Earth others, and the relationships that enable their functioning and flourishing. This Element describes and imagines a set of institutions, across all scales and in different spheres, that respect, revere, and care for the relationships that make life on Earth possible and allow all natural entities, humans included, to flourish. It draws attention to the prefigurative work happening within societies otherwise dominated by institutions characterised by Multispecies Injustice, demonstrating historical and ongoing practices of MSJ in different contexts. It then sketches speculative possibilities that expand on existing institutional reforms and are more fundamentally transformational. This title is also available as Open Access on Cambridge Core.
This is an Element about wonder − as an object, as a feeling, as an invitation to study, and as a way of thinking in both literary and scientific texts of the long eighteenth century. Wonder is at the heart of natural philosophical inquiry in the long eighteenth century, its inaugural provocation, its long-standing problematic. Yet wonder requires observation and imagination, operating together, if uneasily, to give shape to forms of scientific, literary, and social knowledge, shaping how thinking works − and who can do it. Studying wonder in the long eighteenth century helps us to understand our current disciplinary configurations, and also how wonder itself embodies the potential for a more capacious critical practice. Studying wonder as an epistemology, praxis, and thematic in the long eighteenth century also carries the promise of invigorating and reimagining our own critical, creative endeavors.
The elections of Donald Trump and Jair Bolsonaro, as well as the strengthening of the radical right globally, brought back debates of the similarities and differences between populism and fascism. This volume argues that fascism and populism are similar in so far that they constructed the people as one; understood leadership as embodiment; and performed politics of the extraordinary. They are different because there is a consensus that fascism occurred at a particular historical moment, and what came after was postfascism. There is not such an agreement to restrict populism to a historical moment. These isms also differ in the use of violence to deal with enemies, and on how they constructed their legitimacy using elections or abolishing democracy. Whereas fascism destroyed democracy and replaced elections with plebiscitary acclamation, populists promise to give power back to the people. Yet when in power the logic of populism leads to democratic erosion.
The purpose of this Element is to analyse the assiduous attempts of two Islamic political thinkers-the 12th century Andalusian philosopher Ibn Rushd and the contemporary Sudanese reformist Abdullahi Ahmed An-Na'im-to theorise Islamic politics through an approach the author refers to as 'pluralistic frameworks'. A pluralistic framework, is a systematic mediation of Islamic ethics and politics that incorporates extra-Islamic traditions of thought from diverse sources. Pluralistic frameworks selectively and self-consciously enable dialogue, synthesis, and hybridity and seek to maintain a distinct conception of Islamic ethics that concords with a preferred set of political arguments. They enable reflexivity within the ethical purview of Islam and with an awareness of the normativity of sharī'a.Both Ibn Rushd and An-Na'im reconcile sharī'a in two very different ways, but to a common end; Ibn Rushd lays out a method of harmonisation with Greek thought, while An-Na'im resorts to the radical subversion of sharia under liberal thought.
Time is ripe to complement the question 'what is health and disease?' in philosophy of medicine with a 'philosophy of physiology.' Indeed, the actors in this debate share the conviction that a 'foundational' concept dictates to this scientific field what is to be considered healthy or pathological and leaves it to explore only facts and mechanisms. Rejecting this presupposition, philosophy of physiology accepts that biomedical sciences explore and redefine their own object: the healthy, the pathological. Indeed, various theories of disease and health, that philosophers have rarely studied, form the core of biomedical research, too hastily considered as a science 'without theories.' The Element identifies them, and clarifies their content, presuppositions, and scope. Finally, it proposes a new question about the unity of the pathological phenomenon: not 'what do all diseases have in common?' but rather, 'why is the susceptibility to disease a universal and necessary characteristic of living beings?'
Growing Hope takes a closer look at how such narratives can carry the promise of a better future in the face of grim realities. It brings together two kinds of narratives that are rarely considered in conjunction: stories about urban community gardening and stories about vegan food justice. It shows that there is much common ground between these movements and that the stories told by them are worth exploring as part of a larger narrative about creating a better and more equitable future. In the United States, this is especially true for the stories told by and about people of color and their historically marginalized communities. Employing an econarratological approach informed by critical food studies, environmental justice ecocriticism, and transmedia studies, Growing Hope explores a selection of narratives about people who fight against food injustice and the ideologies sustaining it: stories about defiant gardening and culinary self-empowerment.
'Public engagement with science' is gaining currency as the framing for outreach activities related to science. However, knowledge bearing on the topic is siloed in a variety of disciplines, and public engagement activities often are conducted without support from relevant theory or familiarity with related activities. This first Element in the Public Engagement with Science series sets the stage for the series by delineating the target of investigation, establishing the importance of cross-disciplinary collaboration and community partnerships for effective public engagement with science, examining the roles public engagement with science plays in academic institutions, and providing initial resources about the theory and practice of public engagement with science. Useful to academics who would like to conduct or study public engagement with science, but also to public engagement practitioners as a window into relevant academic knowledge and cultures. This title is also available as open access on Cambridge Core.
This Element has three objectives. First, it highlights the diversity of the nature of Jacobitism in the long eighteenth century by drawing attention to multi-media representations of Jacobitism and also to multi-lingual productions of the Jacobites themselves, including works in Irish Gaelic, Latin, Scots, Scots Gaelic and Welsh. Second, it puts the theoretical perspectives of cultural memory studies and book history in dialogue with each other to examine the process through which specific representations of the Jacobites came to dominate both academic and popular discourse. Finally, it contributes to literary studies by bringing the literature of the Jacobites and Jacobite Studies into the purview of more mainstream scholarship on eighteenth- and nineteenth-century literatures, providing a fuller perspective on the cultural landscape of that period and correcting a tendency to ignore or downplay the presence of Jacobitism. This title is also available as Gold Open Access on Cambridge Core.
While scholars of ancient Mediterranean literature have focused their efforts heavily on explaining why authors would write pseudonymously or anonymously, less time has been spent exploring why an author would write orthonymously (that is, under their own name). This Element explores how early Christian writers began to care deeply about 'correct' attribution of both Christian and non-Christian literature for their own apologetic purposes, as well as how scholars have overlooked the function that orthonymity plays in some early Christian texts. Orthonymity was not only a decision made by a writer regarding how to attribute one's own writings, but also how to classify other writers' texts based on proper or improper attribution. This Element urges us to examine forms of authorship that are often treated as an unexamined default, as well as to more robustly consider when, how, for whom, and for what purposes an instance of authorial attribution is deemed 'correct.
#WakingTheFeminists was a year-long grassroots campaign for gender equality in Irish theatre. Prompted by the gender disparity of Ireland's Abbey Theatre's 2016 programme, 'Waking the Nation', Lian Bell posted a Facebook message that sparked a surge of feminist fury that ignited the #WakingTheFeminists movement. This Element considers the movement both as digital feminist activism and as part of the growing trend of data feminism, by analysing how its combined use of connective and collective action, and qualitative and quantitative data, was critical to its success. It contextualises the movement historically in relation to a series of feminist controversies in Irish theatre since 1990, before considering its impact on both policy and cultural changes across the Irish arts sector. #WakingTheFeminists' national and international resonance derived from its research-informed strategy which made it the most effective campaign for gender equality in the history of Irish theatre.
Functional Neurosurgery modifies CNS circuits to effect change within or outside the nervous system. Most commonly, Functional procedures are performed to treat movement disorders, chronic pain, spasticity and epilepsy. Whilst regarded as a predominantly elective subspecialty, emergent scenarios are encountered. The combination of their relative rarity couple with the niche nature of the subspecialty may engender anxiety amongst neurosurgery trainees. This Element overviews some more common emergency scenarios which may be encountered comprising suspected malfunction of intra-thecal drug delivery devices, deep brain and spinal cord stimulators. Status Trigeminus and an approach to investigations with a neuromodulation device in situ are also covered.
Mudie's Select Library was a major nineteenth-century literary institution. Substantially larger than its competitors, the library leveraged regional and global distribution networks and close commercial ties with publishers which allowed it to maintain a key position within the British publishing industry. In its heyday, it was widely believed that novelists and publishers were required to conform to aesthetic, moral and formal standards established by Mudie's, or risk the rejection and consequent failure of their books. However, the lack of a comprehensive study of the library's holdings leaves open questions about what the library actually stocked, and to what extent the library could determine a novel's fate. This Element describes a data analysis of a collection of Mudie's catalogues spanning eighty years, in order to reassess understandings of the library's role in the nineteenth-century publishing industry. This title is also available as Open Access on Cambridge Core.
This Element surveys contemporary philosophical and psychological work on various forms of irrationality: akrasia, strange beliefs, and implicit bias. It takes up several questions in an effort to better illuminate these more maligned aspects of human behaviour and cognition: what is rationality? Why is it irrational to act against one's better judgement? Could it ever be rational to do so? What's going wrong with beliefs in conspiracy theories, those arising from self-deception, or those which are classed as delusional? Might some of them in fact be appropriate responses to evidence? Are implicit biases irrational when they conflict with our avowed beliefs? Or might they be rational insofar as they track social realities?
Narrative creativity is a new, neuroscience-based approach to innovation, problem solving, and resilience that has proved effective in business executives, scientists, engineers, doctors, and students as young as eight. This Element offers a concise introduction to narrative creativity's theory and practice. It distinguishes narrative creativity from ideation, divergent thinking, design thinking, brainstorming, and other current approaches to cultivating creativity. It traces the biological origins of narrative creativity and explains why narrative creativity will always be mechanically impossible for computer artificial intelligences. It provides practical exercises, developed and tested in hundreds of classrooms and businesses, and validated independently by the US Army, for improving narrative creativity. It explains how narrative creativity contributes to technological innovation, scientific progress, cultural growth, and psychological well-being, and it describes how narrative creativity can be assessed. This title is also available as Open Access on Cambridge Core.
The main principles underpinning measurement for healthcare improvement are outlined in this Element. Although there is no single formula for achieving optimal measurement to support improvement, a fundamental principle is the importance of using multiple measures and approaches to gathering data. Using a single measure falls short in capturing the multifaceted aspects of care across diverse patient populations, as well as all the intended and unintended consequences of improvement interventions within various quality domains. Even within a single domain, improvement efforts can succeed in several ways and go wrong in others. Therefore, a family of measures is usually necessary. Clearly communicating a plausible theory outlining how an intervention will lead to desired outcomes informs decisions about the scope and types of measurement used. Improvement teams must tread carefully to avoid imposing undue burdens on patients, clinicians, or organisations. This title is also available as Open Access on Cambridge Core.
This study explores the relationship between crime fiction and adoption. A primary goal of this study is to investigate how the adoption trope reveals current cultural fears and fascination with kinship formations and essentialist notions of belonging, DNA and ancestry searches, and the controversial practice of adoption. Popular fiction, namely crime/detective fiction and the subgenre of adoption crime fiction, reflect scholarly debates within the field of Critical Adoption Studies, including but not limited to the ethics behind the adoption industrial complex and calls for its demise, struggles for reproductive justice, and redefinitions of parenting and kinship formations evidenced by LGBTQ and racialized identities. Another goal of this study is to highlight adoptee and birthparent voices and perspectives, illustrating how genre fiction can help to agitate for more inclusive representation. By intersecting elements of crime into the adoption story, these narratives illuminate the human cost and condition of current adoption practices.