During the interwar period, the League of Nations led an international campaign against traffic in women. Although important research about the League's work has started to appear, historians have concentrated on the “white slave trade” in the decades before the First World War. From 1924 to 1926, the League conducted the first intercontinental study to determine the number of women caught up in the traffic, and to map the strategies and routes used by traffickers. Undercover investigators visited more than 100 cities across Europe, the Mediterranean, and the Americas. The investigators talked to thousands of prostitutes, pimps, brothel-keepers, and others engaged in the sex trade. The “worldwide” investigation was not only the most significant aspect of the antitrafficking campaign in the interwar years, but also of the League's effort to build an international legal regime on a foundation of sociological jurisprudence.

Reformers in much of the common law world have recently turned their attentions to laws pertaining to murder and manslaughter; however, perceptions of the past maintain a hold. In England and Wales, the Coroners and Justice Act (2009) abandoned notions of provocation that developed in the seventeenth century, instead stipulating that “loss of control” would serve as the means of mitigating charges of murder to a lesser offence. If a person has reasonable grounds for losing control, of a sort that accords with contemporary norms and values, that loss of control can be adduced as a partial defense on a homicide charge. Concerns about blaming victims and gender bias have helped shape the shift away from provocation defenses. Whether a married woman's sexual infidelity might in some way serve as a partial defense that moderates her husband's killing of her from murder to something less serious has proven especially controversial. (The reverse, a wife killing an adulterous husband, receives far less attention, but then women kill their partners for any reason far less often.) Drafters of the 2009 act expressly abandoned the older notion that sexual infidelity constituted sufficient provocation to mitigate charges in a husband's killing of his wife. Angry, jealous men killing their spouses in revenge or a passionate rage might no longer cite infidelity as sufficient provocation to kill. Some people, including lawmakers and judges, expressed concerns about the change. One MP (and later attorney general) complained that “thousands of years of human experience and history should be jettisoned for a piece of political correctness.” He need not have worried: recently, the decision in R. v. Clinton (2012) reintroduced the substance of the defense in a new guise, seeing a wife's adultery not as provocation, but as a trigger for a husband's understandable “loss of control.” Among other factors, the Court of Appeal alluded to “experience over many generations” in treating a man's suspicion of his wife's sexual infidelity as reasonable grounds for mitigation.

The great wave of immigrants to the United States during the late 1800s brought many talented individuals who enriched American culture and society. Notable among them stands the Italian-born artist, Albert L. Operti (1852–1927), a versatile painter, illustrator and sculptor. For much of his professional career, Operti served as a scenic artist for the Metropolitan Opera House and later as an exhibit artist for the American Museum of Natural History. However, he maintained an avid personal interest in polar explorers and the history of polar exploration, ultimately turning his artistic skills to the subject. Operti served as official artist for Robert E. Peary during his Arctic expeditions of 1896 and 1897, producing paintings, drawings and even plaster casts of the Inuit from the expedition. Over the course of his lifetime he painted a number of ‘great’ pictures depicting, in a factually accurate manner, important incidents in Arctic history along with numerous smaller paintings, sketches, illustrations and studies. The quality of his work never rivaled his more talented contemporaries in the field of ‘great’ paintings, such as the prominent artists William Bradford and Frederic Church. Nonetheless, Operti achieved some recognition in his time as a painter of historical Arctic scenes, but the full extent of his contributions are little known and have been largely unexamined. Unlike the explorers themselves whose legacy rests upon geographic or scientific accomplishments and written narratives, Operti's legacy stands upon the body of distinctive artwork that served to convey, in realistic and graphic terms, the hardships and accomplishments of those explorers. This article recounts the life of Operti and his role as an historian in disseminating knowledge of the polar regions and its explorers to the public.

Eighteenth-century satirical artist William Hogarth figures centrally in Guyanese writer David Dabydeen’s ekphrastic postcolonial fiction. In particular, Dabydeen’s novels A Harlot’s Progress and Johnson’s Dictionary invoke plate 2 of Hogarth’s 1732 series A Harlot’s Progress, which depicts the encounter of a cuckolded Jewish merchant, his mistress, and a turbaned slave boy.

In this article, I argue that Dabydeen’s strategy of introducing visual intertexts into his fiction encourages a comparative reading of the representational regimes that historically have shaped popular perceptions of blacks and Jews. Situating Dabydeen’s Hogarth novels as part of a larger tradition in postwar Caribbean writing of advancing an identificatory reading of Jewishness, I examine how Dabydeen’s novels illustrate the need to broaden discussions of the relationship between postcolonial and Jewish studies beyond the question of Holocaust memory.

The article traces Central European Jewish visitors of Paris during the Weimar Republic and the 1930s and analyzes the shifting meaning of travel, exile, and the figure of the flaneur. Their travelogues articulated their affection for Paris in the aftermath of World War I and the Treaty of Versailles, marking them as border crossers in multiple ways. Writing about modern capitals such as Paris became a way to temporarily belong to them, to reimagine modernity.

The image of Aylan Kurdi, a three-year-old Syrian boy who drowned on September 2, 2015, as he tried to cross the Mediterranean with his family to seek safety in Europe, may finally shock Europe and the world into offering greater protection to refugees fleeing from war and persecution in Syria and elsewhere. Aylan's death was a tragedy of a kind that has become all too familiar. In 2015 alone, thousands of people have died trying to reach European shores in unseaworthy, overcrowded boats. Many of those who drowned were children—including in a single instance an estimated one hundred children (out of a total of some eight hundred fatalities) lost in a shipwreck off the coast of Libya in April.

Two pronounced features of modern globalization are an emerging global human rights culture and the growing trend toward democratization. In her new book, Carol Gould integrates these two features to construct an interactive approach to the core democratic values of justice and political participation meant for an interconnected global world.

The introduction to this special issue makes the case for seeing Jewish studies and postcolonialism as part of a historical constellation that has mutual filiations and genealogies in the two fields. It calls for the imperative to see the world’s problems historically but also through the mutually illuminating perspectives of the two fields.