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The Fascist model of exhibiting power and placing it in museum settings had its origins in the Liberal exhibitions of the late nineteenth century, and in the first exhibitions devoted to the Risorgimento. However, the regime's museum initiatives were numerous, innovative and varied, and many of them have not yet been adequately investigated; those launched in Italy's colonies, in particular, remain largely unexplored. This article highlights the surprisingly extensive network of museums and temporary exhibitions that Fascism initiated in Italian possessions abroad, involving prominent figures from the regime and contemporary culture, and shows how science, culture and nation-building (in both the colonies and the mother country, and between them) were interwoven in the Fascist museological project for the colonies.
Both in linguistics and in psycholinguistics there is some debate about how rich or thin lexico-semantic representations are. Traditionally, in formal semantics but also in philosophy of language as well as in cognitive pragmatics, lexical meanings have been thought to be simple stable denotations or functions. In this paper, we present and discuss a number of interpretational phenomena of which the analysis proposed in the literature makes crucial use of rich meanings. The phenomena in question are cases where the assignment of truth-conditional contents to utterances seems to follow rules that do not operate on simple stable denotations or any other kind of ‘thin’ meanings but where composition takes rich structured representations as input. We also discuss problems for such accounts, which are mostly based on the inability of extant rich meanings accounts to explain many other interpretational phenomena, and we discuss the solutions that have been proposed to solve them. Furthermore, we address the discussion whether the informationally rich meanings are part of semantics, and more specifically part of the lexicon, or whether this information should be ascribed to more general world knowledge.