This article describes the numerous bone remains discovered in a Roman road station, a mansio, on the Via Nova Traiana. The finds are exceptional and provide valuable insights into the daily life, environment, and economy of a road station. The assemblage is dominated by domestic species, mainly sheep/goat, followed, to a lesser extent, by chicken, cattle, and pigs. Beasts of burden (donkey, camel), hunted game (gazelle, hare), fish, and seashells complete the bone assemblage. Together, the zooarchaeological information allows us to discuss the procurement and role of meat in the diet of the residents and visitors to this station.

Nobel laureate James Buchanan downplays any theory of ethical politicians, focusing instead on rules which economize personal restraint, setting lower moral expectations. Through a constructive critique of James Buchanan’s work, I argue these lowered expectations come at a cost: degraded character in politicians, leading to constitutional decay. Buchanan lacks a theory to address choices between (a) action which furthers the politician’s self-interest and (b) action which protects some already accepted, good rule, but which does not further their self-interest. I generate a theory of the Principled Politician, an agent characterized by a prior commitment to fair play.

In the faculty of arts at the University of Padua in the years around 1600 professors debated the reliability of astrology, the existence of occult celestial influences, and the idea that celestial heat is present in living bodies. From the 1570s to the 1620s many professors in the faculty of arts pushed back against astrology and Jean Fernel's theories surrounding astral body. Girolamo Mercuriale, Alessandro Massaria and Eustachio Rudio thought that some forms of astral causation and Fernel's ideas were incompatible with their observations of disease, Aristotle's philosophy and Hippocratic theories. Later, Santorio Santorio and Cesare Cremonini, who were allied to the political circle of Paolo Sarpi, polemicized against astrology. Their writings show that at Padua medical theory was linked to Aristotelian cosmology, which emphasized the incommensurability between celestial and terrestrial elements. Their rejection of astrology, however, did not lead to the complete marginalization of astrology at Padua. By the middle of the 1620s, as the political climate changed in Venice, the University of Padua hired professors who promoted astrology and Fernel's theories about the celestial nature of innate heat. The diversity of opinions about astrology reflected Venice's divided politics and multiple approaches to interpreting Aristotle and other authorities.

As indications of ‘overtourism’ appear in the Arctic, tourism presents both management challenges and ethical dilemmas, applicable to broader discussions about sustainability within Polar tourism. I argue that mapping value relations can contribute to ongoing discussions for positive ways forwards and that the concept of degrowth holds promise in redirecting tourism to better serve the local community. Tourism has become the largest employer and most rapidly growing sector in Svalbard, taking over from coal mining. Longyearbyen is a small urban centre but nevertheless is the central hub where almost all tourism passes through. Indeed, tourism is how the majority of human relations with its lands, seas, human and non-human inhabitants will be enabled. This paper is centred on charting the transition of Longyearbyen to a ‘tourist town’. Drawing on local voices from 2013 to 2016 and 2019, I use a value-based analysis to assess the changes experienced in the context of wider systems of value at work in Svalbard.

The unprecedented circumstances of the COVID-19 pandemic have intensified the demands placed upon parliamentarians to scrutinize and evaluate evidence-based government proposals, making visible the parliamentary mechanisms that enable them to do so. This paper examines the steps that led two such mechanisms to become embedded in the institution of Parliament during from 1964 to 2001: the House of Commons Select Committee on Science and Technology (a scrutiny and information-gathering body) and the Parliamentary Office of Science and Technology (a legislative science and technology advice body). Drawing on official papers, Hansard records and unpublished archival material, this account complements existing studies of the relationships between government ministers and experts. It highlights how individual members of the all-party Parliamentary and Scientific Committee have influenced institutional change. In so doing it exposes some of the challenges confronting Parliament in the scrutiny of science policy from the mid-twentieth century to today. In particular, it reveals MPs’ concerns about their ability to scrutinize science policy in the absence of a select committee on science and technology in the Commons during the 1980s. This shows that parliamentary scrutiny of science was compromised during the very period when the Conservative government under Margaret Thatcher set about making major changes to the organization and funding of government-sponsored research in the UK.

Traditionally, the problem of evil, in its various formulations, has been one of the strongest objections against perfect being theism. In the voluminous literature on this problem, the motif of evil has usually been discussed with respect to human flourishing. In recent decades more focused attention has been paid to animal suffering and the philosophical problems that such suffering poses for perfect being theists. However, this growing body of literature, in Anglo-American philosophical milieus, is largely aimed at sketching a specifically Christian or Christianity-inflected theodicy that would reconcile animal suffering with the existence of an omni-God. In contrast, there are few, if any, systematic attempts to put forth a Hindu theodicy that aims to offer morally justifiable reasons that God has for allowing animal suffering. In this article, we address this scholarly lacuna by illustrating how a Hindu perfect being theist might respond to the problem of animal suffering.

Einojuhani Rautavaara's international fame rests largely on pieces celebrated for their apparently non-modernist accessibility. Cantus Arcticus – Concerto for Birds and Orchestra (1972) is greeted with suspicion on account of its wide appeal. This article reconsiders this piece in the context of his complicated and original stylistic development and re-evaluates its relation to Finnish nature and culture. By examining the intersections of nationalism, landscape, and modernism in a late twentieth-century piece, this discussion builds upon established research on early twentieth-century Nordic repertoire, applying it to this contemporary context. It also finds a new perspective by supplementing that approach to include more recent scholarship on post-war tonality. As a result, new insights into musical form and a post-serial renewal of tonal thinking emerge, and through its unique synthesis of seemingly diverse elements, Cantus Arcticus can be seen as a milestone work within Rautavaara's stylistic evolution.

This article presents an argument for atheism that contains a premise stated from the first-person perspective and that is intended to rationally persuade people who satisfy certain conditions. The argument also contains a premise about what God would do, if God existed, that is acceptable to theists and is affirmed in some major monotheistic religious traditions. This article explains how the argument differs from some other familiar arguments for atheism and then discusses some critical responses to it.

For centuries, herbarium specimens were the focus of exchange in global botanical networks. The aim was the ‘complete’ registration of the flora, for which ‘complete’ collections in botanical institutions worldwide were considered to be a necessary basis, although this ardently sought-after ideal was never achieved. The study of colonial plants became a special priority of botanical research in the metropolises. With knowledge of the many treasures of the plant world considered the key to securing wealth and power, political and economic interests influenced both the organization and the subject matter of scientific research. After the German Reich began annexing colonies in the 1880s, legal regulations established Berlin's botanical institutions as the research centre on colonial flora. They also became a clearing house for plant material from overseas. Berlin-based curators selected duplicates of herbarium specimens from the German colonies, distributing them to other botanical institutions throughout Germany. More importantly, duplicates became a form of currency in trans-imperial networks, which relied on reciprocity. In exchange for duplicate German colonial herbarium specimens, the Berlin institutions received vast quantities of botanical samples from their British, Dutch, French and American counterparts.

‘Faith’ (pistis) is a key term in early Christianity. It not only describes the self-understanding of an individual Christ-follower, but also operates as the social marker of the Christ-groups. Rather than adding to the renaissance of studies on faith in recent years, this article seeks to illuminate what faith is by focusing on the phenomenon of doubt, broadly understood. After some linguistic reflections, the article identifies six basic types of doubt in early Christian writings and then compiles eighteen coping strategies and patterns of resilience reflected in the most prominent texts. The article is not an attempt at systematizing early Christian reflections on doubt but is rather a cornucopia of insights into how the first Christian theologians talked about doubt, dealt with it, and tried to overcome it.

Inspired by the reinvigorating theory of Wai-Chee Dimok and Rita Felski, I argue that The Tempest resonates with current theory and performance of Indigenous resurgence in North America. With reference to the work of Indigenous performance theorist Floyd Favel, political thinkers Leanne Simpson and Glen Sean Coulthard, and to plays and performances by Yvette Nolan, Monique Mojica, Kevin Loring, and Spiderwoman Theatre, I describe resurgence as culturally recuperative practices of movement on the land that make it feel more comfortable, establish an Indigenous sense of sovereignty, and diminish shame. I emphasize the ways in which the physical and imaginative mobilities of Shakespeare’s Boatswain and Gonzalo anticipate the comforting—and insurgent—land-oriented movements of Caliban. I argue that Caliban’s sense of natural sovereignty is understood better in terms of free and secure mobility than in terms of rule or possession.