This paper investigates the actions executed by Italian artists – male and female – centred on interpersonal relationships, at times with an insight into the dynamics of couples or directly involving the public. In Italy, during the 1960s and 1970s, various artists dedicated themselves to what were initially called happenings or actions, and only later became known as ‘performances’, but unlike in the better-known Body Art, the phenomenological exploration of the self and of reality frequently observed in the Arte Povera circle of artists, many welcomed the new sensibility embodied by feminism, which, by redefining gender positioning, emphasised the centrality of the ‘private’ sphere and revived interest in ‘affection’. This is particularly significant in light of the Italian cultural context, where women artists have often looked with suspicion at any initiatives dedicated explicitly to women's issues or at women-only exhibitions.

The Arctic Contaminants Action Programme (ACAP), originally intended to follow up the work of AMAP (the Arctic Monitoring and Assessment Programme) on identifying the sources of pollution, became an official working group under the Arctic Council in 2006. ACAP has focussed on pollution from Russian sources, the main objective being to accelerate the reduction of national emissions of various environmental pollutants and climate forcers. Basically, ACAP initiates projects with a scientific basis in AMAP assessments of the health of the Arctic. The idea behind the creation of ACAP was to channel the work of the Arctic Council in a more practical direction and to improve the use of the knowledge produced by AMAP. ACAP is one of only two Council working groups not to have been specifically evaluated and analysed by external bodies and academics. This article undertakes a critical analysis of ACAP and argues that there are great potentials for improving its work. ACAP has established a forum where it has been possible to facilitate pilot projects aimed at limiting harmful emissions; this work should be strengthened.

Historians hold that to preserve the Manchu homeland the Qing court instituted a “policy of prohibition” (Ch: fengjin zhengce), forbidding Han immigrants from settling in the region until the final decades of its rule. Using Manchu-language archives from the garrison of Hunčun (Ch: Hunchun), this article questions whether such a prohibition guided local governance. In some jurisdictions in Manchuria, including in Hunčun, the Qing state did not always have an overarching policy towards Han migrants. Migration, in fact, was often less of a concern to the state than poaching. We can reassess the history of Manchuria accordingly. Modern historians have been preoccupied with the coming of Han migrants to Qing Manchuria; the Qing government in Hunčun was not.

This article has two main aims. First, it will defend an ‘attitudinal’ account of pleasure, that is, an account of what it is that makes an experience pleasurable for a subject that explains it in terms of a certain kind of de re desire that the subject has towards that experience. Second, in doing so, the article aims to further our understanding of unconscious desires, and of what the subjects of such desires can be. The article begins by introducing two existing accounts of what makes an experience pleasurable. It then offers a diagnosis of a recent objection to attitudinal accounts from Bramble and existing responses from attitudinal theorists, arguing that the two positions are currently at a stalemate. After this, I argue for the possible existence of unknowable and unconscious de re desires, and show how such desires provide the best defence of such ‘attitudinal’ accounts.

The article proposes a novel analysis of NPN constructions, exemplified by English expressions like back to back and year after year. An NPN is typically composed of two identical bare singular count nouns with a preposition between them. Previous research tends to treat NPNs as highly idiosyncratic. While acknowledging some idiosyncrasies, the present contribution shows that NPNs exhibit a considerable degree of regularity and compositionality. A widespread view that bare singulars normally do not function as arguments is shown to rest on weak foundations. As a consequence, the present approach is able to show that NPNs are, at the core, NPs with PP modifiers. Nominal NPNs have this basic structure, while adverbial NPNs involve an extra layer of semantics and are exocentric constructions. A distinction between nominal types and instances is employed to account for the semantics of bare singulars. NPNs exhibit two kinds of emergent meanings, leading to chain NPNs and twin NPNs. The different semantic structures of these NPN subtypes explain why some NPNs can have nominal in addition to adverbial functions. The data comes mostly from Norwegian. Details differ between languages, but central parts of the analyses can be assumed to hold for other languages as well.