This article exemplifies a mode of analysis in which the novel is read as a practice of self-making under decolonization. The argument is illustrated through attention to Lee Kok Liang’s novel London Does Not Belong to Me. Written describing Lee’s experiences as a Malayan law student in London in the 1950s, the novel was published posthumously in Malaysia fifty years later. Comparison of the published text with Lee’s journal of his student days enables a careful study of the process of the novelization of the self as an example of larger processes of subjectification through authorship in the process of decolonization, and in the creation of elite citizen-subjects in the nation-state of Malaya and its successor states of Malaysia and Singapore.

The purpose of this article is to explore the normative nature of the Ecosystem Approach in international environmental law. To do so, the article examines the implementation of this approach in two Mediterranean regimes: the Barcelona Convention and the General Fisheries Commission for the Mediterranean. As these two regimes have implemented the Ecosystem Approach by taking into account the experiences of other international regimes, they are representative of broader trends in relation to this concept. The examination reveals that the Ecosystem Approach operates as an interstitial principle: a norm that fulfils the functions of a principle with regard to other rules, but is devoid of normative autonomy. This understanding of the Ecosystem Approach brings clarity to a concept that is ambiguous yet is widely disseminated in environmental governance. It may also further the progressive emergence of the Ecosystem Approach as a general principle of international environmental law.

Following the 1918 collapse of the two major empires that ruled central Europe, Austria-Hungary and Germany, successor states inherited billions of increasingly depreciating paper monies. The conversion of imperial currencies posed enormous difficulties for successor states and exposed the limits of an emerging international order that rendered the pan-European predicament of defunct imperial currencies the problem of individual states. This article compares the first, and one of the last, conversions of imperial currencies, taking monetary transitions in Alsace-Lorraine (1918) and Transylvania (1920) as case studies. Although historians usually treat western and east-central European history separately, the conversion of imperial currencies produced similar outcomes in both the former Alsace-Lorraine and Transylvania. Differences emerge where one would not expect them: the phasing out of the paper mark was coupled with systematic ethnic discrimination against Germans in Alsace and Lorraine, while in Transylvania, some ethnic minorities even managed to benefit from the process.

This article focuses on some of the major scenes of the uncanny in Ivan Vladislavić’s The Exploded View. It identifies, describes, and connects the multiple registers of the uncanny operative in The Exploded View. It considers these multiple registers of the uncanny as parts of an overarching aesthetic framework discernible in the novel. This aesthetic framework, what we could call Vladislavić’s aesthetic of the uncanny, is discussed with a focus on three constituent and dynamic levels of activity: the formal level (textual repetition), the psychosocial level (“the political uncanny” and psychogeography), and the historical level. The article ultimately makes a case for using the aforementioned levels of the uncanny as productive frames for reading Vladislavić’s novel.

Through an extended reading of Canadian author Esi Edugyan’s novel, Washington Black (2018), this article aims to revise and reinsert both the practice of close reading and a radically revised humanism back into recent world literature debates. I begin by demonstrating the importance of metaphors of weight to several theories of world literature, before tracking how, with the same metaphors, Edugyan challenges Enlightenment models of earth, worlds, and humanism. The article draws on the work of several theorists, including Emily Apter, Katherine McKittrick, Steven Blevins, Edward Said, and Frantz Fanon, to argue that “terrestrial humanism” might provide a framework from which to develop a grounded, politicized, earthly practice of close reading world literary texts. The aim is not to arrive at a prescriptive or “heavy” methodology, but to push instead for a reading practice that remains open to the contrapuntal geographies, affective materialisms, and radically humanist politics of literary texts themselves.

Historians divide over the question of how far “classic” European colonial experience in overseas empires provided the model for the Nazi empire in eastern Europe. Missing from arguments on either side of the debate have been the colonialists themselves. The Ukraine Project to enlist Dutch plantation companies for occupied Ukraine shows what happened when efforts were made to transfer traditional colonial expertise into the Nazi East. From the perspective of the project's proponents, there was indeed continuity between the two imperialisms. However, the company at the center of the project, the Deli Maatschappij, the ruling and tone-setting firm on Sumatra, saw no connection with its East Indies history and spurned all efforts to take it into Ukraine. Thus the Ukraine Project, despite its short-lived and failed history, complicates arguments from both perspectives and offers a trans-imperial history of a different sort than we are accustomed to encountering.

Population registration has figured only peripherally in histories of state formation in modern Europe. Although the registries never fully shed their original security function, the emergence of the interventionist state transformed the personal data or information collected by the registries into a central element of state administrative power. However, the ways in which this information could be used by both the civilian administration and the police to govern individuals and populations were limited by the use of paper as a means of data storage and transmission and by the information processing technologies available at the time. Rather than viewing the population registries and, later, the National Registry (Volkskartei) primarily as instruments of the Holocaust, this article embeds them in a longer, alternative history, which explores the relationship between population registration, information, information processing, and state formation between the mid-nineteenth and the mid-twentieth century.