This article focuses on the production of bone tools during the seventh millennium cal BC. A large number of fishhooks and waste from fishhook production have been found at the sites of Sævarhelleren and Viste cave, in western Norway. The data have been studied by means of the chaîne opératoire concept, meaning that the artefacts are described and analysed in order to identify the different steps in the production process and to characterize the technology in a comparative northern European perspective. The result shows that bone tools and fishhooks were crafted in a similar way at these two sites, with techniques that were mastered by all makers, and in close relation to stone tool production. When compared to other contemporaneous sites, the technology resembles the Mesolithic bone technology of north-eastern Europe. It thus contradicts the hypothesis of a strong connection between western Norway and the Maglemose cultural group in southern Scandinavia and northern Germany.

The traditional explanation for the presence of Roman artefacts beyond the Roman Empire's frontiers is that these were objects of trade, but this view has been modified in two studies published around the same time. Although they both referred to areas north of the Rhine, each was based on different theoretical premises and presented a different explanation for the presence of Roman artefacts in these areas. One study, based on the concept of world systems theory, concluded that there were uninterrupted and mutually beneficial trade relations across the frontier. The other study was based on a linear culture-historical approach, and it concluded that there were no trade relations between the Empire and the ‘barbarians’, but that Roman artefacts were the result of specific historical events of brief duration. The present article analyses these apparently conflicting outcomes. It focuses on Roman artefacts from the Netherlands, specifically those from the modern province of Friesland, about 150 km north of the Rhine/the Limes.

This article summarizes and discusses recent research into the Danish Bell Beaker phenomenon c.2350–1950 BC. Its focus is on the meaning of material culture here represented by Bell Beakers and bifacial lanceolate flint daggers, both seen from a social perspective. The Bell Beaker pottery is known to have had a very wide distribution. However, questions remain as to why Bell Beakers were only adopted in some regions and what meaning this special pottery had? Similarly the Danish type I daggers, which were manufactured within the context of the Danish Bell Beaker phenomenon in the northern parts of Jutland, had a wide distribution. Daggers of this type, which in general denote male identity, were exported in vast quantities, especially to Norway and the western parts of Sweden. In both case studies the evidence from a Danish Bell Beaker settlement site excavated in recent years – Bejsebakken – plays a major part.

Because of its great potential to provide data on contacts and overseas trade, ivory has aroused a great deal of interest since the very start of research into Iberian late prehistory. Research recently undertaken by the German Archaeological Institute in Madrid in collaboration with a number of other institutions has provided valuable contributions to the study of ivory in the Iberian Copper Age and Early Bronze Age. One of the archaeological sites that is contributing the most data for analysing ivory from the Copper Age in southern Iberia is Valencina de la Concepción (Seville), which is currently the focus of several debates on the development of social complexity. This article contributes to this line of research by providing new, unpublished evidence and by examining the significance of ivory craftsmanship in commercial, social, and ideological terms. It also assesses in greater detail the prominent part played by luxury ivory items as an expression of social status and power.

This article explores the proposition that the archaeological record of small, remote islands with scarce resources reflects the intensity of long-distance interaction in prehistory, taking as an example the Adriatic offshore islands. The best represented periods, the early Neolithic and the end of the Copper Age, correspond to the times of large-scale stylistic unity, the former, of the Mediterranean Impressed Wares, and the latter, of Bell Beakers. During those periods, radical innovations were introduced over vast areas of Europe, first, a new subsistence economy, and second, a different kind of social organization. In both cases, long-distance interaction would have played a crucial role.

This article began life as a paper in the session ‘Opening Doors for Archaeologists: Making Malta Work’ at the 2006 EAA Annual Meeting in Kracow, Poland. It explores the background of the European Convention on the Protection of the Archaeological Heritage (Revised), also known as the Valletta Convention or the Convention of Malta. The article examines some of the major issues that were discussed and describes the drafting process of the Convention from the author's personal perspective as one of the members of the committee responsible. It concludes with a brief consideration of some subsequent developments and a plea for a more active role for the EAA at Strasbourg and Brussels.

The repertoire of cult-iconography produced in Gaul and Britain during the Iron Age and Roman periods contains a group of images that are a blend of human and animal forms. Such pieces are generally interpreted as depictions of divinities, but while it remains probable that they are expressive of cult perceptions, there is a need to re-evaluate their function and identity. The hybridity of the images suggests meanings associated with boundary-crossing, risk and the challenge to ‘normative’ concepts. It is argued here that such contradictive and liminal representations might be identified with transgression between earthworld and spiritworld, and that monstrous images perhaps express the identity of individuals who, within the context of ritual practice, habitually ‘moved’ between worlds, by means of trance and altered states of consciousness. It may be that, in the context of Gallo-British cosmologies, images with antler-head-dresses, horns or other animal attributes should be identified as shamans rather than as gods.

This article discusses the production, distribution and consumption of stone and copper during the Bronze Age in La Mancha. It reviews the archaeological record regarding commodity exchange within this territory in relation to other regions of the Iberian Peninsula. It discusses the results of the analyses of grindstones and metal objects collected along the north-eastern edge of La Mancha, close to the Tagus valley. The materials analysed were obtained from museum collections and recent excavations carried out in this area. We propose a new regionally-based economic model for these resource exploitation activities.

The article considers the ways in which material culture and especially architecture is used in the negotiation of social relationships in Neolithic settlements in Thessaly, Greece. Thus it reconstructs the possibilities past agents had to form an identity in relation to houses and subsequently the consequences of two different habitation strategies, i.e. rebuilding on the same spot or relocation to another area, in relation to the conceptualization of time and the past. It is suggested that the different entanglement of memories with the material culture played an important role in the negotiation of relationships, by allowing agents to use the past as cultural capital and, even more, in the late Neolithic, to appropriate its reference points spatially and thus lay preferential claims over it.