As an academic discipline, archaeology is deeply rooted in the cultural, social, and political practices of Western Europe of the nineteenth century. The emergence of local scholarly communities in other parts of the continent tends to be described as a process that saw the even spread of ideas and concepts in their original form. This further implies a uniform, unilinear sequence of paradigms (culture-historical, processual, postprocessual), each with their own internal logic. However, more often than not, these transfers of disciplinary knowledge from one academic community to the other have introduced distortions of the original concepts, designed to meet the demands of the different cultural and intellectual traditions and research agendas. In this article, we explore the foundation of academic archaeology in Serbia and of the pivotal figure in this process – Miloje M. Vasić, educated at German universities and considered to be the first academically trained archaeologist in the country. His adaptations of the German tradition of Classical scholarship applied to the study of the Balkan past have marked the theory and practice of archaeology in the country up to the present. This example indicates that we should seek to explore the ways in which the concepts we apply in our study of the past are articulated in particular local settings if we are to achieve a better understanding among various academic and professional communities of archaeologists across Europe.

This article explores a meshwork of citations to other material cultures and architectures created by the form and ornament of house-shaped early medieval recumbent stone monuments popularly known in Britain as ‘hogbacks’. In addition to citing the form and ornament of contemporary buildings, shrines, and tombs, this article suggests recumbent mortuary monuments referenced a far broader range of contemporary portable artefacts and architectures. The approach takes attention away from identifying any single source of origin for hogbacks. Instead, considering multi-scalar and multi-media references within the form and ornament of different carved stones provides the basis for revisiting their inherent variability and their commemorative efficacy by creating the sense of an inhabited mortuary space in which the dead are in dialogue with the living. By alluding to an entangled material world spanning Norse and Insular, ecclesiastical and secular spheres, hogbacks were versatile technologies of mortuary remembrance in the Viking Age.

Sami are indigenous people of Northern Fennoscandia. Some Sami offering sites have been used for over a thousand years. During this time, the offering traditions have changed and various people have started using the places based on different motivations. Present day archaeological finds give evidence of both continuing traditions and new meanings attached to these sites, as well as to sites that were probably not originally used for rituals in the Sami ethnic religion. In some cases, the authenticity of the place seems to lie in the stories and current beliefs more than in a historical continuity or any specifically sacred aspects of the topography or nature it is situated in. Today's new users include, for example, local (Sami) people, tourists, and neo-pagans. This paper discusses what informs these users, what identifies certain locations as offering sites, and what current users believe their relationship to these places should be. What roles do scholarly traditions, heritage tourism, and internal culture have in (re)defining Sami offering sites and similarly what roles do ‘appropriate’ rituals have in ascribing meaning to particular places? How do we mediate wishes for multivocality with our professional opinions when it comes to defining sacredness?

The flexibility of material culture encourages material phenomena to take a dynamic part in social life. An example of this is material citation, which can provide society with links to both the past and connections to contemporary features. In this article, we look at the diverging ways of relating to and reinventing the past in the Viking Age, exploring citations to ancient monuments in the landscape of Gammel Lejre on Zealand, Denmark. Complementing the placement of landscape monuments, attention is also brought to examples of mortuary citations related to bodily practices in Viking-age mortuary dramas, such as those visible at the mound of Skopintull on the island of Adelsö in Lake Mälaren, Sweden. Through these case studies, we explore the variability in citational strategies found across tenth-century Scandinavia.

The settlement record of the Neolithic of the northern Alpine foreland is used to address the question of what difference having high-resolution chronology — in this case principally provided by dendrochronology — makes to the kinds of narrative we seek to write about the Neolithic. In a search for detailed histories, three kinds of scale are examined. The longer-term development of cultural patterns and boundaries is found to correlate very imprecisely with the character and architecture of settlements. Individual houses and settlements were generally short-lived, suggesting considerable fluidity in social relations at the local level. Greater continuity can be found in the landscape, perhaps involving more than individual communities. We argue that the particular history of the northern Alpine foreland is best understood by interweaving multiple temporal scales, an approach that will need to be extended to other case studies.

This themed journal issue provides many examples of ways forward in the study of death and memory in the Viking world. While all contributions demonstrate that there are exciting new ways to study remains from funerary contexts that focus on different forms of citation involving material culture and monuments, this article will very briefly discuss dimensions that have not been addressed here. Specifically, it showcases how the mortuary citations approach can also use post-humanist theory for further development and exploration of mortuary practices in the Viking world. Although short, this article discusses rune stones, particularly rune stones with kuml inscriptions, which I have examined elsewhere. The term kuml appears on contemporary rune stones; it refers to different material entities such as rune stones, mounds/cairns, and other standing stones. The being and becoming of kuml is briefly discussed through the concepts of intra-action and agential cuts championed by Karen Barad.

Innovation transfer can be described as a process of communication and integration. Its success depends on two conditions: first, the information flow itself and, second, the acceptance and implementation of this information. In this article, it is assumed that both aspects are influenced by certain factors that can stimulate or constrain the transfer of innovation. This hypothesis is tested in a case study concerning the spread of copper metallurgy in Central Europe. A contextual analysis shows that its transmission can be reconstructed as a slow integrational process. Further, the spread of copper metallurgy occurred in fits and starts, with repeated breaks that, in some cases, lasted for several hundred years. These halts are key for analysing the mechanisms of innovation transfer. In this context, the role of those variables which influenced this transfer will be analysed.

This contribution explores an aspect of boat burials in the second half of the first millennium AD across Northern Europe, specifically boat burials that included equipment for board games (surviving variously as boards and playing pieces, playing pieces only, or dice and playing pieces). Entangled aspects of identity, gender, cosmogony, performance, and commemoration are considered within a framework of cultural citation and connection between death and play. The crux of this article's citational thrust is the notion of quoting life in the rituals surrounding death. This was done both in the service of the deceased and in the service of those wanting to remember the deceased, the argument distills around the biographical trajectories or the different social and individual uses to which people put ostensibly simple things such as gaming pieces.

Green objects of personal adornment were quite common among Neolithic and Copper Age groups in Western Europe, and variscite was one of the minerals that was most often used for such a purpose. This article presents the results of a series of archaeological campaigns designed to study the mines of Aliste and the ornament production loci of Quiruelas de Vidriales (both in the province of Zamora, Spain). We discovered that initially, during the fourth millennium cal BC, variscite from Aliste was seldom used and the ornaments’ production was dispersed, but that there was a significant shift during the third millennium cal BC: ornament production intensified and became concentrated in the production sites of Quiruelas. We relate this transformation to the socioeconomic processes that developed in the Iberian Peninsula and the growth of supra-regional socio-technical artefact exchange networks.

Introducing the European Journal of Archaeology's special issue ‘Mortuary Citations: Death and Memory in the Viking World’, this article outlines the justification and theoretical framework underpinning a new set of studies on Viking-age mortuary and commemorative practice as strategies of mortuary citation. The contributions to the collection are reviewed in relation to strengths and weaknesses in existing research and broader themes in mortuary archaeological research into memory work in past societies.

This paper seeks to explore how prayer and praying practice are reflected in archaeological sources. Apart from objects directly involved in the personal act of praying, such as rosaries and praying books, churches and religious foundations played a major role in the medieval system of intercession. At death, an individual's corpse and burial primarily reflect the social act of representation during the funeral. The position of the arms, which have incorrectly been used as a chronological tool in Scandinavia, may indicate an evolution from a more collective act of prayer up to the eleventh century AD to a more individual way of praying in the late and post-medieval periods.

In the nineteenth century, the continuous discharge of sewage from millions of Londoners into the River Thames caused a notorious, unbearable stench during the summer, which reached a climax in 1858 and became known as The Great Stink. In this article it is argued that such a ‘Great Stink’ also occurred in the booming and heavily populated pre-industrial town of Leiden, because cesspits were being replaced by sewers draining directly into canals. Flawed as cesspits may have been, the new, hygienic sewer infrastructure meant the advent of unsanitary conditions normally only associated with the era of the Industrial Revolution. How and why the cesspit was killed off is explained by comparing Leiden with the seventeenth-century boom town of Haarlem, where cesspits remarkably survived the ‘Golden Age’ of the seventeenth century. Using the stakeholder model it becomes clear that the shift in hygienic infrastructure was not the outcome of a single stakeholder calling the shots but was the result of interactions between tenants, housing developers, local government, and textile entrepreneurs (in the case of Leiden), or brewers (in Haarlem).