To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Rather than individualising mental health, Conor Heaney takes seriously the notion of a shared mental environment and the importance of theorising everyday life in our endeavours to grasp and transform our everyday experience. Drawing particularly on the work of Félix Guattari, Gilles Deleuze, Bernard Stiegler and Henri Lefebvre, Heaney develops the idea of rhythmanalysis as an original and interdisciplinary approach to the politics of mental health. He offers both a renewed methodological and philosophical approach to rhythmanalysis (scaping) and deploys it with respect to the relationship between contemporary capitalism and mental health.
Explores the biopolitics of modern metabolism, of how humans manage the world through their peristaltic systems, as they ingest food and produce waste. Set against a backdrop of Marx's theory of how we 'mediate, regulate, and control' our metabolic relation to nature, of the rise of a bourgeois faecal habitus, of the relegation of domestic waste management to female 'meta-industrial' workers, of depleted agricultural fields and polluted urban centres, Dissident Gut performs three in-depth case studies of early twentieth-century English and European women whose wayward intestinal systems intervene in larger social, affective, and political networks, and who assert a peristaltic grammar of desire and resistance. Intervenes in theoretical discussions around the gut-brain axis, biopolitics and biopower, materialist feminism, psychoanalysis and hysteria, bodily habitus, and waste management.
Reading Espionage Fiction: Narrative, Conflict and Commitment from World War I to the Contemporary Era probes the ways in which the struggles and loyalties of political modernity have been portrayed in the espionage story over the course of the twentieth and twenty-first centuries. Reading works by authors such as Somerset Maugham, Helen MacInnes, John le Carré, Sam E. Greenlee and Gerald Seymour as popular literature deserving of sustained attention, this book shows how these narratives have both created a modern genre and, at the same time, sought an escape from its limitations. Martin Griffin takes up the importance of plot and character and argues that, in this branch of fiction, the personal has always and ever been political.
Sufism, the spiritual, mystical and esoteric dimension of Islam, is experiencing a renewal in the twenty-first century. Charismatic Sufi masters have been able to revitalise their language, attracting new disciples and going beyond their cultural-geographic framework. This book describes the development of Sufism in Western Europe, particularly in France and Italy, through extended empirical research based on participant observation in four Sufi orders. The author illustrates the different forms of hybridisation between the Islamic-Sufi tradition and Western esoteric discourses, in particular the Guénonian-Traditionalist and the New Age discourse. These hybridisations often involve the creation of new doctrines, rituals and organizational structures, and produce different universalist discourses, which imply different Sufi politics in Europe, such as a lack of interest due to an imminent eschatology, civic engagement, and metapolitical elitism.
Central to Genevieve Lloyd's approach is a fresh look at Spinoza's critique of what he regards as Descartes' flawed way of imagining the nature and status of human thought in relation to the rest of Nature. Lloyd argues that the influence of the Cartesian model lingers in the contemporary collective imagination. She challenges a common way of reading the Ethics, which reflects and reinforces the figure of Spinoza as a 'rationalist' - committed to the superiority and dominance of Reason within human minds. By offering a more nuanced account of Spinoza's version of Reason, Lloyd brings his philosophy to bear on a range of familiar, but largely unexamined attitudes, which connect the supposed supremacy of Reason within the human mind to humanity's supposed supremacy within Nature.
The relationship between Greece and Turkey has been fraught with tension for a century, with a range of issues including territorial disputes, and cultural and political differences. Despite being NATO allies and neighbours, the two nations have a long history of conflict and mistrust, but also a sense of similarity and mutual admiration. In the twenty-first century, the situation has become increasingly complex, as we have seen a resurgence of nationalist sentiment on both sides, as well as an active engagement between the two nations through common initiatives, tourism, media and social sciences. This book analyses the human dimension of Greek-Turkish relations, using extensive primary data collected from interviews and archival research conducted over thirty years. It focuses on the topic of the compulsory exchange and its consequences, as well as the Greek minority in Turkey, the Turkish minority in Greece, and contemporary developments in the mutual, yet paradoxical, relationships between the two nations.
Mary Queen of Scots (1542-1587) was active as monarch of Scotland for just six years between 1561 and 1567, but her impact as a ruler in Scotland is much less important than her subsequent role in popular culture and imagination. Her story has enjoyed perpetual retelling and reached a global audience over the past four and a half centuries. This collection surveys the exceptionally varied range of objects, literature, art and media that have been produced to commemorate Mary between her own time and the present day. Why is her story so enduring, pervasive, and of such interest to so many different audiences? How have the narratives associated with these objects evolved in response to shifting cultural attitudes? The collection offers a much-needed novel perspective on the Queen of Scots, using an approach at the intersection of early modern, gender and cultural history, museum and heritage studies, and memory studies.
Jane Austen was a keen consumer of the arts throughout her lifetime. The Edinburgh Companion to Jane Austen and the Arts considers how Austen represents the arts in her writing, from her juvenilia to her mature novels. The thirty-three original chapters in this Companion cover the full range of Austen's engagement with the arts, including the silhouette and the caricature, crafts, theatre, fashion, music and dance, together with the artistic potential of both interior and exterior spaces. This volume also explores her artistic afterlives in creative re-imaginings across different media, including adaptations and transpositions in film, television, theatre, digital platforms and games.
Italy and the Islamic World tells the story of how Italian cities have been centres of international exchange for centuries, linking Europe with the most storied marketplaces of the Middle East and North Africa. From the Ancient Roman period and the Renaissance to the rise of the Italian Republic, Italy has been a global crossroads for more than two millennia. In Ali Humayun Akhtar's new picture of European history, Italy's debates about trade with its southern neighbours evoke an earlier era of encounters - one that sheds light on where the EU is heading today.
Despite the brief span of her directorial career, lasting from 1963 to 1979, the Soviet Ukrainian director Larisa Shepitko produced a remarkable body of work, one that received an expansive national and international attention and led her to winning the Golden Bear Awards at the Berlin International Film Festival in 1977. Refocus: The Cinema of Larisa Shepitko is the first volume in English to offer a comprehensive, methodologically diverse analysis of Shepitko's oeuvre, demonstrating the ongoing significance of her work for filmmakers and scholars alike. The book not only considers the emergence of Shepitko's cinema within Soviet political and cultural history but examines its continued relevance for thinking about such pressing contemporary issues as war and trauma, history, memory and subjectivity, and ecology and the environment.
Cunninghame Graham was a famous and hugely influential figure in late nineteenth and early twentieth century Scottish politics and literature. He published thirty-four books during his lifetime, equally divided between histories (mostly of South America), and anthologies of his impressionistic sketches of South America, Morocco, and Scotland, the large majority of which had been published previously in literary magazines between 1896 and 1933.
For the first time, the editors have compiled his entire Scottish oeuvre chronologically, into one volume, and set them in their historical and social contexts, which explores and contextualises the works themselves, and traces Graham's development as a much-admired literary artist and social documentarist. One of the editors is a Cunninghame Graham family member, and the family historian, who has provided insights and peculiar details, unavailable to previous biographers, which hopefully provides added depth and understanding to Graham's works.
How do terms used to describe migration change over time? How do those changes reflect possibilities of inclusion and exclusion? Ella Fratantuono places the governance of migrants at the centre of Ottoman state-building across a sixty-year period (1850-1910) to answer these questions. She traces the significance of the term muhacir (migrant) within Ottoman governance during this global era of mass migration, during which millions of migrants arrived in the empire, many fleeing from oppression, violence and war. Rather than adopting the familiar distinction between coerced and non-coerced migration, Fratanuono explores how officials' use of muhacir captures changing approaches to administering migrants and the Ottoman population. By doing so, she places the Ottoman experience within a global history of migration management and sheds light on how six decades of governing migration contributed to the infrastructures and ideology essential to mass displacement in the empire's last decade.
For all its familiarity as a widely used term, 'Kafkaesque cinema' remains an often-baffling concept that is poorly understood by film scholars. Taking a cue from Jorge Luis Borges' point that Kafka has modified our conception of past and future artists, and André Bazin's suggestion that literary concepts and styles can exceed authors and 'novels from which they emanate', this monograph proposes a comprehensive examination of Kafkaesque Cinema in order to understand it as part of a transnational cinematic tradition rooted in Kafka's critique of modernity, which, however, extends beyond the Bohemian author's work and his historical experiences. Drawing on a range of disciplines in the Humanities including film, literary, and theatre studies, critical theory, and history, Kafkaesque Cinema will be the first full-length study of the subject and will be a useful resource for scholars and students interested in film theory, World Cinema, World Literature, and politics and representation.
This study offers a detailed analysis of the fiction of J. M. Coetzee, including the novels of the South African and Australian periods, to demonstrate the development of Coetzee's engagement with the complexities of non-normative embodiment. In this illuminating monograph, Paweł Wojtas demonstrates the extent to which Coetzee's multifaceted depictions of disability offer a sustained critique of the ableist implications of political violence and neoliberal inclusionism alike. Exploring a wide range of notions, such as ocularnormativism, mute speech, eco-disability, disability Gothic, dismodernism, autogerontography, and bibliotherapy, Wojtas shows how Coetzee's 'disabled textuality' provokes a sustained meditation on various forms of cultural denigration of disability experience.
Drawing examples from over two hundred English-language and Spanish-language newspapers and periodicals published between January 1855 and October 1901, Paratextuality in Anglophone and Hispanophone Poems in the US Press, 1855-1901 argues that nineteenth-century newspaper poems are inherently paratextual. The paratextual situation of many newspaper poems (their links to surrounding textual items and discourses), their editorialisation through circulation (the way poems were altered from newspaper to newspaper) and their association and disassociation with certain celebrity bylines, editors and newspaper titles enabled contemporaneous poetic value and taste that, in the mid- to late-nineteenth century, were not only sentimental, Romantic and/or genteel. In addition to these important categories for determining a good and bad poem, poetic taste and value were determined, Bonifacio argues, via arbitrary consequences of circulation, paratextualisation, typesetter error and editorial convenience.
Artpeace represents a conceptual framing of the synergy between the arts and peacemaking, as well as a methodological strategy for addressing war and political conflict through the arts. Developing the concept of artpeace, this book investigates how local art projects in seven locations across Africa, Asia, Europe and Latin America have played a role in broader national peace projects. And it examines the blockages that, at times, prevent the arts from making a tangible difference to the variations of peace being designed.
This now-famous book was given a hostile reception when it first appeared in 1824. It was not reprinted until the late 1830s, when a heavily bowdlerised version was included in a posthumous edition of Hogg's collected 'Tales and Sketches' published by Blackie & Son of Glasgow. Thereafter Confessions of a Justified Sinner attracted little interest until the 1890s, when the unbowdlerised text was printed for the first time since the 1820s. However, the high reputation of Hogg's novel did not fully begin to establish itself until 1947, when a warmly enthusiastic Introduction by André Gide appeared in a new edition of the unbowdlerised text. He went on to record how he had read 'this astounding book ... with a stupefaction and admiration that increased at every page'. Many readers have subsequently shared Gide's enthusiasm, and Confessions of a Justified Sinner is now widely recognised as one of the outstanding British novels of the Romantic era. It has also been acclaimed as one of the defining texts of Scotland, with Iain Crichton Smith recently applauding 'a towering Scottish novel, one of the very greatest of all Scottish books'.
New modes of hope have emerged in the Anthropocene, increasingly grounded in an ethics of attentiveness and responsibility. Through incorporating contemporary approaches to both theory and policy practice, including critical, feminist, black and indigenous perspectives, this book analyses how Hope works with the uncertainties and interdependencies of human agency and interaction. It draws out the problems of integrating hope into governance and policy management, and engages with hope as a potentially negating force, in a world which can be seen as one of unending catastrophe.
In June 2022, former miners secured through the Scottish Parliament a collective pardon for convictions acquired during the 1984-85 miners' strike. The Miners' Strike (Pardons) (Scotland) Act recognised the distinct injustices facing Scottish strikers: twice as likely to be arrested as those in England and Wales and three times as likely to be sacked.
This book analyses the injustices of the strike, and shows how the pardons were won, using thirty oral history testimonies from former strikers and family members. They remembered the injustices of arrest, conviction and employment dismissal. They emphasised how the National Coal Board, police and courts operated as confederates of Margaret Thatcher's Conservative government, silencing union voice and closing pits deemed unprofitable, to maximise returns from intended privatisation.
These testimonies were used in the successful campaign which pushed the Scottish government to provide the broad-based collective and posthumous pardon that was won in Parliament in 2022.
From Fidel Castro to Qassem Soleimani, the US government has been involved in an array of assassinations and assassination attempts against foreign leaders and officials. The President's Kill List reveals how the US government has relied on a variety of methods, from the use of poison to the delivery of sniper rifles, and from employing hitmen to simply laying the groundwork for local actors to do the deed themselves. It shows not only how policymakers decided on assassination but also the level of Presidential control over these decisions. Tracing the history of the US government's approach to assassination, the book analyses the evolution of assassination policies and, for the first time, reveals how successive administrations - through private justifications and public legitimations - ensured assassination remained an available tool.