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Jaquet offers a detailed analysis of time, duration, and eternity in Spinoza's works, as well as how these themes relate to each other through the entirety of his corpus. With Spinoza, she asks how it is possible for human beings, as finite modes of existence, to share in God's eternity, as well as how human existence relates to the eternity of God, or Nature.
This translation will allow English readers to closely track the concepts of time, duration, and eternity from the early Spinoza through to the last of his works. It will also situate his thought in relation to the scholastic philosophies that preceded him, all with close attention to the Latin throughout.
Challenging the liberal notion of the classroom as a neutral space, Social Justice and the Language Classroom invites you to become advocates, allies, and activists, and gives you the conceptual and practical tools to fight against systemic injustice in education and beyond.
This practical resource book examines issues of inequity, marginalization, discrimination, and oppression that are regularly experienced by language learners coming from diverse backgrounds in terms of race, ethnicity, social class, ability, language and sexuality. Drawing on examples from international contexts and including problem-posing and reflective tasks, sample lesson plans, activities and resource materials, this book provides you with vital knowledge for socially just language teaching and provides the pedagogical tools to apply these in classroom contexts.
With its emphasis on intersectionality and global competence, the book builds bridges between critical pedagogy, political economy, critical race theory, feminist pedagogy, and queer theory to equip you with the tools to recognize systems of oppression and inequality, understand how they interact, and to adopt social justice pedagogies for transformation and social change.
This is a not a book about peacekeeping practices. This is a book about storytelling, fantasies, and the ways that people connect emotionally to myths about peacekeeping. The celebration of peacekeeping as a legitimate and desirable use of military force is expressed through the unproblematized acceptance of militarism. Introducing a novel framework - martial peace - the book offers an in-depth examination of the Canadian Armed Forces missions to Afghanistan and the use of police violence against Indigenous protests in Canada as case examples where military violence has been justified in the name of peace. It critically investigates the peacekeeper myth and challenges the academic, government, and popular beliefs that martial violence is required to sustain peace.
A growing flow of visitors in the nineteenth century turned the Alhambra into a touristic destination and a major trope of Orientalism, created by Western authors and artists from François-René de Chateaubriand to Owen Jones and from Washington Irving to Jean-Léon Gérôme. Yet behind this Western infatuation lie scores of 'Oriental' observers of the monument, as revealed by its visitors' book, kept since 1829.
This book uses this untapped source to analyse the perceptions of the Alhambra by multiple actors, including Westerners, Spaniards, Maghrebines, Ottoman Turks, Christian Arabs and Muslim Arabs from the Mashreq. In doing so, it reveals the existence of significant variations in both Western and Oriental perceptions of the monument, from 'Oriental Orientalism' to Arab nationalism. Examining the contemporary press, memoirs, travelogues and photographs - as well as the visitors' book - it uses the Alhambra to build a history of the complex and entangled relations between East and West, North and South, Islam and Christianity, centre and periphery during the heyday of Orientalism and Western hegemony.
Displacement and Erasure in Palestine: The Politics of Hope explores the ways in which Palestinians negotiate physical and symbolic erasures by producing their own archives and historical narratives. With a focus on the city of Jaffa and its displaced Palestinian population, Noa Shaindlinger argues that the Israeli state 'buried' histories of mass expulsions and spatial appropriations. Based on a wide-variety of sources, this book brings together archival, literary, ethnographic and oral research to engage with ideas of settler colonialism and the production of history, violence and memory, refugee-hood and diaspora.
This multi-sited study traces Jaffa's refugee experience beyond 1948 to the West Bank and the diaspora in Toronto and Cape Town, re-inscribing the erased experience of Palestinians into an account of Israeli state practices of dispossession. By integrating rigorous archival research, ethnographic fieldwork, literary and spatial analysis, the book reveals Palestinian's (and their Israeli-Jewish allies') creative responses that challenge displacement and argue for their right to belong to their homeland and their city.
Criticism of the novel routinely starts with the assumption that characters must think, develop and strive for self-fulfilment as individuals. This book challenges the paradigm that individualism is innate to the novel as a medium. It describes how major writers throughout the twentieth century - many convinced by the supposed findings of parapsychology - rejected the idea of the discrete character. Treating the self as porous, they offered novels structured around the development of communities and ideas rather than individuals. By focusing on D. H. Lawrence, Olaf Stapledon, Aldous Huxley and Doris Lessing, Mark Taylor demonstrates the need to broaden our approach to character when addressing the novel of the twentieth century and beyond.
Mission, race and colonialism were three forces shaping Malawi's history during the early years of the twentieth century. These three found a concentrated meeting point in the life of Scottish missionary Alexander Hetherwick, who led Blantyre Mission from 1898 to 1928. This book presents a fresh assessment of this towering figure in Malawi's history, contesting the scholarly consensus that Hetherwick betrayed the early ideals of Blantyre Mission by compromising too much with the colonial system that was in force during his leadership. The book assesses the pervasive influence of colonialism, from which Hetherwick was not exempt, and traces the ways in which he resisted such influence through his relentless commitment to the interests of the African community and the inspiration he found in the emergence of the African church.
Performative Opacity in the Work of Isabelle Huppert argues that the career of this singular French actor - constituting a corpus of well over a hundred films - offers a unique testing ground for current approaches in film studies and affect studies.
Attention to Huppert's performances can reframe recent discussions on the social and cultural dimensions of emotion and normativity through a compelling paradox: her roles tend to express grandiose and overwhelming conditions central to debates in the humanities - negativity, dispossession, trauma - but through elusive and at times resistant or diminutive forms of expression: what J. Hoberman once called her 'genius to distinguish 47 varieties of blankness'. Including diverse contributions from an international line-up of established scholars, this volume examines Huppert's flat affect and other registers with an eye to their significance for cinema and media studies, queer and gender studies, star studies and world cinema.
Ageing, Dementia and Time in Film: Temporal Performances offers the first sustained analysis of films about ageing and dementia through a temporal framework. Analysing the aesthetics of films like 'A Moment to Remember' (2004), 'Memories of Tomorrow' (2006) and 'Happy End' (2017), Deng provides new insights into our understanding of how ageing is temporally produced, presented, received and interrogated in and through cinema.
Bringing together Gilles Deleuze's philosophy of difference and ideas on time, and building on scholars like Alia Al-Saji, Henri Bergson, Bliss Cua Lim, and David Martin-Jones, the book develops a conceptual framework of relational change - of temporal performances - and suggests that everyone and everything experiences time differently.
During the second half of the tenth/fourth century, the Umayyad caliphate of al-Andalus became a powerful political formation in Western Europe. Described by the contemporary German nun Hrotsvitha as the 'ornament of the world', Cordoba was the destiny of embassies and traders coming from places as far away as Constantinople, the Ottoman empire and Italy. The zenith of this political supremacy coincided with the rule of al-Ḥakam II (961 - 976 CE), whose name is associated with the enlargement of the mosque of Cordoba, the magnificent palatine city of Madīnat al-Zahrāʼ and the rich caliphal library which housed Arab, Latin and Hebrew manuscripts.
This book is based on an extraordinary source that had never been the subject of a comprehensive study: the annals written by an official and chronicler of the caliph's court, 'Īsà b. Ahmad al-Rāzī, who carefully annotated the big and small events of the court. Used by Ibn Hayyān to compose one of the volumes of his celebrated Muqtabis, these 'annals' have come to us in a substantial fragment of more than 135 folia that cover the period from June 971 to July 975 CE. This source provides an eye-witness account of the caliphate, which describes with stunning detail all the events, characters, places and narratives of the Umayyad caliphate, and is a fundamental work in helping us to understand the configuration of the Mediterranean in the tenth century CE.
What do we in the West owe those who grow our food, sew our clothes and produce our electronics? And what have we always owed one another, but forgotten, avoided, or simply disregarded?
Looking back on nearly a century of colonial war and genocide, in 1990 the poet and philosopher Édouard Glissant appealed directly to his readers, calling them to re-orient their lives in service of the political struggles of their time: 'You must choose your bearing'.
Informed by the prayer camps at Standing Rock, and presenting Glissant alongside Stuart Hall, Emmanuel Levinas, Simone Weil, Enrique Dussel, Gloria Anzaldúa and W. E. B. Du Bois, this book offers an urgent ethics for the present - an ethics of risk, commitment and care that together form a new sense of decolonial responsibility.
Readers encounter the environment through literature in ways not available to everyday perception. This is especially clear when a text integrates the grand vistas of what is known as the bird's-eye view. In this welcome contribution to the contemporary theoretical discussion about storied environments and non-human perceptions, David Rodriguez presents an original interpretation of the aesthetics of the view from above. Focusing on fiction by twentieth-century American writers including Willa Cather, Paul Bowles and Don DeLillo, Rodriguez skilfully combines ecocriticism, narrative theory and phenomenological approaches to literature to develop the term 'form of environment'. This theory of literary fiction foregrounds the environment not as setting or historical context, but as an equal agent with the human figures and scales that are normally the focus of literary analysis.
The Rwandan genocide is the second most audio-visually recreated genocide after the Holocaust, with approximately 200 films and documentaries produced in thirty-nine countries between 1994 and 2021.
Historical Media Memories of the Rwandan Genocide studies the construction, the development, and the recreation of the transnational historical media memory of the genocide against the Tutsis in Rwanda in 1994.
This is the first comprehensive work that traces the international media image and the creation of historical memories of the Rwandan genocide, starting with the day to day television news reporting in 1994, and continuing with analyzes of how the genocide has been used and recreated in film and documentaries on a global level as well on a national level, where Rwanda, as a nation, creates its own images of the genocide in film and television production in order to support a new national identity.
The production of films that may be called both 'French' and 'western' spans the history of cinema, and includes the films by celebrated stars and directors. However, with the exception of early silent production, French westerns are overlooked in studies of French cinema, of film genre and even of the 'transnational' western.
French Westerns: The Frontier of Film Genre and French Cinema is the first scholarly monograph dedicated to these films. This study advances the recovery of popular European cinema, and adds new dimension to the understanding of the western genre. However, the purpose is not to stretch existing definitions of the genre or the national cinema to accommodate this production. Instead, these films expose and exploit the acts of imagination to which the logics of 'French Cinema' and 'Western' owe their coherence: acts that fail repeatedly, productively, and at times spectacularly.
Makiko Minow coined the phrase 'lesbian modernism' in 1989. Since then, scholars of lesbian modernism have produced crucial work to critique and expand the modernist canon. At the same time, there has been ongoing critical debate about what constitutes a lesbian modernist text, who counts as a lesbian modernist author, and how lesbian modernism relates to queer and trans modernism. This edited volume presents twelve newly commissioned chapters that reassess and interrogate the meanings, uses and limitations of lesbian modernism by exploring a broad range of authors, genres and histories. Individual chapters investigate what work the concept of 'lesbian modernism' has done in the past, how its boundaries have been defined and contested, and what voices have been included and excluded. As a whole, the book demonstrates how the concept of lesbian modernism can be mobilised in new and meaningful ways to continue to inform and enrich modernist studies.
Moderate Liberalism and the Scottish Enlightenment responds to a perennial problem in political theory: how to balance commercial considerations with the public good. It investigates this dilemma through the lenses of Enlightenment thinkers whose liberal theories responded to the hazards of commercial innovation during capitalism's nascent stages. Vassiliou argues that Montesquieu, David Hume, Adam Smith, and Adam Ferguson represent a moderate perspective in foundational liberal thought, which emphasizes the critical importance of honour. He compares how their liberal theories uniquely channel human beings' desire for honour to nourish a sense of interpersonal magnanimity within an inward-looking, liberal commercial world. In an age of polarized extremes, we have witnessed restive democracies flirting with populist, illiberal responses for managing the hazards of capitalist innovation. Montesquieu and his Scottish counterparts' foundational liberal theories offer us more viable, middle-ground prescriptions which are sensitive to the emotional constitution of a liberal society.
This book anthologises selected key works from the oeuvre of Colin McArthur, a pioneering figure within Anglophone Film and Scottish cultural studies since the 1960s.
Collecting together thirty-seven essays written between 1966 and 2022, twenty-one of which were hitherto out-of-print, the book identifies and illustrates the central strands of scholarly interest that have defined one of British Film Studies and Scottish Cultural Studies' most influential careers: critical investigation and legitimisation of mid-twentieth-century Hollywood cinema and popular American film genres; the cinematic representation of Scotland and the gradual development of a Scottish film production sector; and Scotland's status as a distinctive visual and material cultural signifier within a diverse range of international popular cultures from the eighteenth century to the present.
World-renowned South Korean directors, including Park Chan-wook and Bong Joon Ho, cite Kim Ki-young as being the greatest Korean influence on their work. During his thirty year career, Kim Ki-young produced thirty-three films and became revered by critics within the national and international community as one of the few South Korean 'auteurs'.
As the first comprehensive scholarly volume on Kim Ki-young in English, ReFocus: The Films of Kim Ki-young covers his entire career and history of cinematic work, highlighting the thematic and stylistic singularity of Kim's oeuvre, which was produced relative to the specific historical and cultural conditions of post-war South Korea. It offers an innovative departure point from which to explore South Korean film relative to the wider history of world cinema, in addition to situating Kim's work within the broader fields of Korean modern history, transnational cinema and cultural studies.
This edited collection provides an insightful look at the career and output of American horror director Wes Craven, whose most famous films - such as 'The Last House on the Left' (1972), 'A Nightmare on Elm Street' (1984) and 'Scream' (1996) - came to define the form in the later decades of the twentieth century. Also paying attention to Craven's more underrated work, from 'Deadly Friend' (1986) through to his melodrama 'Music of the Heart' (1999), this academic study argues that the filmmaker's influence can still be felt on cinema today, many years after his passing. Featuring sixteen chapters and an extensive introduction, this addition to the ReFocus line will prove to be essential reading for scary movie connoisseurs and brings a valuable contribution to the growing field of horror film studies.
What was it like to practise as a lawyer and bank agent in a rural Scottish community on the cusp of modernity? George Craig was Sir Walter Scott's local banker, a writer, insurance agent, election agent and baron bailie of Galashiels. Based on thousands of recently discovered letters, this is the first study of a provincial nineteenth-century Scots lawyer and the community he served.
Craig's many correspondents, from manufacturers, bankers, lawyers and law agents in London, Dublin, Jamaica and the US to weavers, tenant farmers and town clerks reflect Borders life in all its intensity and his letters paint a detailed picture of everyday existence. His story affords a fascinating glimpse of legal practice and estate management across the Borders, during a time of economic and political change, as Galashiels grew from a village into an important manufacturing centre.