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This volume, the second volume in the Research Edition series of journals in Scotland, England and Ireland from the autumn of 1766 to May 1769.
The journals covered by the volume record much of Boswell's life as a young advocate during the first few years of his practice at the Scottish bar. The journals also record much information about Boswell's composition and publication of his instant best-seller, 'Account of Corsica', his involvement as a volunteer for the Douglas camp in the great Douglas Cause and his search for a wife. During Boswell's visits to London and Oxford in 1768, he produced some of his finest journal-writing, including details of memorable and significant conversations with Samuel Johnson. The manuscript journals in the volume have been printed to correspond to the originals as closely as is feasible in the medium of print.
Filling a significant gap in the history of the Scottish press and in Scottish social history, this book draws on a range of sources. It examines the great expansion of Scottish newspapers, following the removal of the 'taxes on knowledge' through to the mid-twentieth century.
W. Hamish Fraser provides the historical basis for meaningful, in-depth study of many different aspects of the Scottish press and adds a new dimension to Scottish historical studies. Through an extensive search of newspapers, the use of local history material and of the limited business and organisational records that are available, he gathers little-known information on the world of Scottish journalism and on the people who provided the mass of the population with their news and tried to shape their attitudes. By focusing on different regions, he moves away from earlier rather sweeping generalisations on a key part of the media in Scotland, and he assesses the extent of continuity and change in a crucial century.
The relationship with Greece has always been at the forefront in determining Turkish foreign policy. This book focuses broadly on the main issues of contention between Turkey and Greece, and analyses Turkey's policies towards Greece, based on the securitisation framework and focusing on the discourse of elites in the post-Cold War period. It inquires how, by whom and the extent to which Turkish foreign policy has securitised and de-securitised Greece.
Based on an extensive discourse analysis of statements from Turkish elites - including the president, prime minister, minister of foreign affairs, chief of general staff and the secretary general of the National Security Council - Cihan Dizdaroğlu presents a fresh and critical analysis of the foreign policy Turkey enacts regarding Greece. Considering the contemporary geopolitical issues such as competition over the Eastern Mediterranean, the ongoing deadlock in Cyprus, Turkey's involvement in Libya as well as the emergence of new tension in the Aegean Sea, Greek-Turkish relations will continue to be a critical subject of international relations.
In Race, Nation and Cultural Power in Film Adaptation, Roberts undertakes the first full-length study of postcolonial, settler-colonial and Indigenous film adaptation, encompassing literary and cinematic texts from Australian, Canadian, New Zealand, Indian, British, and US cultures.
A necessary rethinking of adaptation in the context of race and nation, this book interrogates adaptation studies' rejection of 'fidelity criticism' to consider the ethics and aesthetics of translating narratives from literature to cinema and across national borders for circulation in the global cultural marketplace. In this way, Roberts also traces the circulation of cultural power through these adaptations as they move into new contexts and find new audiences, often at a considerable geographical remove from the production of the source material. Further, this book assesses the impact of national and transnational industrial contexts of cultural production on the film adaptations themselves.
The Edinburgh Companion to Globalgothic is the most substantial exploration to date of gothic fiction in the international context. Examining texts from across six continents, the volume considers how gothic imagines, colludes with or interrogates relationships and phenomena that are planetary in scale. Accordingly, chapters address gothic engagements with - among others - resource imperialism, (ongoing) colonial history, diasporic identity, buckling economic unions, the rise of the internet, enthnonationalism, and entangled systems of gendered, racialised and ecocidal power. In this way, the collection moves decisively beyond the framework of globalisation to identify a range of new globalgothic approaches and modes, overall demonstrating that gothic is a key - though sometimes complicit - register for negotiating the challenges and histories of our uneven global present.
Abstraction is one of the most important words in modernism and in the critical thought of modernity, yet its complex work is invariably hidden in plain sight. What do we want from abstraction? Does it refer to thought, or to art? Is it a term of reproach, or of affirmation? Beyond these distinctions, Jeff Wallace's new intellectual history of abstraction in modernism and modernity proposes that abstraction is always uniquely concerned with the importance and revaluation of the inhuman in and for the human. Wallace's case studies range across the writings of Raymond Williams and Paul Valéry, Marx and Marxist aesthetics, the discourse on abstract visual art in Cézanne, Kandinsky, Mondrian and Newman, the literary experimentalisms of Gertrude Stein, Wallace Stevens and Samuel Beckett, and the twenty-first century legacies of modernist abstraction in two forms: the post-Deleuzian resurgence of interest in the philosophies of William James, Henri Bergson and A. N. Whitehead; and the act of looking at the abstract canvas in plays by Yasmina Reza, John Logan and Lee Hall. Contrary to habitual associations of abstraction's difficulty with the exclusivity of high modernism, Wallace finds an inclusive and democratic impulse at the heart of the difficulty itself - the promise of an abstraction for all.
This book investigates generic change in early modern theatre across multiple genres, unlike much other scholarship, attempting to understand change and innovation in terms of competition within the dramatic field. It draws on the work of Bakhtin and Bourdieu as well as theatre history, book history, and literary criticism to advance its argument about generic change and innovation.
Contemporary Screen Ethics focuses on the intertwining of the ethical with the socio-political, considering such topics as: care, decolonial feminism, ecology, histories of political violence, intersectionality, neoliberalism, race, and sexual and gendered violence. The collection advocates looking anew at the global complexity and diversity of such ethical issues across various screen media: from Netflix movies to VR, from Chinese romcoms to Brazilian pornochanchadas, from documentaries to drone warfare, from Jordan Peele movies to Google Earth. The analysis exposes the ethical tension between the inclusions and exclusions of global structural inequality (the identities of the haves, the absences of the have nots), alongside the need to understand our collective belonging to the planet demanded by the climate crisis. Informing the analysis, established thinkers like Deleuze, Irigaray, Jameson and Rancière are joined by an array of different voices - Ferreira da Silva, Gill, Lugones, Milroy, Muñoz, Sheshadri-Crooks, Vergès - to unlock contemporary screen ethics.
Hadith commentary has been a central site of Islamic intellectual life for more than a millennium, across diverse periods, regions and sects. This is the first volume of scholarly essays ever collected on the key texts and critical themes of hadith commentary. The book unfolds chronologically from the early centuries of Islam to the modern period, and readers will discover continuities and changes as a group of international experts offer illuminating studies of Sunnis, Shi'is and Sufis who interpret and debate the meaning of hadith over a wide terrain: Egypt, Syria, Iraq, Iran, Turkey, India, and further. The volume also models a variety of methodological approaches, including social history, intellectual history, the study of religion, and digital history. By highlighting both differences and commonalities as the practice of hadith commentary circulated across distant eras and lands, this volume sheds new light on the way Muslims have historically understood the meaning of Muhammad's example.
Offers a powerful and influential interpretation of Spinoza's conatus - the essential striving that defines each of us - as fundamentally strategic.
Spinozism must be understood as a dynamic ontology that necessarily unfolds on practical terrain. Laurent Bove analyses Spinoza's theory of affects as rooted in Habit, generating the constituent power of human beings, commonwealths, nations and multitudes. By interpreting sovereignty as a power that emerges through the active resistance of the always singular body of the multitude, Bove discovers in Spinoza a radically new approach to the State, to citizenship and to history.
This collection explores the richness of Scottish intellectual life, its currents and controversies, from the French Revolution to the First World War, focusing in particular on the legacy of the Scottish Enlightenment. Offering a series of cutting-edge interventions, the contributors cast light on a range of individuals, themes and episodes from the period. Topics range from the role of women as intellectuals to the rise of a science of race, and from freethinking secularism to the debate over George Davie's influential account of nineteenth century universities.
Collectively, the chapters represent a pioneering overview of Scottish intellectual life during the long nineteenth century.
The Graphic User Interface, or GUI, is the adhesive centre of today's screen entertainment web. From films and television to apps and videogames, it holds together a multitude of media and shapes the way they are accessed, organised, created, consumed, and manipulated. However, it does not do so without leaving viscous traces, and Gooey Media: Screen Entertainment and the Graphic User Interface examines this residue and its consequences, revealing how the GUI exerts a powerful influence on contemporary media.
Focusing on aesthetics and adopting a media agnostic approach, Jones explores cinema, streaming platforms, television, user-generated content, videogames, apps, virtual reality, VFX, design software, and more in order to show how they cross-pollinate with one another and with our desktop interfaces. The result is a new approach for analysing convergent media in the digital era.
Conversion machines are apparatuses, artfully-fashioned preparations, arrangements and things that demonstrate processes of change. They are paradoxical - at once intent on verifying what was invisible, uncertain and even unknowable, while also acting as sowers of dissimulation.
This study does not seek to mechanise conversion. In many ways, conversion and the transformation of the convert will remain ineffable. Instead, this collection maintains that conversion of all kinds must unfold in ecologies that include politics, law, religious practice, the arts and the material and corporeal realms. Shifting the focus from subjectivity toward the operations of governments, institutions, artifices and the body, contributors consider how early modern Europeans suffered under the mechanisms of conversion, how they were sometimes able to realise themselves by dint of being caught up in the machinery of sovereignty, how they invented scores of new, purpose-built conversional instruments and how they experienced forms of radical transformation in their own bodies.
Ann Quin's innovative, versatile oeuvre made a vital contribution to 1960s and '70s British experimental writing. While contemporaries praised her vivid and energetic prose, a sustained and in-depth study of Quin has so far been absent from scholarly reassessment of this literary era. As the first comprehensive appraisal of her writing and life, this book redresses that critical neglect, aims to recuperate Quin as a key female experimental writer of the twentieth century, shows how the precarious possibility of her writing is its essential attribute, and demonstrates the lasting importance of her work. Its combination of scholarly analysis and archival expertise investigates her life, writing and forms of experimentation to convey precisely what is striking and significant about Quin.
Ethical consumption and consumer choice are at the heart of public debates today, but consumer activism has a long history. At the end of the nineteenth century, groups of women activists in different countries weaponised their reputation as consumers to mount campaigns against labour exploitation. By the early twentieth century, they had built an international network of Consumers' Leagues that influenced public opinion and achieved legislative change. Analysing the campaign writing of women activists, including both well-known and recently rediscovered historical figures, Flore Janssen provides new insights into the campaigns that underpinned important developments in the rights of workers and the social position of women. Highlighting the social, economic and political influence of women as activists, this book discusses campaign strategies, but also draws attention to problematic politics within these campaigns. Through its critically contextualised analysis of this specific consumer movement, the book reveals the origins of many consumer campaign strategies that remain familiar today.
This book is an account of how American realism in the Progressive Era contributed to debates about modernity. It uses the anthropological theories of Franz Boas, and Jacques Ranciere's work on aesthetics and politics to develop a mode of reading class and culture that challenges conventional interpretations that pit the two modes of representation in opposition. It paints a picture of the late-nineteenth century, prior to modernism, as an aesthetically exciting, original, and politically radical stage in American life to reinvigorate realism as a radical aesthetic practice, with implications for understandings of American literature both in the past and into the future.
This first book-length study of Anna Kavan's writing contradicts earlier critical approaches that have figured her writing as sui generis by reading her comparatively alongside her contemporaries, especially Jean Rhys, Elizabeth Bowen, Muriel Spark and Doris Lessing. Taking Kavan's fiction as pivotal to understanding trends of experimentalism that emerged across the middle of the twentieth century, it offers close readings of her distinctive prose including her early Helen Ferguson texts, her writing of asylum incarceration, her wartime stories, and her postwar novels. Observing how her fiction challenges perceived divisions between experimental and realist writing, literary and popular genre and (late) modernist and postwar literatures, it focuses on the ways that Kavan's writing undermines fixed or knowable identity and explores the relationship between reality and fiction. This study not only brings necessary attention to a neglected writer, but also suggests new taxonomies for reading experimental fiction in the mid-twentieth century.
Building on the success of EUP's highly acclaimed Atlas of Global Christianity, this volume is the seventh in a series of reference works that takes the analysis of worldwide Christianity to a deeper level of detail. It focuses on Christianity in North America, covering every country and offering both reliable demographic information and original interpretative essays by locally based scholars and practitioners. It maps patterns of growth and decline, assesses major traditions and movements, analyzes key themes, and examines current trends. As a comprehensive account of the presence of Christianity in every part of North America, this volume will become a standard work of reference in its field.
François Zourabichvili wrote two major contributions to Spinoza scholarship. While 'Une physique de la pensée' (PUF, 2002) concerns Spinoza's epistemology and metaphysics of ideas, Spinoza's Paradoxical Conservatism focuses on his political philosophy.
Zourabichvili's interpretation of Spinoza's political philosophy is radically unlike the established tradition. In this book he explores Spinoza's philosophical theory of change across three different studies. First, within ethical transition, secondly within the image of the infant in Spinoza's work and third dealing with absolute monarchy which was dominant during Spinoza's time and provided his polemical writings with a concrete target.
The book's challenging and carefully-argued claims will be of serious interest to anyone working in political theory, early modern philosophy or contemporary French thought.
This book deals with the exploration and theorisation of Modern and Contemporary art of Iran through the examination of art movements and artistic practices in relation to other cultural, social and political discourses during the twentieth and twenty-first centuries. It focuses on discourses and their impact on art movements and practices and aims to selectively explore certain prevailing debates in action during this time. To come to grips with the way that artistic trends in Iran can be traced within the intellectual and political landscape of the country mainly from the 1940s to the present, the author has tried to articulate new ideas for relating art to its wider context - whether social, cultural or political - and to bring together critical and historical evidence in order to provide an insight into current artistic concerns. The book explores these underlying themes and discourses through a series of case studies, including through close scrutiny of works of artists.