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This cross-disciplinary book offers a broad spectrum of essays on important aspects of the political, social, religious and historical importance of the Islamic-Byzantine border between 630 - c. 1300 CE, and in particular on the manifold ways in which the Islamic-Byzantine border affected the internal development and culture of each of the two civilisations. The chapters are written by twelve of the leading scholars in the field, including experts on both the Byzantine Empire and the Islamic world, and explore developments ranging from anti-government riots and dynastic revolutions to the border's influence on religious law, apocalyptic literature, population policy and heroic culture.
This book is the only monograph-length study of the work of Judith Butler to focus on the entire scope of her work, including the last decade of her writing. It presents a completely new interpretation of Butler's political thought, oriented by the idea of an insurrection at the level of the real. Instead of seeing Butler as a thinker of the subversive performance of cultural scripts, the book frames her work for the twenty-first century as an ambitious and coherent egalitarian alternative to liberal political philosophy. The chapters explore the potential of this conceptual framework in relation to questions of social inequality, violence and the experience of precarity. Designed for both researchers and students, the book provides a comprehensive way of accessing what is radically original about this crucial political theorist.
This book brings together political philosophers, democratic theorists, empirical political scientists and policy experts to examine how democratic systems might be designed so that the long-term consequences of our decisions are considered in policymaking processes. It examines these topics from many different perspectives - it is interdisciplinary and globally oriented - but it also explores Finland as an example of how future-regarding governance might be done. Finland has one of the most advanced governmental foresight systems in the world, including a unique parliamentary institution called the 'Committee for the Future', and it has enjoyed a stable, multiparty government for decades. The contributors identify tensions between the present and the future, as well as between reversibility and commitment, independence and politicisation, and trust and critique, which have to be navigated in order to achieve long-term, collective goals. The book concludes that elite-driven institutions should be complemented by robust institutions for public participation and deliberation in order to retain responsiveness while at the same time forging public commitments for future-regarding action.
Although Elizabeth Gaskell was influenced by Mary Russell Mitford, and George Eliot by Gaskell, only a small number of scholars have considered the affinities and resemblances among all three writers of provincial fiction, and none have done so in depth. Establishing a chain of influence, this book considers Mitford, Gaskell, and Eliot's interrelated careers, including the challenges they encountered in achieving distinction within the literary sphere, and the various pressures exerted on them by publishers, reviewers, and editors. It also analyses the career-enhancing possibilities afforded by different modes of publication-including periodicals, anthologies, the three-volume novel, and monthly and bimonthly instalments-as well as their concomitant limitations. In so doing, the book offers a reassessment of Mitford's and Gaskell's provincial fiction, which has been frequently derided as a 'minor literature'. It also demonstrates the importance of their work to the development of Eliot's liberalism in the age of high realism.
Lebanon and Tunisia are two of the freest countries in the Middle East and North Africa, but elites in both countries seek to manipulate media organisations and individual journalists to shore up support for themselves and attack opponents. This book explores the political role of journalism in these hybrid settings where democratic and authoritarian practices co-exist - a growing trend all over the world. Through interviews with journalists in different positions and analyses of key events in recent years, Journalism in the Grey Zone explains the tensions that media instrumentalisation creates in the news media and how journalists navigate conflicting pressures from powerholders and a marginalised populace. Despite 'capture' of the media by political and economic actors, journalism remains a powerful and occasionally disruptive force.
Tracking the evolutionary arc of prison writing across the twentieth century in an international and comparative framework, this study proposes an integrated account of the major shifts and movements in this relatively neglected genre of autobiography. Dwelling on works - memoirs, novellas, poems - by actual detainees, the book offers a close stylistic analysis of twelve important texts to show how prison writing moved away from the confessional and self-scrutinizing modes of an earlier tradition, to espouse openly political sentiments and solidarities. Looking at works by Oscar Wilde, Rosa Luxemburg, Ezra Pound, Primo Levi, Bobby Sands, Angela Davis, Ngũgĩ wa Thiong'o, and Behrouz Boochani (among others), the book shows how themes such as the annihilation of experience, dehumanization, sensory deprivation, brutality, and numbing routine are woven into distinctive textual artefacts that give evidence of an abiding human resilience in the face of raw state power.
Marcos Antonio Norris implements Giorgio Agamben's notion of 'secularized theism' to resolve a critical disagreement among Hemingway scholars who have portrayed the writer as either a Roman Catholic or a secular existentialist. He argues that Hemingway is, properly speaking, neither a secularist nor a theist, but a 'secularised theist', whose 'religion' is practiced through sovereign decision making, which, in its most extreme form, includes the act of killing. This book resolves an important debate in Hemingway studies and uncovers fundamental similarities between theism and atheism, building upon the theoretical undertaking first introduced by 'Agamben and the Existentialists' (EUP, 2021). Bringing Ernest Hemingway, Jean-Paul Sartre and Giorgio Agamben into close conversation, the author reconceptualises existentialism, issues a posthumanist critique of moral authoritarianism and advances an original interpretation of Hemingway as a secularised theist.
What is violence - what is an image? How does violence relate to the image, and how do violence and the image implicate and define the victim? These questions underpin the thinking of Bataille, Agamben and Girard - thinkers of the moment in as much as they each aim to explain the basis of society and culture in the context of power and the sacred. To study power and the sacred, the book shows, is to reveal the connection between violence and the image, a connection that shows what it means to be a victim.
Separate chapters are devoted to the study of violence and the image as these appear in the work of Bataille, Agamben and Girard.
The book concludes that no study of violence and the image can avoid engaging with the issue of the injustice of being a victim.
Narrative, Affect, and Victorian Sensation: Wilful Bodies argues that Victorian sensation novels - long dismissed as plot-driven, silly, and feminine - develop complex theories of narrative affect, our embodied responses to reading, imagining, and even writing a narrative. The popular sensation novel thus should be understood as a key contribution to the novel's assessment of its own workings, especially the ways in which reading and writing figure as affective acts. Additionally, the book radically expands the field of sensation fiction, taking seriously lesser-known female authors, and reading them alongside a range of writers not typically considered sensational. These novels insist that feelings are not bound to a single body and that bodies generate meaning when they are put in relation to other bodies and systems of knowledge.
Through the narrative analysis of texts, ranging from political speeches to museum documents as well as graffiti and posters from protests, this book tries to shed light on contemporary Turkish politics as well as offering a glance into how narratives operate in the political realm. Following the journey of political narratives and counternarratives in the Turkish context facilitates the mapping of the cultural terrain while being attentive to power, resistance and dynamism.
By analyzing narratives of collective memory, patriarchy and economic development, all of which are deeply embedded culturally, it traces the ways in which narratives shape politics. The chapters deal with issues such as the role historical narratives play in hegemonic power struggles among political parties, the narrative resources upon which populist regimes draw, how economic development narratives affect prospects of and threats against democratic practices and institutions, and how protesters subvert dominant notions of citizenship through counternarratives.
In his forty-five-year career, William Wyler not only traversed the silent and the sound eras, but also connected classic Hollywood to 'new Hollywood.' The range of his films also spans a wide spectrum of genres: from westerns to adaptations of classic literature, from crime thrillers to rom-coms, and from controversial topics to musicals. His three Oscars for Best Director are an achievement surpassed only by John Ford. His life experience as one of Hollywood's early immigrant artists also speaks to the foreign influence on classic Hollywood. Yet despite his awards and commercial success, artistic recognition has mostly eluded Wyler. This volume of the ReFocus series attempts to analyze this Wyler paradox and also seeks to contextualize and theorize selections from Wyler's canon and his relationship to American cinematic history and American culture. This collection has gathered contributions from international authors from extremely diverse backgrounds, and therefore differing perspectives on Wyler and his work.
Transnational Culture studies the ways that diasporic Iranian Armenian authors and artists negotiate their identities as minoritized population within a liminal space that includes religious, ethnic, national, racial, cultural, gender, and sexual factors. Yaghoobi argues that this liminal state of fluidity helps them to develop a resilience towards ambiguity and handling ambivalence in dealing with various cultures as well as resisting dualistic thinking which in turn allows them to move beyond national boundaries to transnationalism, yet simultaneously display the collective Armenian identity characterized by flexibility, adaptability, and continuity as a result of both multiple uprooting and a Genocide that continues to this day. They serve as a bridge between the homeland and the host nation, occupying what the author theorizes as verants'ughi - the transformational passageway, which requires them to not only risk being in a transitory space and give up the safe space of home and the power that comes with it, but also through doing so, they create transformative works of literature and art.
Sidonius stands at a crossroads between the last days of the Roman Empire in the Auvergne and Provence and the emergence of Burgundians and Visigoths as territorial powers. An aristocrat, politician, author and bishop, he was involved in and bore witness to this takeover. His literary prose is characterised by a floweriness which at times makes his letters ambiguous and ostentatiously obscure. This volume provides readers with a tool to understand this convoluted prose, enabling them to see the troubled political waters of the fifth century through the eyes of Sidonius.
The book contains a new critical edition of the first ten letters of Book 5 of Sidonius' 'Epistulae', together with an accessible English translation and a philological and historical commentary. It provides a general introduction to the book as a whole and a detailed exploration of the letters that covers literary themes, models, prosopography, dating problems and prose rhythm. Taking an interdisciplinary approach, it addresses historical questions relevant to the specific letters and to Sidonius' position at the centre of the Romano-Gallic aristocracy.
Instead of treating Christianity as continuing a utterly unique Judaism alien to Mediterranean religion, the book argues for a pervasive religious dynamic based on three modes; the religion of everyday social exchange, civic religion and the religion of freelance literate experts. These modes that cut across ethnically defined cultures such as Judean, Greek and Roman open a window onto a new way of reading the earliest Christian literature and of explaining its religiosity. The chapters lay out the theory and then illustrate it in various ways with essays on the letters of Paul, the Gospel of Matthew and issues surrounding the study of Christian beginnings. This approach provides a different way to understand Judaism and Christianity within Mediterranean religion and its intellectual cultures by drawing on powerful new tools for theorizing religion more broadly.
Gabriele D'Annunzio was an internationally renowned artist and one of the most prominent public figures in Italy in the late nineteenth and early twentieth centuries. His novels and poetry stirred the enthusiasm of James Joyce and Henry James in the English-speaking world and his repute stretched far beyond - in France, Austria-Hungary, Russia, Japan and South America, D'Annunzio became a pivotal node in the broad networks of decadent exchange. This volume offers an overview of the global dynamics of D'Annunzio's work, from his engagement with multilingualism and translingual writing to the international circulation and reception of his production. Featuring chapters by international scholars, it re-evaluates D'Annunzio with a critical eye and a transnational scope and offers a global assessment of the place that Dannunzian decadence holds in the constitution of a conflicted movement - one that is profoundly cosmopolitan and yet also problematically nationalistic.
Bringing together leading and emerging scholars on European politics, this collection explores how dilemmas associated with key democratic concepts can be understood in relation to the EU. The book renews our understanding of EU democracy in ways that are more attentive to the multiple fault lines and cleavages that structure this political order. It focuses on a set of democratic dilemmas inherent to EU democracy, including representation, deliberation, sovereignty, citizenship, democratic contestation and market, to provide discussions on the specific tensions and trade-offs associated to a particular concept. The book engages in the theoretical groundwork necessary for assessing and analysing the specific dilemmas that arise when translating democratic concepts into concrete institutional designs in the European setting.
In October 1978, a day that started like any other for Ali Mirsepassi - full of anti-Shah protests - ended in near death. He was stabbed and dumped in a ditch on the outskirts of Tehran for having spoken against Khomeini. In this account, Mirsepassi digs up this and other painful memories to ask: How did the Iranian revolutionary movement come to this? How did a people united in solidarity and struggle end up so divided?
In this first-hand account, Mirsepassi deftly weaves together his insights as a sociologist of Iran with his memories of provincial life and radical activism in 1960s and 1970s Iran. Attentive to the everyday struggles Iranians faced as they searched for ways to learn about and make history despite state surveillance and censorship, The Loneliest Revolution revisits questions of leftist failure and Islamist victory and ultimately asks us all to probe the memories, personal and collective, that we leave unspoken.
The formal innovations of the modernist novelists have continued to reverberate to the present day, less importantly as a matter of imitation and more as a stimulus to further innovation. Focusing on the experience of the reader in engaging with a selection of these works from around the globe, this book argues that a rigorous attention to formal features is crucial in appreciating their achievement and in understanding the impact of the early modernists on the history of the novel. Joyce's 'Ulysses' is given particular attention for its feats of formal invention and as an inspiration for many later writers. Among the facets of modernist writing explored are the separation of content and form, the transgression of linguistic boundaries, the defiance of lexical and syntactic rules, the deployment realist techniques to present the unreal, the political significance of literary form, and the relation between formal innovation and affect.
This book argues that Shakespeare turned staging problems into opportunities for complex characterization by mobilizing the semiotic potential of playhouse architecture, stage space, gestures, stage properties, performance style and audience participation. These features of production result in allegorical projections of the characters' thoughts, in a way that reflects early modern fascination with the hidden workings of the human mind.
Walcott's lifelong concern with painting and painters deeply inflected his aesthetics and politics. Walcott's interventions on the relationship between Caribbean and colonial history have been thoroughly scrutinised, but, arguably, Walcott was also keen to address and (re)write an art history 'of which,' paraphrasing a line from 'Omeros', the Caribbean 'too' was/is 'capable'. Contextualising and putting in conversation Walcott's published and unpublished writings (poems, plays, essays, journalism) and his drawings or paintings (privately owned and publicly disseminated) with specific artists from the Caribbean, Europe, South and North America, Derek Walcott's Painters recalibrates and sharpens our understanding of Walcott's articulation of his own politics and poetics and of the Caribbean's contributions to Atlantic and global culture.