We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Situates the original 1913 production of Sergei Diaghilev’s The Rite of Spring in its local theatrical context, exploring the scheduling and significance of the ballet within the Parisian calendar. Recounts the popular reception of the Ballets Russes’s annual ‘Saisons Russes’ in the French capital, focusing on the pre-war period but also offering a broader history of the troupe and its activities until its dissolution in 1929. Describes the principal stylistic characteristics of the troupe’s productions in terms of music, choreography and visuals (decors and costumes), suggesting historical developments and trajectories that aligned with broader strands of cultural influence during the first decades of the twentieth century. Also explores the nineteenth-century background of theatrical dance in Russia and Western Europe.
To examine the relationship between children’s adaptive functioning and neighborhood resources – such as school quality, access to healthy food, green spaces, and housing quality – using a large, diverse clinical outpatient sample.
Method:
Pediatric outpatients (N = 6,942; age M = 10.44 years; 67.0% male; 50.3% White; 33.9% Medicaid), aged 1-18, who underwent neuropsychological or psychological evaluation were included if their caregiver completed the Adaptive Behavior Assessment System, 3rd Edition (ABAS-3) and had a nationally normed Child Opportunity Index (COI) score, a composite measure of 29 geo-coded neighborhood characteristics.
Results:
Children from higher-opportunity neighborhoods demonstrated significantly stronger adaptive functioning across conceptual, social, and practical domains. Those in the top 40% of neighborhood advantage exhibited stronger adaptive skills than those in the bottom 60%. Neighborhood resources and family financial resources were associated with greater adaptive skills beyond child age, sex, and racial/ethnic background.
Conclusion:
Neighborhood resources are linked to children’s adaptive functioning, possibly due to increased opportunities to practice these skills in safer, more supportive environments. These findings emphasize the importance of considering environmental factors in assessing adaptive skills and highlight the need for public health investments and legislation related to community resources.
Magnetic AB stars are known to produce periodic radio pulses by the electron cyclotron maser emission (ECME) mechanism. Only 19 such stars, known as ‘Main-sequence Radio Pulse emitters’ (MRPs) are currently known. The majority of MRPs have been discovered through targeted observation campaigns that involve carefully selecting a sample of stars that are likely to produce ECME, and which can be detected by a given telescope within reasonable amount of time. These selection criteria inadvertently introduce bias in the resulting sample of MRPs, which affects subsequent investigation of the relation between ECME properties and stellar magnetospheric parameters. The alternative is to use all-sky surveys. Until now, MRP candidates obtained from surveys were identified based on their high circular polarisation (≳ 30%). In this paper, we introduce a complementary strategy, which does not require polarisation information. Using multi-epoch data from the Australian SKA Pathfinder (ASKAP) telescope, we identify four MRP candidates based on the variability in the total intensity light curves. Follow-up observations with the Australia Telescope Compact Array (ATCA) confirm three of them to be MRPs, thereby demonstrating the effectiveness of our strategy. With the expanded sample, we find that ECME is affected by temperature and the magnetic field strength, consistent with past results. There is, however, a degeneracy regarding how the two parameters govern the ECME luminosity for magnetic A and late-B stars (effective temperature ≲ 16 kK). The current sample is also inadequate to investigate the role of stellar rotation, which has been shown to play a key role in driving incoherent radio emission.
The Republic of Moldova needs a proactive approach in building their trauma and emergency care capacity given the neighboring conflict in Ukraine and inflow of refugees. The World Health Organization, in collaboration with local and international experts, has implemented a series of training programs to address the identified need for improved emergency and trauma care. These programs are critical for future EMT development.
Objectives:
Objectives of the training programs include:
1. Strengthening emergency medicine and trauma expertise amongst interdisciplinary healthcare providers
2. Improving trauma care through the development and implementation of a novel trauma team program
3. Increasing capacity for mass casualty management
Method/Description:
Emergency Care Systems Assessment and Hospital Emergency Unit Assessment Tool were used to identify gaps. Initial training focused on Basic Emergency Care, Advanced Trauma Life Support, and ultrasound courses led by WHO instructors in partnership with a local simulation center. A team of international experts, in partnership with local physicians, introduced trauma simulation sessions in the emergency department for multi-specialty teams to enhance their team communication and resuscitation skills. A training video was produced to improve dissemination of trauma care knowledge and instruction of an evidence-based pre-hospital handover tool. Finally, a table-top mass casualty simulation exercise was completed led by Emergo Train System instructors.
Results/Outcomes:
The Institutul de Medicină Urgentă launched the country’s first trauma team program on July 1, 2024 and neighboring regions will be replicating this approach.
Conclusion:
A multi-faceted training approach allows for proactive strengthening of emergency and trauma care to improve local response capacity.
This edited collection brings together a range of academics, practitioners and organisations to consider the implications of recent case law around consent in sexual relationships on the day-to-day lives of people with cognitive impairments.
Tetflupyrolimet (Dodhylex™ Active, FMC Corporation) is a novel herbicide inhibiting de novo pyrimidine biosynthesis that controls grassy weeds preemergence in rice (Oryza sativa L.) production. Field trials were conducted from 2021 to 2024 to evaluate turfgrass tolerance to tetflupyrolimet applications for annual bluegrass (Poa annua L.) and smooth crabgrass [Digitaria ischaemum (Schreb.) Schreb. ex Muhl.] control. Tolerance was evaluated on seven turfgrass species, including creeping bentgrass (Agrostis stolonifera L.), Kentucky bluegrass (Poa pratensis L.), tall fescue [Schedonorus arundinaceus (Schreb.) Dumort.; syn.: Festuca arundinacea Schreb.], hybrid bermudagrass [Cynodon dactylon (L.) Pers. × Cynodon transvaalensis Burtt-Davy], and manilagrass [Zoysia matrella (L.) Merr.] at various mowing heights ranging from 3.8 to 12.5 mm. Separate experiments were conducted on each turfgrass species to evaluate tolerance in both fall and spring. Tetflupyrolimet was applied at rates of 0, 25, 50, 100, 200, 400, 800, 1600, 3200, or 6400 g ai ha−1. No injury was observed on any warm-season turfgrass species in either season, whereas cool-season grass tolerance varied among species each season; however, cool-season turfgrass tolerance for all species was greater in spring than fall. While efficacy of tetflupyrolimet (400 g ha−1) for preemergence D. ischaemum control varied among years, mixtures of tetflupyrolimet (400 g ha−1), pyroxasulfone (128 g ai ha−1), and rimsulfuron (35 g ai ha−1) applied preemergence or early postemergence effectively controlled multiple-resistant P. annua in both seasons. Overall, these findings highlight that warm-season turfgrasses are highly tolerant of tetflupyrolimet applications for P. annua or D. ischaemum control.
Seed longevity influences the success of ex situ storage and preservation of plant genetic diversity and is thus a critical factor in conservation efforts. Rapid seed ageing experiments at high temperature and high humidity have been widely used to classify seed longevity for hundreds of plant species, with potential implications for longevity in ex situ conservation. In this approach, radicle emergence (R) is normally used as a measure of the viability of the seeds. However, R could overestimate the level of normal seedling development and, consequently, the perceived longevity of seeds. Here, seed lifespan for 33 alpine species was compared to assess whether germination criteria could affect seed longevity parameters. Seeds were exposed to controlled ageing [45°C, 60% relative humidity (RH)] and regularly sampled for germination assessment as both radicle emergence (R) and radicle plus cotyledon emergence (R + C). The time taken in storage for viability to fall to 50% (p50) was determined using probit analysis, including either R or R + C data. A coefficient of overestimation of seed longevity (OESL, %) was determined. The results highlight significant differences in seed longevity estimates both across species and the germination criteria. For 17 species, seed longevity estimated by R was significantly higher than that estimated using R + C, resulting in large variation in OESL (0.54–9.01 d). The introduction of OESL facilitates effective screening for seed longevity and recovery, enhancing the overall efficiency of conservation strategies for diverse species.
An overview is offered of Wittgenstein's groundbreaking discussion of knowledge and certainty, especially in his final notebooks, published as On Certainty. The main interpretative readings of On Certainty are discussed, especially a non-propositional/non-epistemic interpretation and a variety of propositional and/or epistemic interpretations. Surveys are offered of the readings of On Certainty presented by such figures as Annalisa Coliva, John Greco, Danièle Moyal-Sharrock, Duncan Pritchard, Genia Schönbaumsfeld, P. F. Strawson, MichaelWilliams, and CrispinWright. This Element demonstrates how On Certainty has been especially groundbreaking for epistemology with regard to its treatment of the problem of radical scepticism.
This book reassesses the place of politics and emotion within Romantic music aesthetics. Drawing together insights from the history of emotions, cultural history, and studies of philosophical idealism, 'affective relationality' – the channelling of emotion through music's social and cultural synergies – emerges as key to Romantic aesthetic thought. Now familiar concepts such as theatrical illusion, genius, poetic criticism, and the renewed connection of art to mythology and religion opened new spaces for audiences' feelings, as thinkers such as Rousseau, Herder, Germaine de Staël, Joseph Mainzer, Pierre Leroux and George Sand sought alternatives to the political status quo. Building on the sentimental tradition in eighteenth-century art and politics, the Romantics created ways of listening to music imbued not just with melancholic longing for transcendence but also with humour, gothic fantasy, satire, and political solidarity. The consequences have extended far beyond the classical concert hall into numerous domains of popular culture from melodrama, romances and political songwriting to musical theatre and film.
The late seventeenth century saw the creation of a new affective category, ‘tender passions’ or ‘sentiments’, by female writers such as Madeleine de Scudéry in the salons of Louis XIV’s France. From here into the eighteenth century, sentiments were developed through airs, novels and drama. Contrary to prevalent images of eighteenth-century communicative clarity, sentiments were more socially complex and less easily legible than the ‘passions’ of the Baroque. Their expression on stage required a new realistic dramaturgy, building on the flexible use of ensemble, gesture and mime in comic opera. A characteristically sentimental conception of the dramatic ‘tableau’ resulted. Theorized by Diderot and Rousseau in the 1750s, tableaux aimed to evoke and sustain ‘tender’ sentiments of pity, affection and social solidarity through dramatically heightened moments in the action. These relied on a more spellbinding theatrical illusion, intended to absorb the audience within its all-engrossing atmosphere, and to which music contributed by supporting and highlighting gestures over rhetorical set pieces.
At the other end of the philosophical spectrum from Saint-Simonian ‘materialism’, though sharing its rhetoric of progress, was Hegelian Idealism. It influenced not only critics such as Franz Brendel and A. B. Marx, but also the ‘New German School’ of Liszt and Wagner. Though Hegel opposed Romanticism, applications of his aesthetics to music by Marx and Liszt remained closer to it, noting the convergence of music and literature on Romantic subjectivity and responding with the new genre of ‘programme music’. Another Romantic project, the ‘new mythology’, was realized in Wagner’s operatic Gesamtkunstwerk. Its more ‘realist’ approach to feeling was derived from Feuerbach’s post-Hegelian philosophy and little changed by Wagner’s later enthusiasm for Schopenhauer. Though overshadowed by his universalizing and exclusionary goal of a ‘purely human’ art (one that had no space for Jewish artists), Wagner’s aesthetic technique remained faithful to the idea of theatrical illusion inaugurated a century earlier by Rousseau and Diderot.
Though not often highlighted in literature on music aesthetics, the Saint-Simonians, a group of French Romantic socialists, exerted widespread influence on politics, philosophy and the arts after 1830. Their conception of music as a political-affective tool in the hands of an artistic avant-garde impacted the aesthetics and practice of musique populaire, a category embracing ‘popular’ and ‘folk’ music. Pierre-Jean de Béranger, the most popular writer of chansons in this period, declared his sympathy for the cause of radical social change in song, while his friend the working-class socialist philosopher Pierre Leroux influenced music aesthetics through his alliance with the novelist George Sand (Aurore Dupin). Drawing on Leroux’s writings for its philosophy of history, Sand’s major ‘music novel’, Consuelo, advocated for musique populaire, as its operatic singer heroine finally abandons the stage and becomes a travelling folk musician.
A gap divides modern ideas of genius from the sentimental conceptions of the 1760s and 1770s. Though talent was a common feature, musical genius for Rousseau and Diderot was integrally related to expression, affective identification with a community, and an orientation towards ‘the people’. Also important was ‘enthusiasm’, originally a type of religious inspiration fostered after 1700 within radical Protestant groups such as Count Zinzendorf’s Moravians, who radically challenged contemporary ideas of masculinity, sexuality and religious faith. Enthusiasm’s secularization with Goethe and Herder initiated the countercultural ‘period of genius’ (Genieperiode) later known as the Sturm und Drang. Its composers, such as J. M. Kraus, Neefe and Reichardt, lavished attention on popular, commercial forms such as German comic opera and ‘popular song’ (Volkslied) – priorities only challenged when the movement’s opponents such as J. N. Forkel tactically redefined ‘genius’ to centre it on technical mastery rather than inspiration and expression.