Aratus’ Phaenomena calls upon its reader to scrutinize the letters of the text as carefully as the stars and constellations that form its subject matter. The poem abounds with clever letter-play and wordplay, and its reception too is characterized by verbal cleverness, as later authors vie with Aratus and one another to create ingenious textual effects. Among the best-known examples is the word ἄρρητον (‘unspoken’) at Phaen. 2, a witty hidden sphragis for Aratus, who nowhere in his work directly names himself. Later poets picked up on this pun: Callimachus speaks of the λεπταὶ ῥήσιες Ἀρήτου (Anth. Pal. 9.507.3-4 = 27 Pf.), repeating the verbal root of ἄρρητον in ῥήσιες and its sound in Ἀρήτου. Leonidas of Tarentum meanwhile rates Aratus ‘second after Zeus’ (Διὸς … δεύτερος, Anth. Pal. 9.25.5-6), acknowledging the hidden sphragis, which follows directly after the invocation of Zeus in line 1 of the Phaenomena.