In this paper, I examine the Oratio habita in enarratione Lucii Apuleii, the written version of a speech pronounced by the Bolognese master Filippo Beroaldo the Elder. An inaugural speech for his commentary on Apuleius’s Golden Ass, this text was printed in November 1500 and has, until now, remained unedited and untranslated. In the introduction, I argue that Beroaldo, by imitating Aulus Gellius in his speech, reproduces a distinctive trait of Apuleius, the embodiment of one’s model, thus reducing the distance that separates him from Apuleius. This technique, I contend, reflects a very close relationship with the text and its author (Apuleius), who is not only read and commented on but also ‘lived’ and embodied. In the commentary, I highlight the complex structure of Beroaldo’s speech, analyzing the rich intertextual relationship that he entertains with the ancient authors.