This article examines the new provisions on contract interpretation and characterisation in Book 5 of the Belgian Civil Code, which entered into force on 1 January 2023. The reform preserves Belgium’s traditional subjective approach to interpretation, prioritising the parties’ common intention over literal textual meaning, contrasting with the objective or mixed approaches adopted by French law and international instruments. Regarding characterisation, Belgium introduces innovative provisions explicitly addressing contract classification and mixed contracts, filling gaps left by other legal systems. These aspects of the Belgian reform are put intto perspective with comparative observations drawn mostly from French, German, and Dutch law.

While faith is central to the Gospel of John, the focus of interpreters on the faith responses of John’s characters tends to regard these characters rather simplistically. This article considers Martha’s engagement with Jesus in John 11 and contends that her faith takes a journey of lament as she comes to a place of understanding Jesus’ person. Martha speaks with Jesus regarding Lazarus’ death, and Israel’s lament poems frame the depth found in the progression of their conversation, which serves a rhetorical purpose that provides dynamic depth to her character. Grounded in the work of Gail R. O’Day that traces Martha’s conversation within the lament structure, this article examines this interaction that leads to the pinnacle of Johannine confessions to the identity of Jesus made by Martha herself. The process of lament as the expression of Martha’s faith develops John’s resurrection theology, given that her faith and understanding are clarified by Jesus’ identification as the resurrection and the life. This disclosure is what leads to Martha’s paradigmatic confession in 11.27. Building on previous characterisations of Martha by scholars such as Adeline Fehribach, Colleen M. Conway, Sandra M. Schneiders and Cornelis Bennema, a fresh perspective emerges that engages Martha’s conversation and ensuing confession, and the contribution this makes to the Johannine theology of resurrection. Lament is significant in the context of faith in John’s portrayal of Martha and suggests more depth in Fourth Gospel characterisation than many interpretations have recognised.

Kokum [Garcinia indica (Thouars) Choisy] is a multi-purpose tree with culinary, cosmetics and pharmaceutical uses found popular in Konkan region of India. ICAR-NBPGR Regional Station, Thrissur made a systematic exploration and collection missions on kokum over a period from 1987–2004 and collected 31 accessions from various parts of Konkan region to characterize them using morphological characters and also to investigate their flowering and fruiting behaviour. Totally, 85 trees planted in Field Gene Bank in which only 67 trees (23 accessions) survived during field establishment. Among them, 32 (47.8%) were male and remaining 25 identified as female (37.3%) and 10 as co-sexual (14.9%). Fruit bearing ability noticed only in both female and co-sexual trees with huge variation in fruits. Morphological characterization of 33 trees with fruiting (23 accessions) for 35 morphological traits revealed presence of considerable amount of variation among them on basis of CV%. Highest positive correlation observed between fresh seed weight and fresh kernel weight (0.92). Cluster analysis formed four major clusters with Cluster I and II comprising male/bisexual genotypes and Cluster III and IV with female genotypes and it clearly distinguished male/bisexual genotypes from female ones. PCA analysis accounted 65.6% of genetic variation present among accessions by first three most informative PCs. Superior accessions identified for important traits will be more useful in industrial aspects of preparing kokum butter and juice. Further, seasonal difference identified in fruiting and maturity of fruits well-before onset of monsoon may be exploited by kokum industries for drying and processing of fruits.

The characterisation, legal status and future of islands are increasingly prominent in international and legal affairs. This emerging ‘legal era of islands’ demands a clearer understanding of the multiple distinctive legal issues that islands, whether as sub-national political units or as the territory of continental or mainland States, raise. This article conducts the first contemporary study of these issues by examining the international and constitutional legal status of island territories. It finds that although the relationship between islands and mainland States is characterised by incredible diversity, island territories are pursuing a range of innovative strategies to preserve and protect their autonomy.

Five celestine crystals were sampled from the (palaeo)surface intervening between the late Miocene to Pleistocene basaltic sequences of the Jabal Eghei (Nuqay) volcanic province in southern Libya and then characterised by applying a combination of the SEM–WDS, ICP/OES, PXRD and IR methods. Colour variations and related minerogenetic frameworks were also investigated. Three samples have greenish-blue-to-blue colour (480.4–482.5 nm), whereas the other two samples have blue–green colour (cyan; 489.1–494.1 nm). The colour purity ranges from 1.36–7.16. Their composition is similar, end-member celestine, in which only 1.6–4.1 at.% of Sr2+ content was substituted by Pb2+ (0.7–0.9 at.%), Ba2+ (0.5–0.7 at.%) and Ca2+ (0.2–0.8 at.%). Three samples contained vacancies, from 1.0 to 1.9 at.%. The content of other chemical elements is minor. The resulting unit-cell parameters have the ranges: a0 = 8.3578(9)–8.3705(6) Å; b0 = 5.3510(5)–5.3568(4) Å; c0 = 6.8683(7)–6.8767(2) Å and V0 = 307.17(5)–308.34(4) Å3. The PXRD and IR results are mainly in accordance with the SEM–WDS results, with a high level of correlation. However, a few discrepancies were found, producing several possible interpretations, the primary cause being a slight unit-cell axial anisotropy i.e. thermal expansion. As a consequence these results yield a new geothermometric tool that is based on the unit-cell axial anisotropy. The celestines investigated were formed during a Miocene intraplate volcanism with basaltic magmas, and associated brines lifted by the structural conduits (normal faults crosscutting the Sirt basin). The Sr-bearing fluids then poured into and over the faulted and fractured lagoon-type gypsum, anhydrite Eocene sediments. The celestine mineralisation formed within a ~368–430 K (~95–157°C) temperature range. The celestine formed at slightly elevated temperature and pressure conditions, close to the shallow subsurface environment (over 250 bars).

Bending and elongation have been some of the most studied motions in soft actuators due to the variety of their applications. For that matter, multi-DOF actuators have been developed with the purpose to generate different movements in a single actuator, mainly bending.

However, these actuators are still limited in mobility range, and some of them do not perform continuous curvatures. This paper presents the design, characterisation and implementations of a multi-DOF soft pneumatic module. The internal structure of the proposed module is composed of four channels, which generate bending in several directions. The finite element method analysis demonstrates that the actuator performs continuous curvatures for different pressure values. We present a repeatable and easy manufacturing process using the casting technique, considering the material Ecoflex 00-50; as well as the kinematic model of the actuator, taking into consideration two bending Degrees of Freedom (DOFs). Furthermore, we performed bending characterisation for all possible combinations of the four channels via computer vision, demonstrating a wide mobility range and performing continuous curvatures. Additionally, we evaluated the kinematic model with characterisation data, obtaining the angular and cartesian relationship between the pressure and continuous curvatures. On the other hand, the authors propose the design of a modular soft manipulator based on two multi-DOF modules. The kinematic model is reported. In addition, we implement a motion sequence in the manipulator to pick and place tasks.

Although an increasing number of works are focusing on depictions of God in the New Testament, none so far specifically focus on how these depictions rely on anthropomorphic language in their presentation of God. This article attends to this oversight by turning to the Synoptic Gospels (and the book of Acts) as a test case. Not only do these narratives lack an explicit anti-anthropomorphic agenda, but they also rely on divine anthropomorphisms that are derived from Jewish Scripture. To demonstrate this claim, the article concentrates on how Matthew and Luke expand Mark's anthropomorphic presentation of God and how Luke's presentation emerges as the most anthropomorphic of all. It also discusses how Mark, Matthew, and Luke's respective narratives depict God's human, or human-like, characteristics according to the following four categories: (1) God's human roles and titles, (2) God's depiction as an acting subject who speaks and desires to be in relationship with humans, (3) God's concrete presence located in space, and finally, (4) God's description as a character with recognisable body parts and other markers of corporeality. In the end, we shall see that anthropomorphism is a central component of God's characterisation in the Synoptics and that this anthropomorphic characterisation better enables readers to see the Jewish, scriptural shape of God as a personal deity who desires to be in relationship with humans.

Courts in a number of jurisdictions have attempted to resolve the relationship between winding-up proceedings and arbitration clauses, but a unified approach is yet to appear. A fundamental disagreement exists between courts which believe that the approach of insolvency law should be applied, and those which prefer to prioritise arbitration law. This article argues that a more principled solution emerges if the problem is understood as one of competing values in which the process of characterisation can offer guidance. This would allow both a more principled approach in individual cases, and a more coherent dialogue between courts which take different approaches to the issue.

Can claimants choose between contract and tort claims arising on the same facts with different jurisdictional and/or choice-of-law consequences? While domestic legal systems generally recognise concurrent liability, commentators object that its extension to private international law would be unprincipled and would threaten the field's values. This, however, contrasts with the position in common law and under EU Regulations, where concurrent claims are generally recognised with only narrow limits. This article justifies concurrent claims in private international law, arguing that the same premises supporting concurrent liability in domestic law exist in private international law, and that no field-unique concerns foreclose it.

Knowing receipt requires the satisfaction of disparate elements under English domestic law. Its characterisation under domestic law is also unsettled. These in turn affect the issues of characterisation and choice of law at the private international law level, as knowing receipt sits at the intersection of the laws of equity, restitution, wrongs and property. This article argues that under the common law knowing receipt ought to be considered as sui generis for choice of law purposes and governed by the law of closest connection to the claim. Where the Rome II Regulation applies, knowing receipt fits better within the tort rather than unjust enrichment category and the escape clause in Article 4(3) of the Regulation ought to apply.

Alongside the model embellishments Mozart composed for various keyboard works, he also wrote embellishments for contemporary arias including ‘Ah, se a morir mi chiama’ from Lucio Silla, the concert aria ‘Non sò d'onde viene’ K.294 and ‘Cara, la dolce fiamma’ from J.C. Bach's Adriano in Siria. Although these have been overlooked in the critical literature, they shed light on many aspects of Mozart's art of melodic decoration. In this article, I begin by examining these notated operatic embellishments: their textual histories, the styles of elaboration they evince, the pacing with which they unfold, and their motivic construction, as well as their relation to broader trends in Mozart's style. I then explore the embellishments Mozart composed into the texts of his other operas, arguing that these served not only a musical but also an aesthetic purpose, furthering elements of characterisation and drama, particularly in Le nozze di Figaro, Don Giovanni, and Così fan tutte. I end with brief remarks on the challenges facing modern-day interpreters who wish to embellish Mozart's operas.