This paper examines how the resilience of Ukraine’s railway system, Ukrzaliznytsia, has functioned as a source of ontological security following Russia’s full-scale invasion of Ukraine. Existing IR literature on ontological security has paid limited attention to the role of critical infrastructure, often treating material resilience and narrative meaning-making as analytically distinct. In contrast, I argue that critical infrastructure can ingeniously enable the generation of ontological security through the interaction of related socio-technical practices and autobiographical narratives that affirm the collective capacity to withstand major disruption. The paper identifies several interrelated mechanisms through which Ukrainian Railways has served as a platform for the production of ontological security. To trace how these mechanisms unfold across textual, visual, sonic, and material dimensions, I draw on a multi-modal narrative analysis of Ukrzaliznytsia-related media productions, art installations, social media discourse, and interviews with railway workers and passengers. The result reframes the relationship between critical infrastructure, ontological security, and resilience, demonstrating that security of the Self is found in adaptive processes rather than the consolidation of fixed identities or predefined end states.