The concluding chapter reflects on the everyday lives of sex workers, police officers and public health officials in China under Xi Jinping, and considers policy implications of the book’s findings.

The Yorkshire novelist Storm Jameson wrote that her work tended to ‘sag beneath my great ideas’, as she fought to reconcile her own frustrations with a world of isms and inconsistencies. This chapter explores In the Second Year (1936) Storm Jameson’s dystopian vision of fascist Britain and what this might look like. Like many of her other novels is waterlogged with dialogues and monologues which seek to unpack and explore the great ideas of the age - modernity; capitalism; materialism; individualism - and the ways in which they inform and underpin the attractions of a particularly British fascism, one fashioned in a crucible of class prejudices, the public school system and growing inequality.

For many years, the reality about the role of women in American and southern history remained the absence of scholarship about women and the absence of women in the profession. The journey of women into the world of professional historians involved overcoming many stereotypes and prejudices. A few women emerged as professional historians who made major contributions into new areas of scholarship as early as the post-World War II years, but the ratio of women to men only began to increase in the late 1970s and early 1980s. Economist Claudia Goldin identified a “quiet revolution” of women entering the history profession between 1950 and 1970, which then exploded as women rushed into the profession in force during the 1970s. The influx of talented women opened new fields of study (women, family, social history topics, etc.). This chapter examines the influence of women who shaped new areas of study while also offering new perspectives on longstanding questions of broad scholarly interest.

This chapter introduces the regulation of prostitution in China as a case study of law in everyday life. It presents China’s three tiers of sex workers, the state’s interests in the sex industry, and patterns of prostitution policy implementation. It shows how the study of prostitution and its regulation in China expands our understanding of state–society relations, and of sex work and its regulation across space and time.

Despite elegy’s newfound aetiological and epicizing strains in Propertius 4, the book is a veritable chorus of female voices: Arethusa, Tarpeia, Acanthis and Cornelia join Cynthia (in her belated return) to articulate private sentiment and personal experience in the patriarchal world of which, dead or moribund, they are collatoral damage. This chapter explores how Propertius connects his female cast (which includes cameos also from the legendary Cassandra, a priestess of the Bona Dea, and Cleopatra) with the women of Virgil’s Aeneid, who likewise are evanescent (yet never silenced) victims. Chief among these heroines is the ‘elegiac’ Dido, her volubility in life and silence in the underworld refracted in the monologues of Arethusa, Tarpeia and Cynthia. Present too throughout the book are Dido’s Virgilian analogues (e.g., Camilla, Cleopatra and, perhaps, Helen), while the action of the Aeneid as a whole, from the sack of Troy to the Latin war and death of Turnus, are variously rewritten – by Propertius and Horos in opposing programmes, by Cynthia in the militia amoris of her last hurrah and by Cornelia, in whose ghostly allusion to the Danaids echo the final lines of the Aeneid.

This chapter explores how identities were forged and developed under the Merovingians, from the creative fiction of ‘Frankishness’ to more personal identities defined by gender and social status. It examines how identities can appear different through stories, laws, dress, and language, highlighting the importance of how people defined and presented themselves according to need and circumstance. It takes seriously the contention that identity formation fed into discourses of power because they structured hierarchies and issues of inclusion and exclusion.

This chapter explores Sanhe gods’ hybridized masculinity across rural–urban and class boundaries. It also discusses their online and offline sexual discourses, desires, and involvement in paid sex.

This chapter explores the medical systems developed in precolonial and colonial Nigeria, the social, economic, and political processes which impacted the development of said medical institutions/practices, and how these systems, in turn, impacted the social, economic, and political landscape of colonial Nigeria. This chapter will use several significant pandemics, such as the 1918 influenza pandemic, to explain how Nigeria’s medical and nonmedical systems interacted during immense medical stress. The medical practices and policies explored were highly regionalized, and each Indigenous population had its specialized form of healthcare. When Nigeria was brought under the colonial fold, certain regions received more or less assistance in developing medical facilities. These developments were primarily driven by economic interests underpinned by a racist political and social system, often leading to disastrous consequences.

This chapter investigates the roles and the relevance of women in Greek epic, and argues that the tradition developed in Homeric epic has intense and complicated relevance to the later development of the tradition. Hauser shows that looking back to gender, and women, in Homer is as important now as ever. She surveys key moments in the Iliad and Odyssey featuring women; female characters like Helen and Penelope are examined first in their own right and then in their engagement with (and against) men, to illuminate the gender roles and the complex dynamics of womanhood and the feminine in the epics. Hauser ends by looking forward to the reception of Homer’s women in recent novelistic reworkings from Madeline Miller to Margaret Atwood, showing how Homer’s women are taking centre stage in contemporary classical receptions by women, a prominence which demonstrates their continuing relevance.

The second chapter turns to the roots of Roman drama, a popular art form throughout our period. It locates Rome’s particular kind of theatre in the larger Italic context, outlines the major playwrights, who exist mostly in fragments, and devotes most of its energy to discussion of Plautus and Terence, the two comedic dramatists whose work survives in sufficient quantity. Themes include the importance of Greek models, the experience of attending a show, the style and tone of comedies, major plot structures, and important characters.

The conclusion brings together the themes that have emerged throughout the book, provides comparative perspectives, teases out some of the wider implications for the study of gender and suggests directions for future research. It also comes back to the multitude of animals that have appeared sporadically throughout the different chapters, discussing the role they played in gender construction and the potential of human/animal connections to decentre the man in the process of creating male subjectivities.

Take a broad look at American family and friendhip ntworks, examining marriage, child-rearing, and other family and personal relations among the consuls and members of the American community in the Mediterranean.