At first glance, Joyce’s shorter works – his poems and epiphanies, Giacomo Joyce, and Exiles – seem to bear a tenuous relationship to the books for which Joyce has become famous. It is questionable whether the epiphanies and Giacomo Joyce should even be called ‘works’: Joyce published neither in its original form, choosing instead to loot both for the more ambitious undertakings that followed. Only forty of at least seventy-one epiphanies are extant, and their relationship to one another had to be reconstructed from manuscript evidence: the sketches that comprise Giacomo Joyce were similarly composed, arranged, and abandoned, but not destroyed. Chamber Music, although published in 1907, was orphaned when Joyce delegated the final arrangement of the poems to his brother Stanislaus. Pomes Penyeach, as the title suggests, is a modest offering of twelve and a tilly poetic ‘fruits’. Only Exiles continued to hold Joyce’s interest as an autonomous composition not destined for immediate verbal recycling.

This chapter takes up Zola’s self-portrait as Saint Thomas in the wake of his much-commented visit to Lourdes in 1892. The novel he went on to write about the Pyrenean shrine, ‘that divine land of dreams’, was largely based on those supposedly miraculous events he had witnessed, and about which he remained sceptical. This chapter looks to Zola’s Lourdes (1894), in conjunction with the heated polemic it provoked, to better understand the stakes of the author’s divisive foray into matters of Catholic practice and dogma. More than an expression of Zola’s anti-clericalism, the novel aroused debates that were aesthetic as much as ideological, as adversaries argued over questions of representation, proofs, facts, documents, and faithfulness. The chapter reads a set of material penned by Catholic detractors, who were determined to defend the divine status of the miracle, casting Zola’s naturalism as an illegitimate, unbelievable – even, à la limite, idealist – aesthetic mode.

This introduction to the book begins with a narrative of the prevalence of gun violence in the United States and the trafficking of gun violence into Mexico and Latin America. It canvasses the current statistics of gun-related murders, suicides, mass shootings, and school shootings compiled by the CDC, the Pew Research Institute, Bureau of Alcohol, Tobacco, Firearms and Explosives, the Giffords Center, and other agencies collecting gun violence data. The introduction sets forth the themes of the book, including locating the landscape of firearms litigation in the history of mass tort litigation, the ineffectiveness of various gun regulatory initiatives, the historical immunity of the firearms industry from liability for gun harms, and the recent inroads on the ability to sue firearms defendants through the enactment of targeted consumer protection and public nuisance firearms accountability statutes. The introduction suggests the argument that the 1998 Tobacco Master Settlement Agreement demonstrated that impervious, dangerous product industries could finally be held accountable, and that the Sandy Hook Elementary School litigation marked a pivotal point in opening a pathway toward suing the firearms industry and holding it accountable for gun harms.

Joyce wrote as a kind of archaeologist: Ulysses, Henri Lefebvre wrote, marked ‘the momentous eruption of everyday life into literature’, in which Joyce’s sprawling prose ‘rescues, one after the other, each facet of the quotidian from anonymity’. Famously, Joyce even risked censorship in order to drag into view details about the career of the human body that other novelists had ignored. This chapter analyzes Joyce’s engagement with the everyday by focusing on scenes of mourning, when the everyday suddenly becomes at once visible and painfully fragile. These moments – funerals, wakes, and death rites – constitute a steady yet largely unexamined through-line running from Joyce’s first story to his last novel. Death itself is at once the most common and the most shocking of experiences, an event that rends the fabric of our everyday life as we try to readjust our habits around an often abrupt and painful absence. Seen this way, Joyce’s works become not only archaeological digs into the ever-vanishing everyday but also documents of human and cultural resilience amid the fury of modernity.

Postmodernity is characterised by a thoroughgoing alteration in the ways in which space is both experienced and conceived. During the post-war period, social and spatial relations were substantially transformed by the far-reaching effects of economic globalisation, neo-imperial conflicts, new transport and communications technologies, mass migrations, political devolution, and impending environmental crisis. Concurrently, space and geography have become existential and cultural dominants for postmodern societies, to an extent displacing time and history. Given such a spatio-temporal conjuncture, this chapter explores the significance of space for British postmodern fiction and describes some of its characteristic geographies, focusing upon three distinctive kinds of spaces: cities; non-places; and regions. Among the texts discussed are novels by J.G. Ballard, Julian Barnes, Christine Brooke-Rose, Angela Carter, Maureen Duffy, Alasdair Gray, Hanif Kureishi, Salman Rushdie, Iain Sinclair, Zadie Smith, Graham Swift, Adam Thorpe, and Jeanette Winterson.

This chapter examines the Supreme Court’s practice, over approximately a century and a half, in developing and applying the “substantive due process” doctrine. The animating premise of that doctrine is that the Due Process Clause confers judicially enforceable protections against substantively unfair infringements of certain “unenumerated” yet fundamental or important rights. After the Court’s embarrassed climb down during the 1930s from a line of decisions enforcing rights to freedom of contract, the Court reembraced the Due Process Clause as a source of “unenumerated” rights in Roe v. Wade (1973) and, later, in decisions protecting rights to engage in private acts of sexual intimacy and extending the unenumerated right to marry to same-sex couples. Although the current Court overturned Roe in Dobbs v. Jackson Women’s Health Organization (2022), the majority opinion avoided a strictly originalist approach by embracing precedents holding that the Due Process Clause protects some fundamental substantive rights that are grounded in “tradition.” The chapter explores the conservative justices’ reasons for adopting that position. It also considers whether substantive due process decisions invalidating prohibitions against sodomy and laws defining marriage as necessarily involving one man and one woman can survive under the rationale of Dobbs.

The final chapter demonstrates what the implications of the model developed are for one of the central figures of Late Antique society, the emperor, which plays a crucial role in current interpretations. Building on and nuancing the two current frameworks, constitutionalism and acceptance theory, the chapter argues that we can make sense of imperial power in Late Antiquity by seeing it as a virtue-based social role and tied into practices that both enabled the emperor to exercise power and constrained it. Whilst a long scholarly tradition considers that the Later Roman Empire is marked by the expansion of imperial power and an increased distance between emperor and subject, symbolized in the expansion of bureaucracy and ceremony, it is argued here that even in this period the role of the emperor was conceived of, and exercised, in interaction with other individuals and the people.