Toward the end of the first millennium ad, a burgeoning class of secular elites emerged throughout western Europe who developed local power centres to denote their prestige. Seigneurial investment was prioritised towards residences, as well as churches and chapels, the two elements often paired into single places in the landscape. In England, our understanding of these complexes is limited due to scant excavated evidence and skewed by the impact of the Norman Conquest, after which castles became the dominant form of aristocratic site. Previous approaches have often fetishised defensibility and promoted notions of national exceptionalism, but a more meaningful understanding of these places can be gained by adopting a broad chronological and thematic remit. Drawing upon the results of the AHRC-funded research project ‘Where Power Lies’, this paper offers a foundational evaluation of the landscape evidence for lordly centres, presenting data on their distribution in two regions, complemented by results from intensive investigation of case study locations (Bosham, West Sussex and Hornby, North Yorkshire). This allows a wider range of material signatures from lordly centres to be characterised, resulting in greater comprehension of how elites in England shaped and experienced a Europe-wide phenomenon.

In the 1890s, the slave and ivory trader Rashid bin Masoud established the settlement Kikole deep in what is now southwestern Tanzania. Kikole was strategically located near Lake Nyasa, a major slaving region. Masoud's followers residing at Kikole were typically referred to as his slaves by German colonists and missionaries. Local oral histories today, however, define these followers as askari (soldiers or guards) or mafundi (technicians or specialists; in this case, in using weaponry). This article considers how recent expanded excavations at Kikole can help us better understand Masoud's followers. Differences in housing investment and material access suggest status differences among residents: any single definition of Masoud's followers may be inadequate. A broader concern addressed in this article is how we define slavery itself.

This paper appraises the current reception of the early Tudor church musician and composer Robert Fayrfax and the information upon which it is based. The first section summarily introduces Robert and traces how the image of him developed. The second assesses this image in the light of armorial and other evidence. The third explores further material about Robert and his family contained in an important document. The fourth relates the findings to a wider context. The fifth investigates the interrelationship of two manuscripts once owned by Robert’s father.

This gazette presents to the reader outside Rome news of recent archaeological activity (July 2023–July 2024) gleaned from public lectures, conferences, exhibitions and newspaper reports.

This article presents an approach to study marronage from the perspective of critical social archaeology, which encompasses the perpetuation of several layers of racial violence endured by the Afro-Ecuadorian population as legacies of slavery and colonialism. Collaborative and community-based projects in the ancestral Afro-Ecuadorian territories of the Chota Valley and Esmeraldas, and in the city of Guayaquil, are a basis for mapping Afro-Ecuadorian resistance strategies in the hacienda, urban, palenque, and border contexts. Marronage, as a response to racial oppression and systemic exploitation, has transformed over time, demonstrating the agency of the Afro-Ecuadorian community against structural violence. Archaeology illuminates the Maroon experience and its legacy in ancestral historical memory by including a critical study of slavery in the household context of plantation settings, identifying the dynamics of oppression and resistance, mapping routes of fugitivity, and examining the networks connecting actions of marronage. This study is an essential step in reconstructing the neglected history of Afro-Ecuadorian resistance and its role in shaping Latin America.

Three late medieval inventories of the chapel surrounding the shrine of St Edward the Confessor at Westminster Abbey, London, record the presence of a number of books and pamphlets among the relics and liturgical paraphernalia. This article discusses these books, their significance and the reason for their maintenance at the shrine, and offers possible identifications with several surviving manuscripts.

This article explores the Maroon landscape of the Caribbean island of Dominica (Wai'tukubuli) by creating a geographic information system (GIS) model to determine the reasons behind settlement location choices. For more than 50 years, hundreds of self-emancipated Africans inhabited the mountainous interior of Dominica, where they formed various communities that actively resisted European colonialism and slavery not only to maintain their freedom but to assist in liberating enslaved Africans throughout the island. Contemporary Dominican communities maintain connections to these revolutionary ancestors through the landscape and continuing cultural practices. None of the Maroon encampments, however, have been studied archaeologically. This study uses geospatial methods to understand the visibility, defensibility, and spatial accessibility of nine Maroon camps. The results of the viewshed and least cost path analysis allows us to map Dominican Maroon social networks and reimagine the possible routes that the Maroons took to maintain their freedom.

This article stems from the encounter of ancestral stories and archaeological knowledge for Africans in Amazonia. Against colonial fragmentation and anti-Blackness, these theoretical reflections are rooted in Black Archaeology as a praxis of redress. The continuing struggles of ancestral and contemporary Black Amazonian communities, who insist on anti-colonial modes of existence, connect with the need to indigenize the archaeological mode of knowledge through otherwise world-senses as ontoepistemological references. These questions emerged during the first steps of the ongoing collaborative archaeological project Pitit'Latè. The founding story of Mana, an Amazonian village built in 1836 by the hands, heads, spirits, and technologies of more than 400 West Africans captured in the illegal transatlantic trade, serves as the epistemological bones of this research about Black Amazonian territorialities and materialities that remain erased in dominant colonial discourses.