This article concerns itself with how archaeologists and other heritage studies professionals contend with temporal collapse on landscapes that hold African Diasporic histories. Coral stones lay the foundation of colonial architecture on the island of St. Croix in the US Virgin Islands. This article explores how buildings constructed of coral stones during the colonial era are still in use today, either restored or repurposed, along with examples of how coral is being used as an artistic medium in contemporary sculptures that collapse time and demand heritage studies professionals to tend to the persistence of colonial violence in the present. Here, coral—via the structures built out of it—is discussed as a mnemonic device for the biophysical afterlife of slavery. In this article, linear temporal distinctions of past, present, and future are called into question on St. Croix, where colonial structures act as ruptures in conceptualizations of time and serve as palimpsestual reminders of the past in the present.

I want to preface this response by noting that, while I think Bentley, O'Brien and I fundamentally differ in how we approach the archaeological record (2024), I am also convinced that the more perspectives on the past we can cultivate, the richer our interpretative garden will be. Moreover, the more narratives of past worlds we develop, the more nuanced and complex our image of the past will become and, hence, the messier and more human (Frieman in press). I therefore write in the hopes that we can disagree with care, so that all of our scholarship is enriched.

This paper publishes for the first time two apparently unprovenanced Westland cauldrons in the collections of the Society of Antiquaries of London. An argument is made that these vessels are two of the three cauldrons from the lost Halkyn Mountain hoard found c 1760.

Between 1899 and 1902, Anglo-French archaeologist George Bonsor carried out an exploration of the Scilly Isles (United Kingdom). At that time the archipelago was believed to be the Cassiterides or Tin Islands mentioned by authors such as Strabo, Pliny the Elder and Ptolemy – an idea first posited by William Camden in his Britannia (1586). Adopting Camden’s theory and guided by ancient literature on the Cassiterides – which refers to the Phoenicians as the first controllers of this trade route – Bonsor sought traces of the Phoenicians and their tin trade in the Scilly Isles, becoming the first person to conduct such research from an archaeological perspective. Not having found any evidence, his exploration remained unpublished and went mostly unnoticed in debates about the Tin Islands over following decades. This paper presents a brief historiographical account on the Cassiterides before and after the explorations, as well as a critical analysis of Bonsor’s field notes regarding his use of ancient sources and his archaeological method. The analysis carried out suggests that Bonsor’s archaeological exploration has been overlooked thus far and that a new assessment of his work is required.