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We present the first geochemical data of archaeological obsidian for Isla Victoria, Nahuel Huapi National Park in Patagonia. XRF analyses were performed on 15 samples of obsidian-like rocks from the Puerto Tranquilo 1 site. Only five of the artifacts—all of which come from upper levels of the site—correspond to obsidian as a raw material. The provenance analysis indicates the use of obsidian sources located in the Andean Forest area of southern Neuquen Province. Based on these preliminary results, we propose a north–south circulation axis for this raw material. These geographic results are discussed in relation to the information available regionally.
A detailed magnetic mineralogy and archaeomagnetic study was carried out on recently discovered domestic hearths and burned floors at the Chak Pet archaeological settlement (Tamaulipas, Mexico). The study aimed to obtain reliable absolute chronological constraints on the early development of Huastecs during the Formative period. Oriented hand samples corresponded to four domestic hearths and one burned floor. Continuous thermomagnetic curves revealed mostly irreversible behavior, while titanomagnetites, titanomaghemites, and goethites are assumed to carry the remanent magnetization. In total, 87 specimens were subjected to stepwise demagnetization of natural remanent magnetization using an alternating field procedure. Characteristic remanent magnetization directions were obtained for 29 samples of two hearths and one burned floor. No single, technically acceptable paleointensity determination was obtained. The new archaeomagnetic age intervals for Chak Pet allow locating the origin of this settlement at the Gulf of Mexico within the Middle Formative (900–600 BCE) continuing until the Late Formative period (350–100 BCE). New archaeomagnetic ages are in accordance with the diagnostic pottery analysis. Dated archaeological elements are associated with both ceramic types and different sets of burials, providing a reliable tool to calibrate their chronological and stratigraphic positions.
In the Footsteps of the Etruscans describes the archaeology of the countryside within a ten km radius of the small town of Tuscania near Rome, throwing light on the unrecorded lives of the generations of farmers and shepherds who have lived there. What was the character of prehistoric settlement prior to Etruscan urbanization? How did urbanization shape the lives of the 'ordinary Etruscans' working the land, hardly ever addressed in Etruscan archaeology? What was the impact on these people of being absorbed into the expanding Roman empire and its globalised economic structures? How did the empire's collapse and the subsequent emergence of the nucleated medieval village affect Tuscania's rural population? The project's 7500-year 'archaeological history', from the first farmers to those grappling with globalisation today, contributes eloquently to our understanding of how Mediterranean peoples have constantly shaped their landscape, and been shaped by it.
The Tuscania Archaeological Survey investigated the archaeology of the countryside within a 10 km radius of the small town of Tuscania some 80 km northwest of Rome. The aim of the project was to contribute to present understanding of the processes that have shaped the development of the modern Mediterranean landscape as a physical and cultural construct. The specific research context of the project was debates about these processes in Etruria, the western side of central Italy that was the heartland of the Etruscan civilization in the mid first millennium BC: the character of prehistoric settlement prior to Etruscan urbanization; the relations between Etruscan towns and their rural populations; the impact on Tuscania and its landscape of being absorbed into the expanding Roman empire (‘Romanization’) and its economic structures after about 300 BC;the collapse of that system in the mid first millennium AD and the subsequent emergence of nucleated medieval villages (incastellamento); and the vicissitudes of peasant life through the political upheavals of medieval and post-medieval Italy. The chapter closes with an explanation of why we selected Tuscania and its intensively-farmed volcanic landscape as an ideal ‘laboratory’ for investigating this long-term landscape history, and how the project was planned.
The third and last case study of this book centers on how ruins are experienced foremost as indicating something about the future in the Hebrew Bible. To explore this prospective sense of ruination, it examines the many biblical references to the destruction of Jerusalem by the Neo-Babylonian Empire in 586 BCE, both in terms of the impending ruin of the city and the hope that one day it would be in ruins no more.
This chapter documents the precipitous collapse of the fortunes of the papacy, and the Roman Church more generally, following the murder of John VIII in 882. A series of short-lived pontiffs must devote their energy to attempts to protect the city of Rome from physical assault, but the loss of any semblance of security in the surrounding hinterland leads to an economic collapse reflected in the archaeological record, the apparent absence of new building projects or significant gifts of precious objects, and also the discontinuation of the series of papal biographies (Liber pontificalis). The one exception is the Life of Stephen V (885–891), and this reveals the complete impoverishment of the papal treasury. The pope is reduced to making gifts of books, and this leads to a substantial discussion of what is known about book culture in Rome in the ninth century.
Chapter one pursues a divide that will be consequential for the studies that follow. It begins by examining the ruined landscapes that would have been visible to the biblical writers in the 1st millennium BCE and how these remains are described, where references to ruins are many but descriptions of digging among them are absent. It then turns to the period when, quite suddenly in the 19th century CE, these same ruins begin to be excavated.
The Introduction sets out the methodological approach of the book, and the major themes to be addressed. It is a ‘history in art’, a notion that provides for a primary focus on the evidence adduced from material culture (archaeology, standing remains and their decoration, surviving objects including manuscripts) integrated with information derived from written sources (in this instance primarily the series of papal biographies known as the Liber pontificalis, supplemented by other documents such as the Ordines Romani and the chronicles of Frankish and Italian historians). The two other overarching themes are the gradual decline of the Roman economy, and the resulting impoverishment of the Roman Church over the course of the ninth century and its effects on papal patronage, and the continuing adherence of Roman artistic production to the broader context of Mediterranean Christian visual culture. A historiographical survey/analysis is also included.
Spanning much of the third quarter of the century, the pontificates of Benedict III (855–858), Nicholas I (858–867) and Hadrian II (867–872) reveal a declining papal involvement in the patronage of architecture, though also considerable engagement with ecclesiastical issues of the day, including dramatically renewed contacts with Constantinople and the eastern Mediterranean in the aftermath of the definitive end of Byzantine Iconoclasm and the ‘Triumph of Orthodoxy’. In addition to the growing importance of the Roman secular aristocracy, whose domestic housing has been rediscovered in recent archaeology, evidence is surveyed for the continuing presence of a substantial Greek community in Rome, and for interest in the translation of Greek texts in the circle of the papal librarian, Anastasius. Among the most prominent survivals from these years is the tomb of St Cyril, the Byzantine missionary to the Slavs, in the lower church of San Clemente.