This article revisits a long-neglected site in Northern Belize, the Classic Maya settlement of El Pozito, located in the Orange Walk District. Investigations led by Mary Neivens and Dennis Puleston explored the site between 1974 and 1976, documenting its architecture and recovering a substantial quantity of artifacts. Afterward, events conspired to bring these investigations to a close, leaving the site in a half-century scholarly limbo. The research here seeks to rectify this. Combining extant field notes with sporadic publications and recently conducted ceramic analysis, the authors reconstructed El Pozito's sequence of construction, occupation, and usage over 20 centuries. This new research revealed a settlement of surprising complexity, combining aspects of urban functionality amid a landscape of rural complexity. This article argues that the best way to understand such complexity is through the conceptual lens of a “town.” Neither a city nor a dispersed rural settlement, El Pozito functioned as a critical node that connected local, agrarian Maya with each other as well as the whole of the Classic Maya world. In this way, the research here seeks to rehabilitate this site, rescue it from its scholarly limbo, and restore its place in understanding the complex pre-Columbian landscapes of Northern Belize.

L'articolo indaga le immagini di famiglia sui monumenti funerari della Venetia, concentrate per lo più nel corso dell'età giulio-claudia, anche incrociando le informazioni epigrafiche e integrando l'analisi con elaborazioni quantitative. Si registra una certa codificazione del significato parentale, che emerge dallo schema iconografico e viene ribadito dai gesti, mentre abiti e oggetti aiutavano a caratterizzare il singolo ritratto. Non si riconosce una consistente alterazione del significato dell'immagine in base al contesto sociale o alla premorienza di alcuni membri della famiglia. L'analisi permette di comprendere quali fossero le tendenze trasversali su cui la committenza agiva per ritrarre il proprio nucleo domestico, dialogando con il contesto geografico e culturale di appartenenza e sintetizzando la realtà familiare del mondo dei vivi per creare un modello iconico per la comunità dei morti.

The sediments of closed-basin lakes on the margin of the East Asian summer monsoon (EASM) are valuable archives of past changes in hydroclimate and dust activity and thus potentially can help us to understand future climate changes. We present high-resolution, well-dated records of the grain size and carbonate mineralogy from Lake Bayanchagan, northern China, spanning the last 11.5 ka. Grain-size endmember (EM) analysis distinguished four EMs, each linked to different sediment transport processes. EM1 (0.4–0.6 μm) and EM3 (14–102 μm) reflect the strength of regional dust activity, whereas EM2 (1.3–31 μm) represents variations in local hydrodynamic conditions related to lake-level changes and EM4 (68–500 μm) is associated with local dust activity. Our results show that a high lake level and weakened dust activity occurred during 10–5.8 ka, as indicated by increased EM2 and decreased EM3, respectively. After 5.8 ka, EM2 decreased as the three other EMs increased, and dolomite appeared in the sediments while calcite decreased—indicating both a decline in lake level and strengthened dust activity. The fluctuations in lake level and dust activity are in good agreement with precipitation variations reconstructed from other records, which are in turn correlated to movement of the EASM rainfall belt, in response to temperature changes.

This article examines the determination of cultural objects as “national treasures” in the United Kingdom and proposes a heretofore unidentified theoretical space in which such designations are made. Utilizing Foucauldian genealogies of the museum posited by both Tony Bennett and Eilean Hooper-Greenhill as a frame for spaces in which cultural and national identities are curated (which some commentators suggest are outdated, but prove very helpful in the current enterprise), this article develops the argument that designations of items as “national treasures” are made within a specific institutional space – hereinafter termed the “National Treasure Space.” Through the interpretation of the object in this institutional space, it is possible to characterize it as other than the sum of its parts; certain aspects of the object that exist when it is outside of this space are suspended once it is within. As a result, the problematic determination of the object as a national treasure is exacerbated, impacting important relational elements of the object to its owner(s) (both private and public) and the understanding of the object as significant in its representation of the nation.

This study focuses on characterizing a discontinuity within the Seán stalagmite (4.75–7.75 cm) by means of two nondestructive techniques: (1) high-resolution micro-computed tomography (micro-CT) and (2) X-ray fluorescence (XRF) core scanning (XRFCS). Micro-CT was used to study the stalagmite density, and XRFCS was applied to obtain the qualitative elemental composition and colour measurements. The new data obtained from nondestructive techniques have been combined with previously published geochemical data and fabric determinations from the same stalagmite found in Sa Balma des Quartó cave in Mallorca. The two methodologies applied in the present study have improved the characterization of the distinctive horizon. The micro-CT images identified the layer as a minor event due the high air content. The distinctive horizon is characterized by a high Ti-content, indicating the arrival of terrigenous particles. Based on those observations, together with the fact that the micrite layer appears filling the gaps between the older columnar fabric, we argue that the micrite layer may represent a major flooding event inside the cave after the year 1616 ± 23 CE and before the year 1623 ± 28 CE, which can be related to an extreme rainfall event. This hypothesis is further supported by the observed cave flooding during the autumn of 2018.

In July 2021, Liverpool was removed from the prestigious List of World Heritage Sites, sending shockwaves around the global heritage community. More recently, the spotlight has shifted to another world famous site also located in the United Kingdom. During the same 44th Session of the World Heritage Committee, UNESCO threatened to place Stonehenge on the List in Danger if the required changes to a significant billion-pound road enhancement project were not implemented. Given what happened in Liverpool, there are fears that Stonehenge is in danger of moving towards delisting. An interesting critical line of inquiry to emerge from Liverpool, and other World Heritage Sites, concerns the local, national, and international ‘politics at the site’. This article develops this debate by analysing the role of different scalar actors involved in the Stonehenge World Heritage Site. More specifically, our article examines how the Stonehenge Alliance sought to engage in, what we define as, scalar manoeuvres that is evidenced by scale jumping and scalar alignments with more powerful players further up the heritage hierarchy in order to effect leverage over the future status of the World Heritage Site.

This paper aims to contribute to the current debate about Posthumanism in archaeology, arguing for the potential that Posthumanism can have for the study of rock art. Through a case study in San Luis Potosí, Mexico, this work seeks to explore a posthuman approach to rock art as vibrant and relational assemblages, through affects as relational agencies and non-human personhood and ritual landscape as theoretical tools, articulated with aspects from indigenous ontologies explored from archaeological, ethnographic and documentary information. It is proposed that this approach can help interpret hunter-gatherer rock art created between 1000 and 1500 ce in the northern region of Mexico. Through this exercise it is considered that Mexican archaeology of rock art can embrace posthumanism for a more complex and comprehensive understanding of the painted memory of hunter-gatherers from this part of the world.

The Early Iron Age hillfort in Chotyniec (SE Poland) is the westernmost permanent settlement of the Scythian cultural circle. Recognizing the construction of the fortified settlement’s ramparts and their chronology was considered one of the priorities of the systematic research conducted since 2016. Based on 18 radiocarbon dated samples from different parts of the rampart, a chronological model of its functioning was made. It indicates that the construction of this monumental fortifications protecting the settlement in Chotyniec should be dated to between 651–595 or 531–409 BC. This dating synchronizes well with the chronology of the most important ritual and ceremonial object within the Chotyniec settlement—the so-called zolnik and other Scythian settlements from the East European forest-steppe zone.