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In the mid 1920s Prince Damrong Rajanubhab and George Coedès jointly formulated the stylistic classification of Thailand's antiquities that was employed to reorganize the collection of the Bangkok Museum and has since acquired canonical status. The reorganization of the Bangkok Museum as a ‘national’ institution in the final years of royal absolutism responded to increasing international interest in the history and ancient art of Southeast Asia, but represented also the culmination of several decades of local antiquarian pursuits. This paper traces the origins of the art history of Thailand to the intellectual and ideological context of the turn of the twentieth century and examines its parallelism to colonial projects of knowledge that postulated a close linkage between race, ancestral territory and nationhood.
In 2003 a monument was erected at the site of the 2002 Islamist militant attacks in Kuta, Bali. Government and other official discourses, including the design brief, represent the monument as an integrated and culturally harmonious public testimony to the victims. However, the monument is also a discordant association of ideas, meanings, and political claims. While originally designed to subdue insecurity, the Bali bombings monument, in fact, constitutes a site of powerful “language wars” around its rendering of memory and its presence in Bali's integration into the globalizing economy of pleasure. This paper examines the ways in which the monument is being articulated and “consumed” as a social and cultural marker for the island's tourism geography. The paper pays particular attention to the increasing diversity of Bali's visitors and the ways in which a precarious “cosmopolization” of the Kuta-Legian area is being experienced and expressed at the monument site.
This essay examines how Japanese Esperantism developed after the Russo-Japanese War in a manner that departed from the global Esperanto movement. Esperantists viewed Esperanto as a language that amplified the diversity of and symbolized equality between cultures. Esperanto was studied and discussed by elites and nonelites alike in noninstitutional spaces such as in rural homes and coffee shops, often at night, when institutions privileged by state and financial power had closed. By looking at these hidden space-times outside the realms of state guidance, we become privy to an imagination and practice of peace and world order that operated outside the institutions of the nation-state. The history of this movement offers us a rare window into a popular concept of world order in Asia.
Traditional knowledge related to biodiversity, agriculture, medicine and artistic expressions has recently attracted much interest amongst policy makers, legal academics and social scientists. Several United Nations organizations, such as the World Intellectual Property Organization (WIPO) and the Convention on Biological Diversity under the United Nations Environmental Programme (UNEP), have been working on international models for the protection of such knowledge held by local and indigenous communities. Relevant national, regional or provincial level legislation comes in the form of intellectual property laws and laws related to health, heritage or environmental protection. In practice, however, it has proven difficult to agree on definitions of the subject matter, to delineate local communities and territories holding the knowledge, and to clearly identify the subjects and beneficiaries of the protection. In fact, claims to ‘cultural property’ and heritage have led to conflicts and tensions between communities, regions and nations. This paper will use Southeast Asian examples and case studies to show the importance of concepts such as Zomia, ‘regions of refuge’ and mandala as well as ‘borderlands’ studies to avoid essentialized notions of communities and cultures in order to develop a nuanced understanding of the difficulties for national and international lawmaking in this field. It will also develop a few suggestions on how conflicts and tensions could be avoided or ameliorated.