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The first decades of the twenty-first century were very different from the manufacturing revolution of the twentieth, when whole new industries, such as making cars, televisions and a myriad of new household appliances, created huge numbers of new, well-paid, skilled jobs. Instead, recent times have been more like the early stages of the industrial revolution two centuries ago, when living standards and life expectancy both fell. Around twenty years ago we started sending emails instead of letters, following news online rather than buying newspapers, ordering goods online rather than going to high street shops. Following the hollowing out of the old industries from the 1980s onwards, well-paid careers in imposing factories, familiar shops, banks and traditional post offices ended up being replaced by low-paid jobs staffing anonymous call centres, packing online orders, delivering take-away meals and driving Amazon vans. Not quite the dark satanic mills of 200 years ago, but not glad confident morning either. Previous generations assumed that steady growth would ensure better lives for their children. That confidence has evaporated across Western Europe and North America.
This book examines a wide sweep of prominent Black and Asian British poets, from Linton Kwesi Johnson and Jean 'Binta' Breeze through David Dabydeen, Bernardine Evaristo, and Jason Allen-Paisant. Throughout, Omaar Hena demonstrates how these poets engage with urgent crises surrounding race and social inequality over the past fifty years, spanning policing and racial violence in the 1970s and 1980s, through poetry's cultural recognition in the 1990s and 2000s by museums, the 2012 London Olympics, the publishing scene, and awards and prizes, as well as continuing social realities of riots and uprisings. In dub poetry, dramatic monologues, ekphrasis, and lyric, Hena argues that British Black and Asian poets perform racial politics in conditions of spiraling crisis. Engaged and insightful, this book argues that poetry remains a vital art form in twenty-first-century global Britain. This title is also available as open access on Cambridge Core.
From the Asvamedha sacrifice to the mounted police, modernist paintings to the medieval cavalry, oceanic trade to urban transport – horses have occupied a prominent position in almost every sphere of human history in South Asia. The Coveted Mount brings a holistic analysis of the compelling history of this human-nonhuman relationship from prehistory to the twenty-first century. The essays in this book unravel the role of the horse in gift exchanges, colonial cities, astrological knowledge, military campaigns, modern art, political culture, religious belief, veterinary sciences, and oceanic commerce. They do so by interpreting colonial records, ancient epics, epigraphic records, medieval coins, temple friezes, modern art, stone and terracotta sculptures, imperial chronicles, equestrian treatises, and wall paintings. In the process, the essays reveal South Asia's historical connections with the world. Overall, this richly illustrated book shows how, when, and why the horse became the coveted mount of South Asian societies
Why do development projects so often fail to deliver progress, yet succeed in strengthening states? Central Margins answers this question by exposing the paradox at the heart of development: economic failure masking political success. Through vivid ethnography and deep archival research, the book shows how Sri Lanka's ambitious programmes – most notably the World Bank–funded Mahaweli Development Scheme – collapsed as projects of prosperity but triumphed as tools of militarisation, demographic engineering, and state consolidation. Introducing the concept of 'hidden state transcripts', it reveals how governments project images of benevolent development while embedding surveillance, displacement, and majoritarian nationalism in everyday life. By analysing state power from the contested margins of the Sinhala-Buddhist state, Central Margins demonstrates how postcolonial regimes weaponise development and environmental governance to remake sovereignty. This original account speaks not only to scholars of South Asia, but to anyone interested in how development reshapes power and politics across the Global South.This title is Open Access.
Aurangzeb 'Alamgir (r. 1658–1707) was the last of the so-called 'great' Mughal emperors. He remains a controversial historical figure: castigated for religious intolerance and placed at the centre of a narrative of Mughal decline by some; considered a great Muslim hero by others. In this richly researched exploration of Aurangzeb 'Alamgir's life and times, Munis D. Faruqui contests such simplistic understandings to unearth a more nuanced picture of the emperor and his reign. Drawing on a large and varied archive, Faruqui provides new insights into the emperor's rise to power, his administrative and religious policies, and the role of the imperial eunuchate and harem. By unpicking the complex dynamics of a long reign, from Aurangzeb 'Alamgir's accession to the last weeks of his life and his eighteenth-century memorialisation, this remarkable new history cuts through the many myths that have obscured the extraordinary life story of Emperor Aurangzeb 'Alamgir.
In African Literature in the World, Simon Gikandi asks: Why do debates on language continue to inform and haunt African writing? What happened when writing replaced orality as the primary form of creative expression? When, how, and why did the novel come to occupy such a dominant role in African literary history? This is a comprehensive study of the histories and theories of African literature in the twentieth century and shows how African writers adopted and transformed the English language and its traditions to account for African identities and experiences. Concerned with writing and reading as forms of mediation, Gikandi provides examples of how imaginative works shaped the public sphere in Africa in relation to decolonization and the politics of language. He explores how the emergence of a modern tradition of African writing has generated new forms of criticism in relation to the form of the novel, modernity, and modernism.
The services sector has been the centrepiece of Rwanda’s development strategy since 2000. This chapter describes the evolution of the Rwandan Patriotic Front’s (RPF) goals of transforming its landlocked disadvantages into an opportunity through becoming land-linked. In particular, the goal involves Rwanda becoming a regional hub for transport, tourism, sports and finance. The chapter begins by providing a critical overview of services-based strategies, highlighting their merits and limitations. It then describes the contradictory tensions emerging within Rwanda’s services-based strategy, particularly because the progressive image the RPF attempts to portray is often at odds with domestic realities. The evolution of Rwanda’s tourism strategy is discussed, which focuses on attracting high-end tourists and transforming Kigali into a hub for transport, high-profile events and conferences. The chapter describes how services strategies have evolved in line with Rwanda’s political settlement: at first, providing opportunities to private Rwandan capitalists but then gradually relying on foreign investors and government-affiliated investors. The chapter highlights that Rwanda’s strategy failed to prioritise linkages, which is a result of the elite vulnerability shaping domestic state–business relationships.
This chapter explores the role of poetics in theorizing blackness. That is, if the question of being is an abiding issue in black studies and if that question figures through discourses about black writing, how does poetics contribute to this study? Rather than engage blackness as a content in poems, the chapter considers poetry as an intervention in language. This attentiveness to language characterizes a kind of thinking that is manifest in poetics and that generates possibilities for engaging the philosophical relationship between expressiveness and blackness.