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This volume provides the most expansive interrogation to date of the field of war and society, offering a magisterial overview of the American experience of war from the colonial era to the War on Terror. It brings together leading scholars to examine how societies go to war, experience it, and invest it with meaning. Those ideas unfold across three thematic sections entitled 'War Times,' 'War Societies,' and 'War Meanings.' The essays scrutinize the symbiotic relationship between warfare and the armed forces on one side, and broader trends in political, social, cultural, and economic life on the other. They consider the radiating impact of war on individuals, communities, culture, and politics – and conversely, the projection of social patterns onto the military and wartime life. Across three sections, thirty chapters, and a roundtable discussion, the volume illuminates the questions, methodologies, and sources that exemplify war and society scholarship at its very best.
What is tradition in American constitutional law, and what is its enduring appeal in American culture? In The Constitution of Practice, Marc O. DeGirolami presents and defends his theory of constitutional law, one rooted in our political, legal, and cultural experience. He argues that constitutional traditions are the ways in which we manifest, give concrete form to, and transmit political excellence across time. He explains how traditions also bind us to one another, strengthening the civic affection necessary to a democratic republic. Responding to several criticisms, the author discusses the relationship of constitutional method and American politics, evaluating traditionalism's political adhesion and its prospects in the coming decades. At a time when Americans increasingly do not trust their institutions, DeGirolami explores how a traditionalist approach to the Constitution can begin to repair the disaffection that many now feel for their legal institutions.
This volume argues that the rise of the far right in Latin America represents a reactionary response to the partial success of democratic regimes in incorporating historically marginalized groups. Despite persistent inequalities, Latin American democracies have gradually weakened the dominance of traditional elites over majority–minority relations, creating fertile ground for a backlash against political, social and cultural change. Like their counterparts in Europe and the United States, far-right actors in the region resist adapting to ongoing transformations, instead invoking an idealized national past and mobilizing exclusionary ethnic, cultural, and political appeals to construct a radically homogeneous community. This volume employs a theoretical framework informed by contemporary debates on the far right in Europe and the United States and brings together leading scholars to examine key country cases across Latin America. This title is also available as open access on Cambridge Core.
Despite widespread reforms in recent years, expanded social welfare programs in Global South democracies still fail to reach many of those who need them most. Persistent Citizens draws on original focus group data from Brazil and Argentina to develop a new concept of 'state-centric persistence' to explain these gaps in access. State-centric persistence – unmediated, individualized pursuit of state benefits – is increasingly important in the Global South. The book connects existing research on claim-making and administrative burden to argue that self-efficacy, entitlement, and indignation encourage persistence. It analyzes original survey data to show evidence that these attitudes, along with knowledge of social rights, are associated with greater persistence. Persistent Citizens centers the experiences of poor citizens to offer an individual-level theory that contributes to our understanding of what influences social policy access across the globe.
Beyond the War reconstructs the often-overlooked history of the Falkland Islands before the 1982 conflict. Drawing on impressions of Argentine travelers and the island community, as well as British and Argentine diplomacy and politics, it reveals a world of mutual suspicions and tensions, but also of exchanges and collaborations, challenging the notion that war was inevitable. The book situates the islands within the broader history of the British Empire's reconfiguration during the UN-driven decolonization era, showing how global changes resonated in this remote setting. It examines decisive episodes, from the unprecedented period opened by the 1971 Communications Agreement to the influence of Argentine popular music, while analyzing competing Argentine nationalisms that shaped an “emotional community” around the islands. Based on new and little-explored sources, it offers a fresh perspective on evolving relations between islanders and Argentines, as well as postwar transformations that continue to shape the islands' identity today.
Consumed by thoughts of a mysterious flower, Heinrich leaves his cold homeland and travels south until he meets Mathilde, who opens his eyes to the world's mysteries. Then a tragic event reveals the secret power of poetry… Heinrich von Ofterdingen, left unfinished at the time of the author's death, is a masterpiece of philosophical fiction and a classic of German literature. This highly detailed and original interpretation is the most detailed, comprehensive, and systematic study of the novel ever written. Developing fresh insights into the philosophical ideas of the novel while also attending to its symbolic, literary, and creative qualities, Owen Ware explores how Novalis probes the core problem of modern life – fragmentation and our sense of alienation from the world. Ultimately, he shows us, this novel is a timeless expression of the Romantics' idea that only the imagination, guided by love, can bring us back to our spiritual home.
Japan and ancient Greece. Placed side by side, these two concepts give the impression of something very strange, a sort of chimera - half Apollo, half samurai; half Venus, half geisha - set on a ground that is at once white and blue like the Cyclades, dark green and vermillion like Shintō shrines. How could two countries so distant from each other be joined together to form a coherent image, to give birth to a meaningful concept? In this groundbreaking study - translated into English for the first time - Michael Lucken analyses the manifold ways in which Japan has adopted and engaged with ancient Greece in the period from the Meiji restoration to the present. This invaluable and timely volume not only demonstrates that the influence of ancient Greece has permeated all aspects of Japanese public and cultural life, but ultimately illustrates that the reception of Classics is a global phenomenon.
In this Element I investigate how Renaissance humanist translators used the printed page to construct a trustworthy persona and persuade readers of their translations' value. These portraits did more than decorate books – they shaped the public identity of translators, lent credibility to their work, and positioned them within broader networks of cultural authority. As the early modern book trade expanded, portraits became key instruments in establishing recognisability – what we might now call a 'brand' – that reassured readers and patrons alike. By revealing how trustworthiness was deliberately performed and circulated in print, this Element reframes the role of translators in Renaissance culture and offers new insights into the social and symbolic economies of early modern trust.
Why has Russia embraced a global foreign policy after 1991, despite its limitations when compared to the Soviet Union? What distinguishes the current moment from the long-standing Russian quest for major power status is the particular grand strategy adopted by Moscow since the mid-1990s. Here, the grand strategy is labelled as 'multipolarity', and it consists of a series of grand principles that reflect Russia's views on the roles of major powers, the West, and itself. In turn, the specific ways deployed have changed and adapted according to the changing circumstances in which Moscow's foreign policy is deployed. Notably, Russia differentiates in the means used in relations with its neighbours, with the major powers, and with the broader world, but all together are meant to reinforce the goals of Russian multipolarity.
How does the state deliver justice to citizens? Are certain groups disadvantaged whilst seeking help from law enforcement and the courts? This book charts, for the first time, the full trajectory of accessing justice in India's criminal justice system, highlighting a pattern of multi-stage discrimination and unequal outcomes for women seeking restitution from the state. To probe how discrimination can be combated, the book tests whether gender representation in law enforcement-in the form of all-female enclaves or women-only police stations-affects change. The book demonstrates how certain forms of representation can lead to unintended consequences. By utilizing a range of research designs, the book not only casts a light on justice delivery in the world's largest democracy, but also transports readers into the world of crime and punishment in India.
1940s African American literature sits between two of the best-known periods in Black writing. Adding more intricacy to its framing, this decade's literary output commences and ends with watershed creative accomplishments by canonical mainstays in the waiting like Zora Neale Hurston, Richard Wright, Gwendolyn Brooks, James Baldwin, and Ralph Ellison. However, this book shows that mid-century Black literary productivity is not a matter of a handful of canonical figures and instead, it illuminates overt and implicit collaboration as a hallmark of the age. It identifies perforation, aesthetic plurality, multi-generic virtuosity, and writerly professionalism as signposts for understanding mid-twentieth century Black literary productivity. It engages prior assessments that cast African American literature in the 1940s based on stylistic clashes and technical stasis. It restores Black writing's role as feature of American social progress in the space between the Great Depression and the mature Civil Rights Movement.
Over a career spanning fifteen novels, two short story collections, and eight volumes of nonfiction, Sir Martin Amis helped to define his era. Through his published work and public commentaries, his voice featured prominently in the important socio-literary debates of his time. His work contributes to literary discussions about realism, postmodernism, satire, and comedy, and his core themes range across the Holocaust, nuclear anxiety, apocalyptic millennialism and, more recently, the war on terror. His words were rarely without controversy. This Companion identifies the essential elements of Amis's work and then evaluates their potential for longevity. From his earliest publications in the 1970's to his death as one of England's most well-known writers in 2023, Amis was an outspoken critic of social myopia: how societies – and their citizens – continually choose selfishness over altruism, fatalism over improvement, and blindness over enlightenment.
Modern Spain has developed from a complex history, a diverse population, and continual contact with outside influences. This updated and revised volume moves from prehistoric times to the present, incorporating recent scholarship and focusing on politics, society, economy, culture, and personalities. Written in an engaging style, it introduces key themes that have shaped Spanish history. These include its varied landscapes and climate zones; the impact of waves of human migrations; and Spain's importance as a bridge between the Atlantic and the Mediterranean, between Europe and Africa, and between Europe and Latin America. Another key theme is religion, particularly militant Catholic Christianity, its centuries of conflict with Islam and Protestantism, and debates over the place of religion in modern Spanish life. Illustrations, maps, and a guide to further information about major cultural figures, books to read, and places of interest make the history of this fascinating country come alive.
This book offers a new kind of analysis of Psellos' Chronographia as a rhetorical performance, as poesis, as a work in progress. It traces his developing techniques from the basic building blocks of the first two reigns to the intricate tragicomic structure of Constantine IX's; from the simple, finely judged scene in Basil II's tent to the spectacular mutual performance in the rebel Isaak's. The book focuses on role; on the interplay of genres, especially panegyric and the subgenres of drama; on metaphor; on psychology; on the visual and tactile. It contrasts Psellos' style with his more decorated orations and observes how his wide reading is metabolized into the particular and contemporary. At best, Psellos subjects his philosopher 'self' to scrutiny through the conflict and interplay of his feelings and roles in both commentary and agency; from this comes his tragicomic, empathetic, deeply ironic version of Byzantium.
Unlike conventional narratives of 'state failure' and its conceptual avatars, the volume analyses the remains of states whose populations had been torn apart by prolonged and violent conflicts and whose rulers lost the monopoly over the means of coercion and the capacity to implement public policies. Focusing on Lebanon since the civil war of the 1970s and 80s, Syria since the repression of the 'Arab spring' in 2011, and Iraq since the 1991 and 2003 wars, it provides a systematic explanation of the continuous, if precarious, survival of these states which draws on international recognition, access to resources, institutional arrangements, and societal ties alongside societal cleavages. In the process, States under Stress defends a definition of the state based on claims to statehood.
This is the first book to place the autobiographical projects of canonical comics authors Art Spiegelman and Alison Bechdel alongside each other, focusing on new and neglected works (and with an epilogue on the Pulitzer Prize-winning tour-de-force debut of Tessa Hulls). The book offers a lively cast of five formal tropes-boxes, spirals, tic-tac-toe, mirrors, and webs-through which to model fundamental elements of the comics grammar and its material processes. Built around rich close readings, it shows what makes the comics form particularly suited to negotiate complex familial and creative inheritances and manage layered, relational identities. Interweaving accounts of Jewish identity, female embodiment, legacies of modernism, and feminist practice, the book traces how contemporary graphic memoirists visually work and rework their filiations and affiliations through form, situating the medium as a privileged site and staging ground for arguments about the enabling possibilities of form now.