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After providing a retrospective view on how concrete construction has come to be interpreted as a marker of Romanitas (i.e., Roman identity and self-image) in both specialist and popular discourse, the chapter looks more closely to ancient literary representations of the technology in order to explore how building techniques could become caught up in political debates about elite self-presentation. Bringing the relationship between patrons and builders to the fore, the discussion concentrates on processes of identity construction in the domestic sphere, as reflected in the writings of Cato and Vitruvius, and explore their relation to public architecture.
Based on a thorough reassessment of the list of canonical temples, political buildings, and utilitarian structures upon which the conventional dating framework is founded, this chapter presents new excavation data to downdate the introduction of the building technique to the mid-2nd century BCE. The discussion of contemporary evidence from elite houses in the monumental core of Rome reveals recurring technological practices, thus providing the missing link to reconstruct the socioeconomic context of innovation and the role of private contractors
Drawing together the evidence gathered in the previous chapters, the concluding discussion concentrates on the historical implications of the revised chronology. Highlighting the existence of simultaneous developments in both core and periphery, the chapter offers a reassessment of the agency of indigenous communities and of their independent contributions to the development of Roman building methods and architecture. Taking the political and economic integration of Late Republican Italy into account, it also suggests a new model for the diffusion of the technology, acknowledging how elite networks may have influenced the mobility of skilled craftsmen and, therefore, technological transfer.
The chapter surveys the evidence from colonial sites that were founded or resettled in the early part of the 2nd century BCE, concentrating on the well-documented cases of Cosa, Luna, Puteoli, and Aquileia. The discussion emphasizes how the physical aspect of colonial settlements developed beyond the initial foundation through the continued interaction between colonists of different backgrounds and locals, often combining the efficient management of labor resources with the broader need to build new communal identities.
The chapter expands the analysis by comparing and contrasting urban and rural patterns across different environmental zones of the Roman Campagna, focusing specifically on the role of villa architecture. Whereas in the tuff region closer to Rome concrete construction lagged behind the early phase of the technique in the metropolis, the limestone architecture in the territory of neighboring Tibur shows a more complex pattern, reflecting how the diffusion of monumental rural residence in areas with easier access to both key ingredients for high-quality mortars, volcanic ash and lime, could have triggered technological change.
The chapter analyzes the relationship between building techniques and urbanization processes in Pre-Roman Pompeii, revealing the correlation between social status and the ability and drive to innovate in the field of domestic architecture, and reconstructing the pace at which the technology was extended to public building. The evidence from Capua and Cumae, two major urban sites that were incorporated under a Roman praefectura just after the Second Punic War, provides important parallels to contextualize the Pompeian pattern within the regional phenomenon and to measure the impact (or lack thereof) of direct Roman political influence.
In this study, Marcello Mogetta examines the origins and early dissemination of concrete technology in Roman Republican architecture. Framing the genesis of innovative building processes and techniques within the context of Rome's early expansion, he traces technological change in monumental construction in long-established urban centers and new Roman colonial cites founded in the 2nd century BCE in central Italy. Mogetta weaves together excavation data from both public monuments and private domestic architecture that have been previously studied in isolation. Highlighting the organization of the building industry, he also explores the political motivations and cultural aspirations of patrons of monumental architecture, reconstructing how they negotiated economic and logistical constraints by drawing from both local traditions and long-distance networks. By incorporating the available evidence into the development of concrete technology, Mogetta also demonstrates the contributions of anonymous builders and contractors, shining a light on their ability to exploit locally available resources.
Why did the Greeks of the archaic and early Classical period join in choruses that sang and danced on public and private occasions? This book offers a wide-ranging exploration of representations of chorality in the poetry, art and material remains of early Greece in order to demonstrate the centrality of the activity in the social, religious and technological practices of individuals and communities. Moving from a consideration of choral archetypes, among them cauldrons, columns, Gorgons, ships and halcyons, the discussion then turns to an investigation of how participation in choral song and dance shaped communal experience and interacted with a variety of disparate spheres that include weaving, cataloguing, temple architecture and inscribing. The study ends with a treatment of the role of choral activity in generating epiphanies and allowing viewers and participants access to realms that typically lie beyond their perception.
The Dioscuri first appeared at the Battle of Lake Regillus in 496 BC to save the new Republic. Receiving a temple in the Forum in gratitude, the gods continued to play an important role in Roman life for centuries and took on new responsibilities as the needs of the society evolved. Protectors of elite horsemen, boxers and sailors, they also served as guarantors of the Republic's continuation and, eventually, as models for potential future emperors. Over the course of centuries, the cult and its temples underwent many changes. In this book, Amber Gartrell explores the evolution of the cult. Drawing on a range of methodological approaches and a wide range of ancient evidence, she focuses on four key aspects: the gods' two temples in Rome, their epiphanies, their protection of varied groups, and their role as divine parallels for imperial heirs, revealing how religion, politics and society interacted and influenced each other.
The cult of Castor and Pollux in Rome possessed extraordinary resonance and longevity: they were first worshipped in a public cult in the city soon after the ousting of the kings and the foundation of the Republic in the early fifth century bc. A thousand years later, in the late fifth century ad, Pope Gelasius I complained about their continued popularity, for the people of Rome refused to stop worshipping the brother gods.1