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This is the first of two articles attempting a literary assessment of Valerius Flaccus' Argonautica. It will examine the poem from the beginning to 3. 474, and its successor will cover from 4. 58 to the end. Thus, there will be no overlap with matter already printed in my article, ‘The Hylas Episode in Valerius Flaccus' Argonautica’ (C.Q. N.S. xiii [1963], 260–7), and instances of the poet's application in other sections of the same literary principles as in the Hylas story may now be dealt with summarily. The episodes are treated in order of importance rather than of occurrence, with the emphasis at present on broad outlines rather than linguistic or metrical minutiae. Even within these limitations, this assessment does not aim at exhaustiveness. Where a section of the Argonautica is unremarkable and throws little light on Valerius' poetic method, pro re pauca loquar.
The manuscript tradition of the Theogony is not as good as that of the Erga, a poem which has always been more popular. The earliest complete manuscripts of the Theogony date only from the end of the thirteenth century, while those upon which the recensio must chiefly be based are of the fourteenth and fifteenth. The number of extant manuscripts, however, especially of the fifteenth century, is not inconsiderable, and knowledge of them has hitherto been far from complete. What is known is known largely in consequence of the labours of Alois Rzach. Rzach collated many of the manuscripts, and tried, with some success, to establish the relationships between them. He published his conclusions in Wiener Studien xix (1897), 15–70, and used them as the basis for his great edition of 1902.