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A contemporary source concerning St Geretrud's monastery at Nivelles is a short one and was named the Additamentum Nivialense de Fuilano by Bruno Kursch, who edited it for the Monumenta Germaniae Historica. It was written as a complement to the Vita Fursei and could actually be slightly older than the Vita Sanctae Geretrudis and its continuations. Heinrich Bonnell, who was a pioneer in delivering the history of Charlemagne's ancestors from the realm of late medieval fancy and basing it on more trustworthy contemporary sources, misjudged the Vita Sanctae Geretrudis. He put forward a very convincing argument for considering it to have been written in the eleventh century in the course of a local Brabantine political dispute. Denying historical authority to Geretrud's vita also meant erasing any basis upon which the middle Meuse in Brabant could claim to have been the area of the family's origins.
The frank details of the Passio Praejecti afford us a unique glimpse into the workings and tensions of Praejectus's native community. Earlier scholars had seen, and published, two versions of the Passio contained in various manuscripts dating from between the eleventh and fifteenth centuries. One version told of Praejectus's career from the time he became bishop until his death; the other related his whole life, and in addition that version had a stylish prologue, evidently from the Merovingian period. It also contained a series of posthumous miracles. Despite its early prologue, the longer version seemed generally to be later than the version of the Passio which dealt merely with Praejectus's career from the time he became bishop. Documenting the endowment of Praejectus's cult was a way of demonstrating the public acknowledgement of his sanctity.
Audoin, powerful nobleman, bishop of Rouen, and saint, was the most influential and the most famous of the Frankish nobility in mid seventh century. Audoin plays an important role in the hagiographical literature. Late Merovingian hagiography tends to emphasise miracles which heal and eliminate the maladies of the life, and the Vita Audoini follows the pattern. Perhaps through the religious influence of Columbanus, or perhaps for reasons which escape us, Audoin was given a literary education, something which was becoming increasingly rare even among the highranking Merovingian nobility in the course of the seventh century. In fact the events of Audoin's 'Life' upon which the author lavished the most attention were his death, his burial and the translation of his body. The author's primary concern in writing the vita was to display the divine power manifest in Audoin's acts of holy self-denial and especially evident in his deeds of wonder.
When base metal coinage ceased arriving in the north-western Roman Provinces c.a.d. 400, no new currency was introduced. For their everyday exchanges, people may have turned to different practices, or materials, in cases where the still-circulating coins were perhaps not fulfilling demand. This paper examines an early fifth-century burial from the coastal fort at Oudenburg, Belgium. Among the male adornment in burial A-104, the purse assemblage filled with a number of coins and fragmented base metal items stands out. Was the scrap metal used for exchanges? The discussion of the coins and metal items, including their weights, reveals their possible economic functions, as well as the potential in further analysing late Roman and early medieval purse assemblages.
This paper addresses the question of the role that artificial intelligence (AI) image generators play in the reception of the ancient world, examining the assumptions on which they draw in the generation of images, and how the creation of such images influences perceptions about the classical past. After a brief outline of how AI image generators work, highlighting the inherent presumptions and biases of the visual productions, a small case study is then presented, in which the prompt ‘Roman Britain’ was submitted to eight different free image generators. The conclusion drawn from this experiment is that while the technology is impressive, none of the image generators have managed to produce pictures that effectively conjure up Roman Britain. Although the tools may be good at creating a general impression, individual details are often incorrect. Moreover, the output depends heavily on the training data available. In the case of the ancient world, no photographs exist; only archaeological remains, fragments, and later imaginative reconstructions survive. Consequently, these limitations inevitably shape the generated images. Despite these disadvantages, it is likely that AI-generated images will become part of cultural heritage, and it is, therefore, important to consider the role that such images might play in the reception of antiquity. In recognition of the problems, and the advantages, of this technology, some suggestions are made in the final section of the paper as to how generative artificial intelligence (GenAI) images may be used in a positive manner, particularly within the classroom.